Fleur park

Line Formation I, Original painting, Abstract, Geometrical

2022

Space Series 1 [2022] original Acrylic on Canvas Image size: H:80 cm x W:60 cm Complete Size of Unframed Work: H:80 cm x W:60 cm x D:3cm Frame Size: H:84 cm x W:64 cm x D:5cm Sold F...

This is the second in the series ooh la la , it is made in acrylic paint, with collage, text, & gold leaf. It is built up with layers of sand and paint so it has texture and depth . ...

Black Series 1 is an original abstract painting by artist Fleur Park which is an examining of the concept of space. Fleur Parks art is influenced by the push and pull of her country ...

'Make Your Move' is one of a series of abstract paintings inspired by 17 years living by the sea. When you live by the coast year-round, there are so many different weather condition...

Contemporary British artist, 21st century oil on board, framed framed: 19 x 23 inches board: 17 x 22 inches This came from a private collection of artworks by the artist, a few of wh...

This one-of-a-kind painting by Anna Maria Caboni presents a refined geometric abstraction defined by balance, rhythm, and warm tonal contrasts. Executed in a harmonious palette of go...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 50"L. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpture, and found objects. He was born on May 12, 1925 in Shawnee, Oklahoma. He enlisted in the Air Force where he trained to become a fighter pilot. After leaving the militrary he studied design at the University of Oklahoma. His highly technical military training combined a mathematical intelligence with a love for physics and a daring embrace of new experience, all of which would soon be the tools for his evolution through art. Two major influences interacted on his early development at OU. Emelio Omero, a colleague and close friend of Diego Rivera, introduced him to the revolutionary art ideas of Mexico City, while teaching him a wide range of printing techniques that would culminate in a Masters Degree in Painting in 1952. During this time he met Bruce Goff, a renowned Wright disciple, who was teaching architecture at OU and befriended Hatchett, introducing him to the most avant-garde architecture of that time. He spent his summers while at OU designing for a small sign shop, which introduced him to new materials used for building neon, plastic, and metal signs. The use of new materials and a keen sense for design would soon become invaluable building blocks for future sculpture. During this time he met and married Mary Ellen Jeffries. They would spend their lives together and raise three children, David (me), my brother Dana, and my sister Jeffri. As children, they were immersed in art from childhood and benefited greatly from this loving art and domestic environment. Hatchett was always interested in the techniques of construction, often watching different tradesmen working, understanding how materials are put together to create the manmade environment that surrounded him. While teaching printmaking at Oklahoma City University from 1951 through ‘54, he began to build sculpture employing some of the materials and techniques that he saw workers using. He was beginning to draw the attention of architects and he became interested in their work-trade processes, moving from blue prints to construction. He accepted an invitation from Alexander Hogue...

Jean Baier (Swiss, 1932-1999) "Composition" 1960 An original enamel composition on metal wall mount art. This post war contemporary work features geometric abstract designs character...