Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 14

George Errol Fleming
Factory workers homebound in the rain.

mid 20th Century

$3,781.84
£2,750
€3,278.15
CA$5,306.49
A$5,391.85
CHF 3,054.61
MX$65,605.51
NOK 35,818.21
SEK 36,013.35
DKK 24,522.49

About the Item

George Errol Fleming 1941 - is a Northern Irish born artist and lecturer, who is known for his social pictures of the Belfast region including an ability to draw in the manner of William Coldstream, without direct imitation. His early career was spent in the Royal Navy and the Merchant Navy later he attended Ulster University where he eventually became a tutor. This picture is unsigned. Below is a brief biography of the artist which I have listed for your information. The picture is in very good original condition and we are cataloguing the picture as unsigned . George Errol Fleming (born 1941) is a Northern Irish painter and lecturer whose work is deeply rooted in the social and historical landscape of Belfast. He is particularly noted for his figurative style, often executing charcoal drawings in the manner of William Conor, capturing the spirit and daily life of the working class with similar warmth and grit. Before pursuing a formal career in the arts, Fleming spent several years at sea, serving in both the Royal Navy and the British Merchant Navy. These maritime experiences frequently surfaced in his later artwork, such as in his piece Sailors and Tin Fishes, which is held in the collection of the Royal Navy Submarine Museum. Fleming transitioned to academia in the late 1980s: University of Ulster: He studied here from 1987 to 1991, graduating with a degree in fine art. He completed a postgraduate diploma in applied arts in 1992. He became a respected lecturer, teaching at his alma mater and leading workshops at the Ulster Folk and Transport Museum and the Harmony Hill Arts Centre. Fleming's work is characterised by its focus on "public concerns and social issues," often using art as a medium for dialogue. Much like Conor, Fleming’s charcoal works emphasize the humanity and movement of his subjects, particularly the ordinary people of Ulster. He was instrumental in campaigning for the recognition of James Magennis, the only Northern Irishman to be awarded the Victoria Cross during WWII, which led to the memorial sculpture in front of Belfast City Hall. His solo exhibition Echoes (1993–1994) toured Northern Ireland, exploring themes of memory and the "Long Walk Home". He also produced the All God’s Children series, which explored different world faiths through figurative oil paintings. Fleming was a long-time associate of Queen Street Studios in Belfast. His work has been featured in several significant group and solo shows: Arts Council Gallery, Belfast (1988). Beyond the Partitions (1994), organised by Queen Street Studios. His paintings are held by the Northern Ireland Civil Service and the Royal Navy Submarine Museum. There is a similar but alternative biography below which displays the difference in technique between William Conor and George Fleming. William Conor’s artistic technique, which profoundly influenced George Errol Fleming, was defined by a spontaneous, "unmediated" approach to capturing the working-class life of Belfast. Conor was famously known as "The People's Painter," a title Fleming continued through his own focused studies of social issues. George Errol Fleming adopted several specific methods pioneered by Conor: Conor developed a highly personal technique using crayons and wax on textured surfaces to achieve a rugged, uneven finish. This gave his charcoal and chalk drawings a distinct "impromptu" feel, suggesting a scene caught in a fleeting moment. To capture authentic, unposed moments, Conor would hide loose sketchbook pages inside a newspaper. He would pretend to read while secretly sketching people in the street. Fleming mirrored this dedication to capturing "public concerns" and the raw reality of the streets. His work rarely depicted stillness. Instead, he focused on lively movement, smiling faces, and social interaction, such as mill girls strolling or children in cinema queues. Fleming’s charcoal drawings similarly emphasise this human vitality and social dialogue. Both artists used charcoal to create dramatic light and shade, giving their working-class subjects a sense of "heroic status" and gravitas. While Conor recorded the Belfast of the early-to-mid 20th century, Fleming used these same "Conor-esque" techniques—heavy charcoal lines and textured shading—to bridge the gap to the modern era. Fleming’s series, such as Echoes, used these techniques to explore memory and the "Long Walk Home," keeping the spirit of Conor’s figurative tradition alive in a contemporary academic context.
  • Creator:
    George Errol Fleming (1941, Northern Irish)
  • Creation Year:
    mid 20th Century
  • Dimensions:
    Height: 20 in (50.8 cm)Width: 26 in (66.04 cm)Depth: 1.5 in (3.81 cm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    Douglas, GB
  • Reference Number:
    Seller: NO. 4621stDibs: LU2373217902112

More From This Seller

View All
The Bird watchers

The Bird watchers

Located in Douglas, Isle of Man

Ursula Vivian McCannell 1923 - 2015, was a English born artist who painted in an impressionist style. Both her Father and Mother were painters. Ursula studied under her Father at th...

