N Blair Brourne

"Two Thoroughbreds in an Autumn Landscape" – Signed N. Blair, Dated 1925

1925

Clifton Thomson (1775–c.1828/31) was a British painter from Nottingham, known primarily for his sporting and equestrian subjects, working within the long tradition of English animal ...

Henry Sperling (1844–1924) was a British painter best known for his equestrian and sporting subjects. Working in the later 19th century, Sperling developed a reputation for accuratel...

Michael Grimsdale is a British artist known for his equestrian paintings that capture the grace and power of horses. Galileo, foaled in 1998, was a legendary racehorse and influenti...

Lionel Hamilton Renwick’s "Arab Stallion in a Landscape" captures the striking beauty and elegance of an Arabian horse set against a sweeping, natural backdrop. Known for his equine ...

This lovely British Victorian oil painting is attributed noted landscape and animal artist George Cole ans ascribed verso. Painted in 1840 it is a superb portrait of two horses, one ...

William Frank CALDERON Signed and dated 1891 oil painting. A beautifully painted painting of a racing horse with its companion pony used to keep it calm and not lonely. Picture Size:...

Mare and Foal by Geoffrey Mortimer (1895 - 1986) Signed oil on board, framed Framed: 13 x 15 inches Board : 10 x 12 inches Provenance: private collection Condition: very good conditi...

Pair of 19th century British equestrian oil paintings British, 19th Century Boards: Height 25cm, width 32cm Frames: Height 35cm, width 42cm, depth 4cm This attractive pair of 19th-century oil paintings beautifully captures the elegance and charm of Victorian sporting art. Rendered with fine detail and vibrant hues, the paintings are enhanced by their original wooden frames and equal dimensions, making them ideal for display as a complementary set. Each artwork features a 19th-century racehorse alongside its jockey, portrayed with striking use of colour and a keen eye for character. In the first composition, a chestnut horse is shown being led across an open landscape by a gentleman in stylish rural dress, likely the owner. The jockey, seated confidently atop the animal, wears vivid blue silks. The lower right corner bears a faint signature, and the reverse of the canvas includes indistinct handwritten text, presumably of the horse’s name. The second painting shows another similarly hued racehorse, this time in profile, with its jockey dressed in bold yellow silks and a burgundy riding cap. The back of this canvas is clearly marked with the name ‘Red Robin’. Rich in colour and full of period charm, this matched pair of antique equestrian paintings would appeal to collectors of horse racing...