Lindsey Nobel

To the Beach #2

2023

Lindsey Nobel (1969) was born in Baltimore, MD, and raised in San Diego, CA. Currently based in Los Angeles, her art practice also draws upon her time in Monterrey, San Francisco, an...

Lindsey Nobel (1969) was born in Baltimore, MD, and raised in San Diego, CA. Currently based in Los Angeles, her art practice also draws upon her time in Monterrey, San Francisco, an...

Lindsey Nobel (1969) was born in Baltimore, MD, and raised in San Diego, CA. Currently based in Los Angeles, her art practice also draws upon her time in Monterrey, San Francisco, an...

Lindsey Nobel (1969) was born in Baltimore, MD, and raised in San Diego, CA. Currently based in Los Angeles, her art practice also draws upon her time in Monterrey, San Francisco, a...

Abstract painting. Acrylic paint and ink on archival paper. In white frame.

Gfeller + Hellsgård - Untitled 67 Screen-print on paper - signed & numbered - 2016 This is a rare A.P (artist proof) from the Untitled 67 print run. It's handprinted 5 colours as split-fountain. Size 80 x 60 cm, with a 5 cm white border, the condition is good, it will be shipped rolled in a hard tube. Artist info: Gfeller + Hellsgård is an artist duo working in Berlin. They've created an unique painterly screen-print-style which includes colour overlaps, smudges, bleeding, glitches and transparencies. In 1995 while studying at Ecole Supérieur des Arts Décoratifs de Strasbourg, Christian Gfeller (born 1973, Alsace) started publishing screen-printed graph'zines and artists' books under the moniker Bongoût (good taste). Bongoût found it's roots in the french D.I.Y art punk scene and, together with an handful of people, also organised concerts, party's and performances in an old warehouse named Lactina in Kehl, across the Rhine from France. The location became cult with its first techno parties, noise concerts and art performances, as well as exhibitions. Christian's first screen-print studio was located in Lactina and beside zine and book making, he designed and printed posters for the events as well as record covers for the cult garage trash punk label Yakisakana Rcds. In 2000, FLTMSTPC in Paris published a polaroid book by Christian, where this vivid time at Lactina was well documented. During this period Christian also played in several local bands: Pitfall, Elcamino and The Cheeraks. Christian Gfeller met Anna Hellsgård (born 1980, Stockholm) at a concert in Berlin on September 11th 2001. After Anna's short art study at Konstskolan in Stockholm, she was eager to develop her photographic interest and become an assistant to a commercial photographer for 2 years. In the meantine Anna also was Dj-ing in several clubs and bars in Stockholm. A vague memory from 1991 of her first Berlin visit and her music interest draw her to move to Berlin in 2001. There she continued with her B/W photographs and shot hundreds of pictures during her first time in Berlin. When she met Christian, she got immediately drawn to the french underground scene and its subversive graphic art content. Whenever she visited Christian in Strasbourg she would help him with his printing at the Lactina studio. In 2002 the couple moved to Bordeaux and built up a screen-print studio there. This is where they started to work full time together as an artist-duo, publishing their own zines, artist's books as well as designing gig posters and record covers. The year and a half in Bordeaux was very prolific and they grounded together a strong artistic direction and a unique style. Bongoût editions continued to grow there as well.The artist-duo produced over 40 screen-printed books in collaboration with other artists during this time. In 2004 they decided to move back to Berlin, and relocated their studio to the Friedrichshain neighbourhood. Over the years, the duo released over 200 screen-printed zines and artists' books, some by themselves and others in collaboration with artists from around the world: David Sandlin...

André Debono is a contemporary French abstract painter based in Nîmes. Deeply influenced by the radical deconstruction of the Supports/Surfaces movement—particularly the legacy of Cl...

This series is composed entirely of masking tape recycled from the artist's Oil on Paper paintings. Arranged to form new compositions, the strips carry a direct color history, as the...