Plastic Animal Drawings and Watercolors

Medium: Ink and Watercolor on Board Dimensions: 8.75" x 9.5" Signature: Signed Lower Center Davis, a Southerner himself, manages to work in both the Tigers nickname and a reference to the "War...

Summertime in Martha's Vineyard is drenched in saturated yellows and reds. People in the foreground look out to the sea. Two people on horseback are masterfully rendered in a loose ...

Original Painting Undersea Whale Life Mag Published 1953 Illustration Ocean Sea Antonio Petruccelli (1907 – 1994) Underwater Whale Life Illustration published, c. November 7, 1953 1...

Hunt Slonem Original signed & inscribed drawing held in elegant hardback monograph, ca. 2012 Unique marker drawing bound in first front end page of lavishly illustrated hardback mono...

Ce dessin à l'encre et à l'aquarelle gouachée est une œuvre de l'artiste Marine Oussedik. Le dessin a les dimensions suivantes : 27 x 93 cm ; encadré dans un beau cadre en bois doré ...

This piece titled "Young Love" is an original artwork by Chris Austin and is made of gouache on wood. It measures 13"h x 25"w framed and is signed en verso by the artist. Chris Aust...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored p...

WPA Post Office Mural Study Native American Scene Regionalism Social Realism Louise Emerson Ronnebeck (1901 - 1980) Proposal Sketch for Worland Wyoming Post Office WPA Mural Project Image: 7 x 15 inches Board 14 x 22 inches Watercolor on paper, attached to black/gray cardboard/thick paper c. 1937 Signed lower right Written in Louise's hand on mounting paper in white chalk/pencil: "Sketch for Mural...

This small but elegant work is a black-and-white portrait of a dog. It is painted using the signature technique of oil on photographic paper (reverse side). Thick, plasticized photog...

"Giant Hybrid Hibiscus Butterfly with Flower" is an original mixed media work by David Barnett that incorporates iridescent oil pastel, a dried hibiscus flower, and watercolor. It is...

"Antenna Birds" New Yorker Mag Cover Proposal Mid-Century American Scene Modern Antonio Petruccelli (1907 – 1994) Antenna Birds New Yorker cover proposal, c. 1950s 12 1/2 X 9 1/4 in...

This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. This exhibition features select large-format monochromatic oil paintings on stretched canvas and wood panels. On view as well are works on paper with Japanese Sumi Ink, which inspired the oil paintings. Kinney has been looking at pre-historic cave paintings as well as animals depicted therein, such as the Chauvet caves in Nice, Southern France. Emerging from the inextricable interplay of light and dark, Kinney’s black and white ink paintings capture the ever-shifting subjectivity shaped by shadow. Cast in Japanese Sumi ink, each unique painting explores the trajectories of human and animal, natural and architectural form- what is revealed or hidden? A variety of hand-torn, heavy weight papers add textural dimension to each mark and brush stroke, as well as through the immediacy of brushstrokes to depict the action within the artwork In his latest collection of works, Kinney explores animal form and meaning as seen in both contemporary and ancient times. In “Savanna (Zebras) ”, a stampede of zebras is depicted through oil paint on wood panel. Animal populations in regions like the horn of Africa today face the loss of their natural habitats due to extreme draught. He explores the deep imprint they leave behind and the interconnectedness of humans and animals in the world. With the balance of nature at stake, Kinney’s paintings underscore the importance of the relationship between the natural environment and civilization. Matt Kinney...