Category

1930s Figurative Paintings

Materials

Canvas, Oil, Board

Paris 1936

Paris 1936

Located in Douglas, Isle of Man

Frederick Gore C.B.E. R.A. 1913-2009, was an English painter born into a family where his father was a successful and famous painter, Spencer Gore 1878-1914. Frederick Gore was stud...

Category

1930s Mixed Media

Materials

Paper, Pastel

Urban Village Landscape with trees and figures.

Urban Village Landscape with trees and figures.

Located in Douglas, Isle of Man

This picture is sold as ' circle of ' Xul Solar. This captivating, whimsical work presents a densely clustered hillside town executed in the artist’s signature avant-garde, neo-pri...

Category

Early 20th Century Landscape Drawings and Watercolors

Materials

Paper, Watercolor

The ironing room.

The ironing room.

Located in Douglas, Isle of Man

Christopher Pemberton 1923 -2010, was an English painter, draughtsman and teacher at the Camberwell School of Art. He was a student at the school and later became a teacher of art, h...

Category

Mid-20th Century Interior Paintings

Materials

Oil, Board

Approaching the harbour

Approaching the harbour

Located in Douglas, Isle of Man

Jacques Maret 1900-1980 Jacques Maret was born on 27th September 1900 in Nantua, France. He was a French painter, illustrator, engraver and poet. This painting is signed , lower right. Maret studied under the French painter, sculptor and engraver Victor Prouvé and attended the Académie Julian, Paris, in the early 1920's when it was located in Montmartre. Maret was mobilized during both WW1 and WW2 - and was taken prisoner during WW2. Maret's illustrations were published in the surrealist and poetic magazine 'Feuillets Inutiles' between 1928 and 1977. The other contributors included the photographer Georges Pillement, the avant-garde poet and dramatist Pierre Albert-Birot, the journalist and poet Pierre Andreu, the cubist painter and teacher André Lhote and the Belgian sculptor Michel Seuphor. The French poet Max Jacob described Maret as 'a very great painter' in 1933. The poet André Salmon has been quoted as saying (of Maret) 'Il a beaucoup inventé, on il a beaucoup pillé avant la célébrité' (He invented a lot, and was frequently plundered before he became famous). The Bénézit Dictionary of Artists describes Maret as 'one of the greatest scholarly engravers of his time' Maret exhibited at various galleries in France including Galerie Zak - a Parisian art gallery (1928-60) that specialised in modern European and South American art; Galerie de Paris and the 'Salon des Tuileries' was an annual art exhibition of painting and sculpture, organized in opposition to the Academy's official Salon system, that ran from 1923 until the early 1950s. Maret had a solo exhibition at the Art Institute of Chicago...

Category

Mid-20th Century Landscape Paintings

Materials

Canvas, Oil

Idyllic Landscape

Idyllic Landscape

Located in Douglas, Isle of Man

In the manner of Jean-Francoise Milet, 1814-1875, who was a French artist, and one of the founders of the Barbizon School of painters. Milet influenced a great many painters through...

Category

Late 20th Century Landscape Paintings

Materials

Canvas, Oil

You May Also Like

Under the Rain

Under the Rain

Located in San Francisco, CA

This artwork "Under the Rain" 1992 is an original etching by French/Canadian artist Pierre Roland Renoir b.1958 (Grand son of the famous impressionist artist Pierre Auguste Renoir) I...

Category

Late 20th Century Impressionist Figurative Prints

Materials

Etching

Concert in the Rain, Watercolor and Pastel on Paper by George Habergritz

Concert in the Rain, Watercolor and Pastel on Paper by George Habergritz

Located in Long Island City, NY

A crowd of people that stretches into infinity, all tinged blue, huddle under umbrellas during a storm and face the viewer. Given the title, it is implied that the viewer stands in t...

Category

1960s Abstract Expressionist Figurative Drawings and Watercolors

Materials

Paper, Pastel, Watercolor

Workers

Workers

Located in Riga, LV

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...

Category

1980s Abstract Expressionist Figurative Paintings

Materials

Oil, Cardboard, Canvas

Continental School Mid 20th Century Oil - A Rainy Day

Continental School Mid 20th Century Oil - A Rainy Day

Located in Corsham, GB

This charming continental scene depicts people travelling down a country road on a rainy day. The artist captures the light reflecting from the wet road surface with an expert hand i...

Category

Mid-20th Century Landscape Paintings

Materials

Oil

Bustling Breton Market Scene in Rain with Figures & Village Rooftops French Oil

Bustling Breton Market Scene in Rain with Figures & Village Rooftops French Oil

By Fanch Lel

Located in Cirencester, Gloucestershire

Bustling Breton Market Scene in Rain with Figures and Village Rooftops French Post Impressionist Oil Painting by Fanch Lel signed lower left and dated 98' oil on board, unframed Boar...

Category

20th Century Impressionist Figurative Paintings

Materials

Oil