Rodrigo Spinel

GUIA UPS Stamp and USPS Tracking, Diptych. From the series Terms and Conditions

2021- 2022

The project is based in the contrast of the two images, the air waybill and the postage stamp, from different times but similar in their function. The artist seeks to enlighten the c...

The project is based in the contrast of the two images, the air waybill and the postage stamp, from different times but similar in their function. The artist seeks to enlighten the c...

The project is based in the contrast of the two images, the air waybill and the postage stamp, from different times but similar in their function. The artist seeks to enlighten the c...

The project is based in the contrast of the two images, the air waybill and the postage stamp, from different times but similar in their function. The artist seeks to enlighten the c...

This diptych, Markings, with a leather-like finish of cold wax and layers of marked tissue paper on wood, reads as an ancient surface immersed in the markings of time. Fragments of m...

Diptych San Miguel Comida, Art Graf, graphite, monoprints, tissue paper on watercolor paper, a two-tabled neighborhood eatery wraps tacos in checkered paper. San Miguel de Allende h...

Diptych Landscape Pogonip-cold wax, monoprints, mulberry paper on canvas, 2025. There are many overlapping histories in the local terrain of Pogonip, a word borrowed from the Shoshon...

Joseph Nechvatal The Oedipal God of Oil Paint and Destruction, Diptych Oil and screenprint on two canvases, 1985, both signed 'Joseph Nechvatal', titled and dated on the reverse, with label from Brooke Alexander, NY. Joseph James Nechvatal (born 15 January 1951) is a post-conceptual digital artist and art theoretician who creates computer-assisted paintings and computer animations, often using custom-created computer viruses. Joseph Nechvatal was born in Chicago. He studied fine art and philosophy at Southern Illinois University Carbondale, Cornell University and Columbia University, where he studied with Arthur Danto while serving as the archivist to the minimalist composer La Monte Young. From 1979, he exhibited his work in New York City, primarily at Galerie Richard, Brooke Alexander Gallery and Universal Concepts Unlimited. He has also solo exhibited in Berlin, Paris, Chicago, Cologne, Atlanta, Los Angeles, Aalst, Belgium, Youngstown, Senouillac, Lund, Toulouse, Turin, Arles and Munich. His work in the early 1980s chiefly consisted of post minimalist gray graphite drawings that were often photo mechanically enlarged. During that period he was associated with the artist group Colab and helped establish the non-profit cultural space ABC No Rio. In 1983 he co-founded the avant-garde electronic art music audio project Tellus Audio Cassette...