Pino Settanni

Flight of Swallows - Mixed Media by Pino Settanni - 2000s

2000s

Untitled is a beautiful artwork realized by Maurizio Gracceva in the 2008. Mixed media on paper: acrylic, pastels, spray Hand signed by the artist. Author of numerous philosophica...

Mixed Media on Music Sheet. Hand signed overleaf. Passepartout included : 69 x 49 cm Very good conditions.

Lithograph realized in 1990s. Hand signed and numbered in pencil. Edition of 120. Very good condition.

Mixed Media on Music Sheets. Hand signe overleaf. Passepartout included : 69 x 49 cm. Very good conditions.

Thoughtful work by this well measured British artist. Framed 20.5" x 26.5" Image 18" x 24"

Acrylic, ink, and collage on Yupo mounted on museum board. Framed. Barbara Strasen creates imagery plumbed from the depths of a fertile imagination and a trove of rich memories, in ...

"Duality" indicates the existence of two different phenomena or personalities in the same person or in the same situation. This is Alberto Letamendi's project "Loturak vs. Lokarriak ...

Artist Comments
A paper crane flies among a flock of birds against a dusky warm gradient. "The title of this work, 'This Is Not a Flock of Birds,' is a nod to Belgian surrealist painter René Magritte," shares artist Candice Eisenfeld. She takes pleasure in letting her viewers create their own meanings inspired by her work.

About the Artist
As an American exploring issues of identity, artist Candice Eisenfeld paints through the lens of the first American art movement, the Hudson River School. Rather than depicting a specific locale, Candice’s artwork evokes a sense of place. These "inner landscapes" are invented, and often reference photographs taken during travels in southern Appalachia and the Blue Ridge and Smokey Mountains. Whether real or imagined, her paintings are influenced by the Dutch Masters, Tonalists, and Chinese painting. Produced on a single wooden panel, the ethereal landscapes are often joined with segments of aqueous color fields which act as commentary for the landscapes, like the chorus in a Greek play. The crisp, hard edges separating the landscapes from the color fields command a sense of order in an otherwise fluid and painterly surface. With two or three sections of the panel competing for attention, the painting creates multiple focal points. Candice's art has been displayed in embassies in Namibia and Belarus, held in the collections of Norwest Bank and Northwest...