Octave Van Cuyck

'Portrait of a Great Dane – Harlequin' by Octave Van Cuyck ( 1870 - 1956 )

Early 20th Century

Dog Portrait of a Great Dane Jules Chardigny (1842-1892) Circa 1870 Oil on cardboard Signed upper left 9 1/2 x 12 3/4 (17 1/2 x 20 1/2 frame) inches Jules Chardigny was born in L...

Antique Dog Portrait, a stunning portrait of a Great Dane in a landscape signed in the bottom left and dated 1928. This is a eye catching and very unusual dog portrait. A Great Dan...

Portrait Of A Greyhound, circa 1900 circle fo Lilian Cheviot (1876-1936) Large circa 1900 portrait of a Greyhound in a landscape, oil on canvas. Excellent quality and condition sid...

Handsome portrait of a Great Dane by painter, Lawrence Shelby. Oil paint on rust-colored velvet canvas, framed by stained oak. Artist-signed.     ...

Oil On Canvas, Hunting Dog by Alexander Clarys Belgian School German Shorthair Hunting Dog Exceptional paintings seen the large format, sold without the frame. Alexandre Clarys, bor...

Oil On Canvas, Hunting Dog by Alexander Clarys Belgian School Terrier Hunting Dog , Exceptional paintings seen the large format, sold with the frame. Alexandre Clarys, born in Bruss...

Dog Portrait of a Grand Vendéen Hunting Dog Jules Chardigny (1842-1892) Circa 1870 Oil on panel Signed upper left 8 x 5 1/2 (13 3/4 x 11 1/2 frame) inches Jules Chardigny was born...

Fine 19th century English oil on canvas: Portrait of a dog, after Edwin Landseer. The verso photo documented, original canvas, Initialed W M May 1882. Based on a drawing of Landseer's Scottish deerhound...

HERRMANN LEON Charles (1838-1908) Portrait of a Dog in interior Oil on canvas signed low left Old frame re-gilded with gold leaves Dim canvas : 56 X 46 cm Dim frame : 69 X 59 cm HERRMANN LEON Charles (1838-1908) French painter 19th century Born 22 july 1838 in Le Havre. Died 1...

Title: Dalmatian Artist: José María Tuser Vázquez (Barcelona, 1919 – 1986) Technique: Oil on canvas mounted on board Dimensions: 43 x 32 cm (16.9 x 12.6 in) Signature: Signed “Tuser” in the lower left corner Support: Canvas mounted on board (reverse side unprimed and visible) Condition: Good. Minor superficial scuffs, no loss of paint. Unframed. Artistic Description The work depicts the bust of a Dalmatian dog against a monochromatic coral-toned background, which contrasts sharply with the animal's black-and-white fur. The artist employs an impasto oil technique, with loose and dense brushstrokes that add energy and volume to the portrait. The dog’s reddish gaze conveys calm and presence, standing out for its restrained expressiveness. The choice of a flat, saturated background enhances the painting’s modern aesthetic, focusing attention on the figure while avoiding unnecessary decorative elements. This visual synthesis is characteristic of Tuser’s expressive style, where plastic strength takes precedence over naturalistic detail. Although primarily known for his bullfighting and folkloric scenes, Dalmatian reveals Tuser’s versatility in the genre of animal portraiture, with a painterly treatment reminiscent of certain contemporary figurative expressionist approaches. About the Artist: José María Tuser Vázquez (1919–1986) José María Tuser Vázquez was born in Barcelona in 1919 and trained at the School of Arts and Crafts in the Catalan capital. He was a prolific artist, specializing in bullfighting scenes, popular figures, and Mediterranean landscapes. His painting is characterized by confident brushwork, expressive use of color, and straightforward compositions that convey vitality. He worked on various supports—canvas, board, cardboard—and also mastered techniques such as watercolor and ink. Throughout his career, he exhibited in galleries and fairs, and his works have been widely auctioned in Spain and France, including a record-breaking sale in 2025. His style blends elements of Spanish costumbrismo with a modern sensibility, distancing itself from strict academicism. A portion of his work is known to be held in a dedicated collection in Nîmes (France), a city with strong ties to bullfighting. Comparable Artists In terms of style, subject matter, and vigorous brushwork, his work can be compared to: José Caballero (1916–1991): Especially for his expressive portraits and textured brushstrokes. Eduardo Úrculo...