
Untitled
By James Childs
Located in New York, NY
This drawing by James Childs is offered by CLAMP in New York City.
21st Century and Contemporary Contemporary Drawings and Watercolor Paint...
Paper, Conté, Graphite

Untitled
By James Childs
Located in New York, NY
This drawing by James Childs is offered by CLAMP in New York City.
Paper, Conté, Graphite
Untitled (Female Nude)
By James Childs
Located in New York, NY
This drawing by James Childs is offered by CLAMP in New York City.
Paper, Graphite, Charcoal
Untitled (Standing Male Nude 1)
By James Childs
Located in New York, NY
This drawing by James Childs is offered by CLAMP in New York City.
Paper, Charcoal, Graphite

Study for Fallen Angel III
By Daniel Barkley
Located in London, GB
Watercolour, signed and dated (lower right), 76cm x 56cm, (93cm x 69cm framed). Daniel Barkley is known for his nude figurative work alluding to myths, legends and art history, whi...
Paper, Watercolor

Figure 4
By Matthew Alfonso Durante
Located in Denver, CO
Crouching figure surrounded by pink flowers
Graphite

Anatomie du silence
By Bergstein
Located in La Baule-Escoublac, FR
Bergstein grew up in France between Paris and Saint-Rémy-de-Provence. At the age of 18, he flew to Barcelona, Spain where he joined an industrial design school. Back in Paris, he com...
Linen, Ink, Pen
Kyle Andrew Szpyrka - Infinite Self, Painting 2009
By Kyle Andrew Szpyrka
Located in Greenwich, CT
Sutra, a Sanskrit word meaning “thread”, is a word or small group of words that summarize an entire complex web of ideas, truths, wisdoms, or teachings all woven together into a sing...
Paper, Charcoal
The Body is a History - Muscular Male Nude, Graphite Drawing on Paper
By Rick Sindt
Located in Chicago, IL
Rick Sindt's knowledge of the male physique is evident in this exquisite drawing of a nude male. The subject sits on the ground with his body twisted away from the viewer. We see the defined musculature of his posterior. The artwork is framed in white wood with a black mat. Rick Sindt The Body is a History graphite on archival paper 12h x 9w in 30.48h x 22.86w cm RIS026 Shifting the historic male gaze into a male-on-male gaze, this body of work anchors its exploration of queer culture in relationships and introspection. Beginning with a survey of several photo archives, I overwhelmingly encountered pictures that fit into two distinct categories: spectacular demonstrations or public displays of sexuality. All of these images were overtly political. Then, I began to find a subset of more intimate images. Typically, these were images submitted by loved ones or donated to foundations after someone’s death. These images depicted common, tender scenes. Working my way through these images, I reflected on D. A. Miller’s assertion that gay identity, to which we have entrusted our politics and ethics, stands in an essentially reductive relation to the queer desires on which it is based. And David Halperin’s argument that, “identity has become the preferred category for thinking about homosexuality. Moreover, it has been promoted at the direct expense of pleasure or feelings or subjectivity.” This left me asking the questions: how is queer culture transmitted if not genealogically? Is there a universal queer experience? What is queer sensibility and subjectivity and can it be visually represented? Rick Sindt b. 1990, Hastings, MN, EDUCATION 2013 North Park University, Chicago, IL - BFA Magna Cum Laude SOLO EXHIBITIONS 2016 Two Countries, Rogue Philanthropy, Chicago, IL 2013 Tides, Erosion or Catch, Pull, Recover; The-One-Right-Now, North Park University; Chicago, IL GROUP EXHIBITIONS 2016 Are We Not of Interest to Each Other, Uptown Arts Center, Chicago, IL Reinventing Ourselves From Another Point-of-View, Contemporary Gallery at Zhou B. Arts Center, Chicago, IL Collective: Process, Beans and Bagels, Chicago, IL 2015 Collective: for(a)ging, Hammond Art Center; Hammond, IN How We Make It, The Arts of Life, Chicago, IL Collective: One, Albany Park...
Graphite, Archival Paper
The French photographer transformed everyday encounters into enduring images of shared experience.
The New York photographer tells us how an encounter with the then-13-year-old boxer led to a decade-long project that saw them both go pro.