Trish Andersen

'A Tisket, A Tasket' - contemporary fiber art, textural, colorful, tufting

2024

Contemporary Fiber Art, Needle Felted "Painting" with Hand Stitched Wrapped Edge Hangs on wall via french cleat Groot Foundation Honorable Mention Recipient 2025 "My work, both in...

Contemporary Textile, Fiber, Wall Sculpture, Psychedelic, Woven, Crocheted Groot Foundation Grant Honorable Mention Recipient 2025 Terraforming Consciousness by Ethan Meyer is a po...

Eclectic, mixed media wall hanging textile tapestry by Marlene (Marlen) Richard featuring abstract embroidery atop free hanging locks of fabric over a black background embellished wi...

Linda Kamille Schmidt plays with emotional connections and memory in her smaller, framed works. In their encasements, each collage appears as a portal; a well of both excitement and sentimentality. Her transparent and opaque fabrics mingle together with an almost casual ease. Schmidt’s hand is evident in the cut, placement, and suturing of each strip. The artist vacillates between precise machine and loose, wobbly hand-sewn stitches. Her subtle use of pins in the works act as focal points for the eye as it dances around the celebration of color and texture. As a result, her works refuse the sterility of manufacturing, and challenge the reductive elision of perfectionism and femininity. This sense of touch evokes a closeness with the fabric, almost inviting contact. A hot frenzy of geometric forms, Schmidt’s fabric swatches about and overlap to form a kaleidoscopic play with depth and recession. Coupled with the scale of these smaller pieces, Schmidt draws her viewer forward, and entices them to fall into her mesmerizing displays.  Linda Kamille Schmidt is originally from Kansas where she attended Bethel College and where most of her family still lives. She received an MA and MFA in drawing and painting from the University of Iowa in Iowa City.  She has lived and worked in Brooklyn, NY, since 1989. Solo and Group shows have included AIR Gallery (New York, NY), Ann Street Gallery (Newburgh, NY), Art in Embassies (Kohor, Republic of Palau), Art Mora (Ridgefield Park, NJ; Seoul, South Korea; New York, NY), ArtPort Kingston (Kingston, NY), Carroll and Sons Gallery (Boston, MA), Chazou Gallery (British Columbia), Cheryl Hazen Gallery (New York, NY), Clemente Soto Velez Cultural Center (New York, NY), Curious Matter (Jersey City, NJ), DeDee Shattuck Gallery (Westport, MA), Denise Bibro Fine Art (New York, NY), Main Window Dumbo (Brooklyn, NY), Port Washington...

This piece is from a body of work called 'Vital Signs’ which springs from the domain of hospitals and illness through combinations of hand-woven and tufted textiles and minimalist box-like objects that hang on walls or embed in the textiles themselves. The textiles refer to items of worn clothing, flattened identity, and superstition that come with illness and extended hospital stays. Their dominant color is blue, a hue known to calm the nervous system, but also the color of a failing body (cyanosis). The black and white objects...

Linda Schmidt’s fabric sculptures intertwine public and private, luxury and common. There is a sense of egalitarianism present in both the way Schmidt so...

This vibrant fiber artwork features sheer, layered fabrics in a glowing spectrum of jewel tones, citrus brights, and soft pastels. The geometric composition is both hand- and machine...

This piece is from a new body of work called 'Vital Signs’ which will premiere at Ivy Brown Gallery in NYC and springs from the domain of hospitals and illness through combinations o...

Linda Schmidt’s fabric sculptures intertwine public and private, luxury and common. There is a sense of egalitarianism present in both the way Schmidt sources and arranges her fabric...

Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...