1966
Born in Kansas City, the multimedia artist, poet and playwright Paul Jenkins began his studies at Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese-American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past 30 years, numerous retrospectives have been curated across the globe and Jenkins’s work can be found in national collections from Europe and the United States to Israel, Australia and Japan.
The diversity of Jenkins’s work springs from a wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes” influenced by ancient natural forms. Frequent student visits to the Frick Collection in New York fostered a love of the great masters, while trips to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful responses to a monumental Chinese fresco of Buddha, polychrome sculptures of the enlightened Bodhisattva, the Buddhist goddess of mercy Kuan-Yin, Indian bronzes of Hindu god Shiva and statues of meditative Buddhist lohans. Serving in the US Naval Air Corps during the Second World War, Jenkins painted watercolours of Japanese Kabuki dancers and read the ancient Chinese poetic teachings of the I Ching and Lao Tse Tung’s Tao Te Ching, described by him as "masterpieces in simplicity.” Jenkins’s discovery of psychoanalyst Carl Jung’s book Psychology and Alchemy was as illuminating for his practice as were formative meetings with dancer Martha Graham, architect Frank Lloyd Wright and Abstract Expressionist painters Mark Rothko, Jackson Pollock and Barnett Newman.
Concerned with colour and texture, nearness and distance as well as reality and mysticism, Jenkins’s work — considered to be part of the second wave of Abstract Expressionism — is a spiritual meditation on the nature of chance, balance, synchronicity, change and transformation. His ejection from an early art class in Kansas City for eating the still life appears instructive: "For me the pear is to be eaten and experienced, not painted.” Jenkins sought to reject the traditional Neo-Platonic approach to art as well as life in favour of a Taoist concern for the “present moment.” In this sense his paintings become spiritual reflections on the transitory present, life merely a rippled dance upon the water’s surface. Jenkins’s death in 2012 and the subsequent release of important works onto the market by his estate increased global interest in his work and they have grown in value and popularity. Jenkins’s works can be found in public and private collections worldwide.
(Biography provided by Stern Pissarro Gallery)
Untitled (Indigo)
By Gershon Iskowitz
Located in Toronto, Ontario
It is hard to reconcile Gershon Iskowitz's (1921-1988) aesthetic with his personal history. He survived the darkest side of humanity and built a life dedicated to creating beautiful ...
Watercolor, Paper
Facer
By Jules Olitski
Located in Toronto, Ontario
Jules Olitski (1922-2007) is one of the most collected and accomplished artists associated with the Color field movement and 20th century American abstraction. He is also possibly ...
Canvas, Acrylic
Blue Splash
By Dan Christensen
Located in Toronto, Ontario
Dan Christensen (1942-2007) is widely recognized as one of America’s foremost color abstractionists. Over the course of forty years as an artist, Christensen was devoted to exploring and expanding the constantly shifting trends of 20th century abstraction. Christensen established his reputation at the end of the 1960s, as began using spray guns to create colorful stacks, loops, and lines in his artworks. This body of work was considered by the legendary art critic Clement Greenberg among the most original abstract paintings of the decade. Unlike many of his contemporaries who dedicated their practice to a signature style, Christensen was unrelentingly curious and allowed his dynamic version of abstraction to evolve as he tried new techniques and aesthetics. During the 1980's and 1990's in particular, Christensen focused on experimenting with different forms of washing, spraying, and layering colours over top of each other. The works from Christensen's late period combine the gestural drama of Abstract Expressionism with the stained surface look popularized by the color field artists. The aesthetic complexity he achieved with these combined techniques are perfectly demonstrated in this later untitled work (aka "Blue...
Acrylic, Watercolor
Untitled
By Jules Olitski
Located in Toronto, Ontario
Jules Olitski (1922-1977) is one of the most collected and accomplished artists associated with the color-field movement, if not 20th-century American abstraction. Possibly one of ...
