Stephen Cimini

28 x54 x 2 in. Oil Painting - Shapes of Things - MAE

2023

40 x 32 x 2 inches Oil paint, cold wax and marble dust on canvas Signed, ready to hang Framing not necessary because painting wraps around canvas, framing available on request Vide...

This artist is a recipient of the Pollock-Krasner grant awarded to artists with established abilities, established by the wife of Jackson Pollock. We love the work of this artist bec...

The artist is a recipient of the Pollock-Krasner grant awarded to artists with established abilities, established by the wife of Jackson Pollock. His work is held in various corporate and private collections worldwide. Oil Painting 39 x 32 x 2 inches Oil paint, cold wax, silver leaf on gallery wrapped canvas Framing is optional because painting wraps around canvas Ready to hang on wall, signed on the back by artist Video attached for viewing The beauty of geometrical balance in Cimini's series of work evokes a certain quiet beauty. Strong layers of color and brushwork explore depth and emotion to each unique piece. Cimini's work range from paintings with vibrant color and energy to quiet contemplative pieces with rich layering of depths. Using oil paint, wax medium, and marble dust on canvas, the artist creates a harmonious balance on the canvas, or paper, characterized by textured shades of colors, with linear lines and shapes - allowing a symmetrical, meditative composition of shapes and colors to emerge. ARTIST STATEMENT Building on the architectural origins which have been the basis of my work for over a decade, I have started referring to my compositions as random symmetry. That is, creating a balance on the canvas with no discernible pattern allowing a symmetrical, meditative composition to emerge. I employ the golden mean as a reference which can often be seen in the composition. I use oil paint with a cold wax medium, layering the paint, as organic surfaces evolve within the restrained lines of the composition. During the process an environment develops giving an emotional story to the thoughtfully planned out compositions. My color choices vary, sometimes deliberately creating a series with particular color decisions and sometimes allowing the color choices to impulsively appear fueled by intuition and experience. Color remains a constantly unfolding mystery. In a recent exhibition, MATH TO BEAUTY is series of new paintings employing the golden mean as a basis for the geometric compositions which I've come to call random symmetry. This fascinating ratio, frequently found in nature and geometry, is perceived by many to play a role in the human perception of beauty. So much has been written about the golden ratio; to the point that it's hard to discern fact from fiction. But whatever the truth, the golden ratio has properties that has intrigued and inspired mathematicians, biologists, artists, musicians, historians, architects, psychologists, and even mystics for centuries. Using the golden ratio in the cavalier way that I do keeps me mindful of proportion. Just when I think it's working along comes color to challenge my senses. In the end my intentions are to create beauty in my work. As the Greeks put it, the three ingredients to beauty are: symmetry, proportion, and harmony. Born: 1949, Williamsport, Pennsylvania, USA Education: San Francisco Art Institute School of Visual Arts (New York City) Grants & Awards 2003 Recipient of a Grant from the Pollock-Krasner Foundation selected by a committee of distinguished art professionals awarded to artists with established ability. The grant was set up by Lee Krasner, wife of Jackson Pollack. 2015 Finalist at the Global Art League 2015 exhibition at the Montreal Art...

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