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Sean Scully
Five Checkers, 12.30.98

1998

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Colored Wall, Signed Abstract Expressionist Lithograph by Sean Scully

Colored Wall, Signed Abstract Expressionist Lithograph by Sean Scully

By Sean Scully

Located in Long Island City, NY

Sean Scully's work has shifted the paradigm in American abstraction from Minimalism and its reduced vocabulary towards an emotional form of abstraction, returning to the metaphor and...

Category

Early 2000s Abstract Expressionist Abstract Prints

Materials

Lithograph

Inset - iPhone drawing, pigment print, wall, grid

Inset - iPhone drawing, pigment print, wall, grid

By Sean Scully

Located in Köln, DE

Since Sean Scully figured out to draw on the iPhone display, these drawings are published as archival pigment prints. The depictions is the same as in his paintings and prints...

Category

2010s Contemporary Abstract Prints

Materials

Archival Pigment

Sean Scully - Munich offset print Germany SCARCE when Hand Signed by Sean Scully

Sean Scully - Munich offset print Germany SCARCE when Hand Signed by Sean Scully

By Sean Scully

Located in New York, NY

Sean Scully Munich 1996 (Hand Signed), 2001 Offset Lithograph print Hand signed and dated by Sean Scully in 2018 Boldly signed in black marker on the recto. Hand signed by Sean Scull...

Category

Early 2000s Abstract Abstract Prints

Materials

Ink, Permanent Marker, Lithograph, Offset

Grey Red - Contemporary Oil in Aluminium Abstract Painting, 2012

Grey Red - Contemporary Oil in Aluminium Abstract Painting, 2012

By Sean Scully

Located in Palm Desert, CA

"Grey Red" is an oil painting on aluminum by Sean Scully. It is signed verso, " Gray Red, Sean Scully 1 12". The frame of reference for Irish American Sean Scully’s signature blocks and stripes is vast. From Malevich’s central premise that geometry can provide the means for universal understanding to Rothko’s impassioned approach to color and rendering of the dramatic sublime, Scully learned how to condense the splendor of the natural world into simple modes of color, light, and composition. Born in Dublin in 1945 and London-raised, Scully was well-schooled in figurative drawing when he decided to catch the spirit of his lodestar, Henri Matisse, by visiting Morocco in 1969. He was captivated by the dazzling tessellated mosaics and richly dyed fabrics and began to paint grids and stipes of color. Subsequent adventures provided further inspiration as the play of intense light on the reflective surfaces of Mayan ruins and the ancient slabs of stone at Stonehenge brought the sensation of light, space, and geometric movement to Scully’s paintings. The ability to trace the impact of Scully’s travels throughout his paintings reaffirms the value of abstract art as a touchstone for real-life experience. Painted in rich, deep hues and layered, nuanced surfaces, Grey Red is both poetic and full of muscular formalism. Scully appropriately refers to these elemental forms as ‘bricks,’ suggesting the formal calculations of an architect. As he explained, “these relationships that I see in the street doorways, in windows between buildings, and in the traces of structures that were once full of life, I take for my work. I use these colors and forms and put them together in a way that perhaps reminds you of something, though you’re not sure of that” (David Carrier, Sean Scully, 2004, pg. 98). His approach is organic, less formulaic; intuitive painter’s choices are layering one color upon another so that contrasting hues and colors vibrate with subliminal energy. Diebenkorn comes to mind in his pursuit of radiant light. But here, the radiant bands of terracotta red, gray, taupe, and black of Grey Red resonate with deep, smoldering energy and evoke far more affecting passion than you would think it could impart. As his good friend, Bono wrote, “Sean approaches the canvas like a kickboxer, a plasterer, a builder. The quality of painting screams of a life being lived.” Provenance: Timothy Taylor...

Category

21st Century and Contemporary Abstract Abstract Paintings

Materials

Oil

Dark Square - iPhone drawing, pigment print, blue, grey, wall, window

Dark Square - iPhone drawing, pigment print, blue, grey, wall, window

By Sean Scully

Located in Köln, DE

Since Sean Scully figured out to draw on the iPhone display, these drawings are published as archival pigment prints. The depictions is the same as in his paintings and prints but th...

Category

2010s Contemporary Abstract Prints

Materials

Archival Pigment

Whitechapel Gallery Gallery London Exhibition print, Hand Signed by Sean Scully

Whitechapel Gallery Gallery London Exhibition print, Hand Signed by Sean Scully

By Sean Scully

Located in New York, NY

Sean Scully Hand Signed print Geometric Abstraction Minimalist, 1989 Offset lithograph poster Boldly signed in black marker on the front by Sean Scully 29 3/4 x 20 inches Unframed Th...

Category

1980s Abstract Abstract Prints

Materials

Lithograph, Offset

Brice Marden -- Tiles

Brice MardenBrice Marden -- Tiles, 1979

$5,570

H 29.53 in W 22.45 in

Brice Marden -- Tiles

By Brice Marden

Located in BRUCE, ACT

Brice Marden Tiles, 1979 Etching with aquatint, on Somerset satin paper Edition 5 / 50 lower left Hang signed and dated lower right Image size 20 x 20 cm Sheet size 75 x 57 cm Refer...

Category

1970s Prints and Multiples

Materials

Etching, Aquatint

Cage Green - iPhone drawing, pigment print, window, grid

Cage Green - iPhone drawing, pigment print, window, grid

By Sean Scully

Located in Köln, DE

Since Sean Scully figured out to draw on the iPhone display, these drawings are published as archival pigment prints. The depictions is the same as in his paintings and prints but th...

Category

2010s Contemporary Abstract Prints

Materials

Archival Pigment