Canvas, Paper, Acrylic
Untitled
By Gershon Iskowitz
Located in Toronto, Ontario
It is somewhat hard to reconcile Gershon Iskowitz's (1921-1988) aesthetic with his personal history. Born to a religious family in Poland, Iskowitz was allowed to leave Yeshiva (Jew...
Watercolor
Tortuga
By Jules Olitski
Located in Toronto, Ontario
Jules Olitski (1922-2007) is one of Caviar20's favorite abstract artists of the 20th century. Over the course of his career, his aesthetic evolved in startling and fascinating ways....
Linen, Acrylic
Phenomena Dervish Spell
By Paul Jenkins
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work: Paul Jenkins Phenomena Dervish Spell, 1974 Acrylic on canvas Signed lower right 65 x 63 in. 66.5 x 64.5 in....
Canvas, Acrylic
Phenomena Procession Falls
By Paul Jenkins
Located in Palm Desert, CA
"Phenomena Procession Falls" is a watercolor on paper work by Paul Jenkins, made in 1975. The artwork size is 41 3/4 x 30 inches. The framed size is 47 1/8 x 35 1/4 x 1 1/2 inches. T...
Paper, Watercolor
Phenomena West Mantle (1968). Acrylic on canvas painting by Paul Jenkins
By Paul Jenkins
Located in Hong Kong, HK
An emblematic example of Paul Jenkins mastery. It is not by hazard that Phenomena West Mantle was chosen as the cover of the catalogue for the groundbreaking exhibition "Paul Jenkins...
Canvas, Acrylic
Phenomena Quoth by Paul Jenkins - Abstract Expressionist painting, 1963-64
By Paul Jenkins
Located in London, GB
Phenomena Quoth by Paul Jenkins (1923-2012) Acrylic on canvas 76 x 100 cm (29 ⁷/₈ x 39 ³/₈ inches) Signed lower center, Paul Jenkins Signed, titled and dated on the reverse Executed in 1963-64 Provenance Kenmore Galleries, Philadelphia Dr. Theodore A. Feinstein collection Sotheby's New York, 24th February 1995 Crozier Fine Arts, New York Private collection, New York Artist biography Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco of Buddha, polychrome sculptures of the enlightened Bodhisattva, the Buddhist goddess of mercy Kuan-Yin, Indian bronzes of Hindu god Shiva, and statues of meditative Buddhist lohans. Serving in the US Naval Air Corps during the Second World War, Jenkins painted watercolours of Japanese Kabuki dancers and read the ancient Chinese poetic teachings of the I Ching and Lao Tse Tung’s Tao Te Ching...
Canvas, Acrylic
Phenomena High Born by Paul Jenkins - Abstract painting
By Paul Jenkins
Located in London, GB
*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Once an order is placed we will arrange the VAT of 20% to be reduced to 5% Phenomena High Born by Paul Jenkins (1923-2012) Acrylic on canvas 91.44 x 50.8 cm (36 x 20 inches) Signed lower left Jenkins Signed, dated and titled on the reverse Executed in 1964 which makes this a very early work and so more valuable Biography Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco...
Canvas, Acrylic
Phenomena like Byron by PAUL JENKINS - Abstract Expressionist, colour
By Paul Jenkins
Located in London, GB
Phenomena like Byron by PAUL JENKINS (1923-2012) Acrylic on canvas 74 x 60 cm (29¹/₈ x 23⁵/₈ inches) Signed lower left, Paul Jenkins Signed, titled and dated on the reverse and on the stretcher Executed in 1990, Saint Paul Provenance Waterhouse & Dodd Fine Art, London/New York Private collection, Europe, acquired from the above in 2012 Private collection, Austria Artist biography Born in Kansas City, the multi-media artist, poet and playwright Paul Jenkins began his studies at Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of Jenkins’ work springs from a wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes", influenced by ancient natural forms. Frequent student visits to the Frick Collection in New York fostered a love of the great masters, and lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco...
Canvas, Acrylic
