Grant Wiggins

Confluent 3 (Study)

2015

Leslie Wilkes’ pieces are an explosion of shape and color. With near perfect symmetry, these works exhibit opaque and smooth surfaces. “Wilkes’ geometric patterns are unique in that ...

In 2021, Edmiston developed a visual language concluding with sixteen irregular shapes which would later serve as the foundation of the exhibit. The varying forms are repeated, resiz...

In 2021, Edmiston developed a visual language concluding with sixteen irregular shapes which would later serve as the foundation of the exhibit. The varying forms are repeated, resiz...

Inspired by glossy magazine spreads of carefully staged, impossibly perfect interiors and landscapes, Martha Hughes strips these down to their barest colors, distorting angles and pr...

Abstract. Vibrant. Painting. About the Artist: "I contemplate every color, mark, and placement of the line to formulate what I call rhythmic velocities: relationships of color and motion that give life to the composition, creating a heartbeat. I am interested in the duality of math and design: through repetition, a line made of color becomes a rhythmic pattern. This concept is found when composing music, organic landscapes and architectural structures. By referencing these sources, my abstractions transcend their formal components, reaching beyond a minimalist canon. My work is composed of hard edges and thin lines set against an abstract field or a pictorial space. Each color has a quickness that is relative to the colors surrounding it; this gives my paintings visual movement and dislocates the viewer. Through linear and geometric forms, my paintings explore design and mathematical concepts found broadly throughout culture. They are improvised from a wide range of sources such as my conversations with scholars in various fields of music, architecture and engineering, my life experiences and travels." Thomas Paul Raggio...

2025 Acrylic on canvas 16 x 16 in. (40.6 x 40.6 cm) Unique Signed and dated, verso

Abstract. Vibrant. Painting. About the Artist: "I contemplate every color, mark, and placement of the line to formulate what I call rhythmic velocities: relationships of color and motion that give life to the composition, creating a heartbeat. I am interested in the duality of math and design: through repetition, a line made of color becomes a rhythmic pattern. This concept is found when composing music, organic landscapes and architectural structures. By referencing these sources, my abstractions transcend their formal components, reaching beyond a minimalist canon. My work is composed of hard edges and thin lines set against an abstract field or a pictorial space. Each color has a quickness that is relative to the colors surrounding it; this gives my paintings visual movement and dislocates the viewer. Through linear and geometric forms, my paintings explore design and mathematical concepts found broadly throughout culture. They are improvised from a wide range of sources such as my conversations with scholars in various fields of music, architecture and engineering, my life experiences and travels." Thomas Paul Raggio...

A dynamic interplay of vivid colour and bold geometry, this striking abstract painting by David Leverett exemplifies his signature fusion of movement and structure. This composition ...