Macyn Bolt

Macyn Bolt, Dark Pool IV, acrylic on canvas, Minimalist, 18 x 60, 2018

2018

At the heart of Macyn Bolt’s artistic practice is an interest in qualities of reflection, mirroring and contrasting perspectives that are unique to the space of abstract painting. Wi...

At the heart of Macyn Bolt’s artistic practice is an interest in qualities of reflection, mirroring and contrasting perspectives that are unique to the space of abstract painting. W...

At the heart of Macyn Bolt’s artistic practice is an interest in qualities of reflection, mirroring and contrasting perspectives that are unique to the space of abstract painting. Wi...

At the heart of Macyn Bolt’s artistic practice is an interest in qualities of reflection, mirroring and contrasting perspectives that are unique to the space of abstract painting. Wi...

A striking large-scale minimalist composition by Benna CHU, signed and dated “1976 N.Y.” on the reverse. Executed in acrylic on canvas, this elegant work exemplifies the artist’s refined exploration of color, space, and perception. The composition is built upon a powerful yet deceptively simple visual dialogue between an intense field of luminous blue and a sharply defined white geometric form. Positioned against the vibrant monochromatic ground, the white shape appears to hover within the pictorial space, creating a subtle tension between presence and absence, materiality and illusion. The work reflects the aesthetic concerns of Minimalism and Hard-Edge Abstraction that emerged in the United States during the 1960s and 1970s. Rather than relying on narrative or representation, Benna CHU focuses on the viewer’s direct visual experience, employing precision, scale, and chromatic contrast to produce a contemplative and immersive effect. Particularly remarkable is the handling of the blue field, whose saturated surface radiates light while simultaneously emphasizing the crisp contours of the white form. The lower edge of the white element, articulated through a rhythmic scalloped profile, introduces a subtle architectural and decorative quality that counterbalances the rigor of the overall composition. This delicate intervention transforms a seemingly reductive image into a highly sophisticated investigation of geometry and visual perception. Painted in New York in 1976, the work belongs to a period when minimalist and post-minimalist ideas were redefining contemporary art. Its monumental dimensions further reinforce its visual impact, allowing the composition to engage directly with the surrounding architectural space. Measuring 152 x 128 cm (59.8 x 50.4 inches), this painting possesses a strong museum-like presence and would be equally compelling in a contemporary collection, a modern architectural setting, or a carefully curated interior. Signed and dated on the reverse, the canvas remains a powerful example of late twentieth-century geometric abstraction, combining formal rigor with exceptional visual elegance. Benna CHU, Minimalist Painting, Blue Abstract Painting, Geometric Abstraction, Hard Edge Painting, Color Field Art, Large Scale Abstract, Minimalist Wall Art, Acrylic on Canvas, Contemporary Abstract Art, New York 1976, Geometric Minimalism, Monochrome Blue Painting...

Asya Dimitrova is a multidisciplinary contemporary artist based in the United Arab Emirates, working across painting, writing, conceptual narrative, and fashion design. Her practice ...

An original acrylic on linen canvas by American artist Martica Miguens. The artist's estate was recently unearthed and acquired by Benjaman Gallery. Miguens was relatively unknown ...

RUZ, Rafael (Barcelona 1956) While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the same sense that Julius Bissier referred to some of th...