Macauley Norman

Attack From Above, 2020, acrylic, oil, canvas, yarn, thread, green, pink, eagle

2020

Half Web in Pink, 2020, acrylic, oil, graphite, pastel, thread, nails and yarn on canvas. Pink, green, blue, abstract. Custom framed in a white wooden float frame. Gorgeous medium to large scale abstract painting with beautiful composition and palette of lilac pink, lilac purple, light peach, pale yellow, light pink, bright pink, fuchsia, mauve, light violet, periwinkle, sky blue, aqua, pale blue...

Things We See Towards the End, 2020, acrylic, oil, graphite, pastel, thread, nails and yarn on canvas. Spider web. Blue, yellow, red, black, white, pink abstract. Custom framed in a...

Just A Mess, 2018, acrylic, oil and pastel on wood panel, green, pink, abstract, custom framed in a white floating frame.

Fish Net, 2020, gel pen paper, figurative, drawing, black, white, pink, blue, spider, web, ant

Osi Audu Goosebumps 1, 2023 Yarn on canvas 15 x 15 x 2.5 inches 38.1 x 38.1 x 6.4 cm OA009 The work of Nigerian-American artist Osi Audu focuses on the dualism of form and void, the...

The Dorians played a significant role in the development of the Greek city-states during the Bronze Age -- and Doves are widely recognized as symbols of peace, primarily in the bibli...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...

Crash exemplifies Eozen Agopian's distinctive fusion of painting, sewing, and weaving, dissolving the traditional boundary between two- and three-dimensional art. Built from layers o...