early 16th century
Study After Michelangelo’s David, Ink Drawing, 16th Century, Framed
Located in Paris, Île-de-France
Attributed to Vincenzo DE’ ROSSI (Fiesole 1525 - 1587 Florence) Study after Michelangelo’s David Pen and brown ink on paper 15 3/4 x 6 1/4 in 40 x 16 cm Bears an inscription lower ...
Ink
16th Century Italian Renaissance Pen and Ink Study of Figures
Located in Paris, Île-de-France
Italian School, 16th Century Studies of Figures Pen and ink on paper, 23 × 24 cm Unsigned A finely executed sheet presenting vigorous figure studies, drawn with assured pen strok...
Ink
16th Century Ink Drawing Study for a Fresco, Old Masters Style
Located in Paris, Île-de-France
Attributed to Francesco PENNI (1488 – 1528) Study for a fresco Pen and brown ink, brown wash heightened with white on prepared paper 14 x 12 cm Unsigned On the mount, handwriting ...
Ink
Italian School, late 16th century - Head of a Man and Écorché Studies of Arms
Located in Paris, Île-de-France
Italian School, late 16th century Head of a Man and Écorché Studies of Arms Red chalk on laid paper, 21 x 11 cm Provenance: Collection of Michael Jaffé CBE (1923–1997), English art historian and Director of the Fitzwilliam Museum, Cambridge Private collection, France This drawing, attributed to the Italian School of the late 16th century, demonstrates the influence of Michelangelo’s approach to anatomy and expression. The sheet combines two distinct studies: an anatomical rendering of arms in the écorché technique, focusing on the musculature and skeletal details, and a head of a man, drawn with careful attention to light and shadow. The use of red chalk lends the work warmth and immediacy, qualities often associated with Renaissance studies of the human form. The écorché studies reflect the Renaissance fascination with anatomy as both an artistic and scientific pursuit. The detailed depiction of the musculature suggests the artist’s interest in understanding the mechanics of the body, a practice heavily influenced by Michelangelo’s drawings...
Chalk
Leaning Nude Man (recto); Kneeling Man, Hands Tied Behind His Back (verso)
By Giovanni Francesco Barbieri (Il Guercino)
Located in Paris, Île-de-France
GIOVANNI FRANCESCO BARBIERI, known as GUERCINO (1591-1666) Leaning Nude Man (recto); Kneeling Man, Hands Tied Behind His Back (verso) Black chalk heightened with white on light blu...
Chalk, Charcoal
Discovery of 17th Century Moses Drawing in Pen and Ink on Laid Paper
Located in Paris, Île-de-France
GIACINTO BRANDI (Poli 1621 – 1691 Rome) The Discovery of Moses Pen and brown ink, brown wash 43.2 x 29 cm Bears an inscription at the lower edge “Agostino Tassi” and on the revers...
Ink, Laid Paper
Old Master French Sanguine Drawing of Hercules
Located in Pasadena, CA
Old Master, French School red chalk drawing on paper is not signed . Done in Sanguine on paper the nude appear like Hercule . The feel and look of the works while academic studies a...
Archival Paper
Studies and notes - Ink and Pencil on Paper y Anonymous Master - Early 1800
Located in Roma, IT
This beautiful artwork is a piece of paper with studies and notes. On one side, eleven subjects are drawn in ink, among which La Pietà in different poses, a female figure, and a prof...
Ink, Pencil
Study for Statue - Pencil Drawing by Giovanni Fontana - Early 17th Century
By Giovanni Fontana
Located in Roma, IT
Study for Statue is an original drawing in pencil on paper, realized by the architect and engineer Giovanni Fontana (1540-1614). The state of preservation of the artwork is good exc...
Pencil
Disegno figurativo accademia di nudo maschile veneto del XIX secolo
Located in Florence, IT
Il disegno, composto da un unico foglio senza filigrana di 52 x 32 cm, proviene dalla collezione degli eredi di Placido Fabris e mostra, su uno sfondo scurito a tempera, una figura v...
Tempera, Laid Paper, Carbon Pencil
Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Providenza
Located in Cirencester, Gloucestershire
'Providenza' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inche...
Ink, Watercolor, Archival Paper
Study of a Fate at mid-body, a red chalk attributed to Giovanni da San Giovanni
Located in PARIS, FR
This spectacular red chalk drawing depicts an elderly woman, her eyes bulging, her hand stretched out towards the sky. This disturbing character, who seems close to dementia, and the elongation of her arm with its Mannerist overtones, plunge us into the Florentine artistic milieu of the first half of the 17th century. The proximity of this drawing to some characters in the fresco in the Pitti Palace representing The Muses, Poets and Philosophers chased from Parnassus, the last masterpiece of Giovanni da San Giovanni, leads us to propose an attribution to this artist and a dating of around 1635-1636. 1. Giovanni da San Giovanni, the painter of contradiction We take here the title of the monography dedicated to the artist by Anna Banti in 1977, which remains the reference book for this artist. The son of a notary, Giovanni Mannozzi, known as Giovanni da San Giovanni, abandoned his studies to go to Florence at the age of sixteen, where he entered the studio of Matteo Rosselli (1578 - 1650) around 1609 and enrolled in the Academy of Drawing Arts in 1612. Around 1615 he produced his first known works, mainly frescoes for the city's tabernacles. He became famous in Florence for his originality, combining an obsessive application to the study of drawing and the reading of poetry and history with a disheveled appearance. Between 1619 and 1620 he decorated the facade of the Antella Palace in Piazza Santa Croce, a decoration that still partly survives today. The death of Cosimo II in 1621 put an end to the Florentine building activity and Giovanni da San Giovanni left for Rome to find other sponsors with the painter Francesco Furini...
Chalk
