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Jane Gray
St Paul’s Church, Marton, Watercolour Stained Glass Window Design, Jane Gray
1984

Name: St Paul’s Church, Marton, Watercolour Stained Glass Window Design, Jane Gray
Brand: Jane Gray
Rating: 4.6 (24 reviews)

$552.59

£400

€476.72

CA$767.58

A$770.99

CHF 447.04

MX$9,406.83

NOK 5,173.52

SEK 5,308.30

DKK 3,563.66

About the Item

We acquired a series of watercolour stained glass designs from Jane Gray's studio. To find more scroll down to "More from this Seller" and below it click on "See all from this seller." Jane Gray (b.1931) Stained Glass Design Watercolour 25.5 x 14 cm Signed, dated and artist label verso Provenance: the artist's studio sale Worship at Marton, a township-chapelry in Poulton-le-Fylde parish, Lancashire, began in 1760 but it wasn’t until 1800 that Marton got it’s own church dedicated to St Paul. Gray’s vibrant design for the church’s south wall window depicts the stages of creation against a swirling night sky and features the biblical line, ‘and God saw that it was good’, from Genesis 1:31. This design fantastically demonstrates Gray’s modernist style, with her simple yet detailed, geometrical delineation of her subjects. Jane Gray A.R.C.A. (b.1931) is a British stained glass artist. She studied stained glass at the Kingston School of Arts (1949-51) and later at the Royal College of Art (1951-55) under Lawrence Lee. Lee was so impressed with Gray’s work that he asked her to work alongside him on the design of ten nave windows for Coventry Cathedral. This six-year-long design project culminated in their final installation in 1962 after the cathedral’s consecration. Gray was the first woman to become a liveryman of the Worshipful Company of Glaziers and has designed more than a hundred windows in private and public buildings, chapels and over forty churches across the country, including St Peter’s, Martindale, Shrewsbury Abbey, St Oswald, Oswestry and St Mary, Chirk. Gray’s designs mark a crucial turning point in the history of stained glass art as the Victorian style gave way to a modern, aesthetic. In her work, Gray navigates this shift with a style that, whilst distinctly modern, retains a deep rooted sense of the medieval. Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] playing with rainbows’.

Creator:
Jane Gray (1931, British)
Creation Year:
1984
Dimensions:
Height: 10.04 in (25.5 cm)Width: 5.52 in (14 cm)
Medium:
Watercolor
Movement & Style:
Modern
Period:
Late 20th Century
Condition:
Gallery Location:
London, GB
Reference Number:
1stDibs: LU795313091762

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