2019
Throughout his career, painter Jimi Gleason has explored the relationship between color, light and space and how the viewer perceives each. Like reflections off a water’s surface, it has been said that Gleason’s iridescent abstract paintings appear to “shift,” creating an almost “meditative experience.”
Gleason was born in 1961 in Newport Beach, California. In 1985, he graduated with a BA in Fine Art from the University of California, Berkeley. Following graduation, Gleason became a printmaker at the San Franciso Art Institute and worked as a studio assistant to renowned abstract painter Ed Moses.
In 1987, Gleason moved to New York City, where he worked as a photo assistant to his high school friend, photographer Matt Sees. During that period, Gleason learned a great deal about the photo development process, which inspired his signature luminescent painting technique. “...I kept seeing these Cibachrome prints, big shiny photos,” he said. “I wanted to bring some of that back into painting, to steal it back.”
To achieve the unique, reflective qualities of his paintings, Gleason uses silver nitrate mixed with acrylic paints applied to chemically treated, acrylic-coated canvas. While there is a provocative interplay of color and texture at work, the surface of each piece acts as a mirror that also interacts with light, creating different perceptive experiences for the viewer.
Over the years, numerous galleries, such as the William Turner Gallery in Santa Monica, have exhibited Gleason's work. His art is also held in public and private collections, including Dakota Studios in New York, Hilton Headquarters in McLean, Virginia, and the Frederick R. Weisman Art Foundation and Sun America, Kaufman Broad Home Corporation in Los Angeles.
On 1stDibs, find original Jimi Gleason paintings, mixed media works and other art.
Milucky
By Jimi Gleason
Located in Santa Monica, CA
Jimi Gleason has spent his career exploring the reflective possibilities of a painterly surface. “By using an iridescent surface coat, I have managed to create visual spaces that res...
Silver
Inner Space
By Jimi Gleason
Located in Santa Monica, CA
Jimi Gleason introduces two exuberantly gestural, lustrous silver nitrate paintings edged with electric bands of color.
Silver
Gateway
By Jimi Gleason
Located in Santa Monica, CA
Jimi Gleason has spent his career exploring the reflective possibilities of a painterly surface. “By using an iridescent surface coat, I have managed to create visual spaces that res...
Silver
Plane Image (KinE)
By Jimi Gleason
Located in Santa Monica, CA
Jimi Gleason has spent his career exploring the reflective possibilities of a painterly surface. “By using an iridescent surface coat, I have managed to create visual spaces that res...
Silver
Pieces of Light
By Jimi Gleason
Located in Santa Monica, CA
Jimi Gleason has spent his career exploring the reflective possibilities of a painterly surface. “By using an iridescent surface coat, I have managed to create visual spaces that res...
Silver
High Tide
By Jimi Gleason
Located in Santa Monica, CA
Jimi Gleason has spent his career exploring the reflective possibilities of a painterly surface. “By using an iridescent surface coat, I have managed to create visual spaces that res...
Silver
Jillidu
By Michael Kessler
Located in Three Oaks, MI
Michael Kessler makes nature-based paintings that merge geometric elements with biomorphism. He began his art career as a landscape painter. While an undergraduate at Kutztown University Kessler received a fellowship from the Whitney Museum of American Art to study and produce art in New York City at the Whitney Independent Study Program. Michael Kessler’s work explores the continuum between gesture and geometry. Each work consists of as many as 50 micro-thin layers of translucent and transparent acrylic. Biomorphic tendrils branch to and fro, while arcs of line and color slip over and under matrices, balancing nature’s sinuous curves with the mindfulness of structure. He likens the gestural freedom in his works to a kind of painterly “tai chi” – a...
Acrylic
MKW-003
By Nick Schleicher
Located in Missouri, MO
Nick Schleicher (American, b. 1988) MKW-003, 2019 Acrylic, Fluorescent Pigment, Iridescent Pigment, & Gel Gloss on Panel 36 x 26 inches Signed, Dated, ...
Glaze, Acrylic, Wood Panel, Pigment
Untitled
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. 77.25 x 59 in. 79.75 x 62 in. (framed) Custom framed in a solid hardwood floater, with a matte white finish. Provenance Estate of the artist Hollis Taggart...
Canvas, Oil
Crossroads
By Patrick Schmidt
Located in New York, NY
Abstract painting with geometric lines and vibrant colors. On canvas. About the artist: Patrick’s work has been seen and collected all over the states and Europe. His most rece...
Canvas, Acrylic
Untitled 67 - signed AP
Located in London, GB
Gfeller + Hellsgård - Untitled 67 Screen-print on paper - signed & numbered - 2016 This is a rare A.P (artist proof) from the Untitled 67 print run. It's handprinted 5 colours as split-fountain. Size 80 x 60 cm, with a 5 cm white border, the condition is good, it will be shipped rolled in a hard tube. Artist info: Gfeller + Hellsgård is an artist duo working in Berlin. They've created an unique painterly screen-print-style which includes colour overlaps, smudges, bleeding, glitches and transparencies. In 1995 while studying at Ecole Supérieur des Arts Décoratifs de Strasbourg, Christian Gfeller (born 1973, Alsace) started publishing screen-printed graph'zines and artists' books under the moniker Bongoût (good taste). Bongoût found it's roots in the french D.I.Y art punk scene and, together with an handful of people, also organised concerts, party's and performances in an old warehouse named Lactina in Kehl, across the Rhine from France. The location became cult with its first techno parties, noise concerts and art performances, as well as exhibitions. Christian's first screen-print studio was located in Lactina and beside zine and book making, he designed and printed posters for the events as well as record covers for the cult garage trash punk label Yakisakana Rcds. In 2000, FLTMSTPC in Paris published a polaroid book by Christian, where this vivid time at Lactina was well documented. During this period Christian also played in several local bands: Pitfall, Elcamino and The Cheeraks. Christian Gfeller met Anna Hellsgård (born 1980, Stockholm) at a concert in Berlin on September 11th 2001. After Anna's short art study at Konstskolan in Stockholm, she was eager to develop her photographic interest and become an assistant to a commercial photographer for 2 years. In the meantine Anna also was Dj-ing in several clubs and bars in Stockholm. A vague memory from 1991 of her first Berlin visit and her music interest draw her to move to Berlin in 2001. There she continued with her B/W photographs and shot hundreds of pictures during her first time in Berlin. When she met Christian, she got immediately drawn to the french underground scene and its subversive graphic art content. Whenever she visited Christian in Strasbourg she would help him with his printing at the Lactina studio. In 2002 the couple moved to Bordeaux and built up a screen-print studio there. This is where they started to work full time together as an artist-duo, publishing their own zines, artist's books as well as designing gig posters and record covers. The year and a half in Bordeaux was very prolific and they grounded together a strong artistic direction and a unique style. Bongoût editions continued to grow there as well.The artist-duo produced over 40 screen-printed books in collaboration with other artists during this time. In 2004 they decided to move back to Berlin, and relocated their studio to the Friedrichshain neighbourhood. Over the years, the duo released over 200 screen-printed zines and artists' books, some by themselves and others in collaboration with artists from around the world: David Sandlin...
Archival Pigment, Screen
Untitled
By Peter Marks
Located in Fairlawn, OH
Untitled Acrylic and gold leaf collage on canvas, 2005 Unsigned Provenance: Estate of the Artist Condition: Excellent Image size: 8 x 8 inches Support Sheet: 14 x 17 inches Peter Ma...
Acrylic
