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Grégoire Mathias
French Modern Cubist Figurative Abstraction of Greece in Green Red, Blue Acrylic

$9,086.68
£6,714.96
€7,700
CA$12,609.13
A$12,837.93
CHF 7,393.49
MX$154,687.11
NOK 85,801.89
SEK 86,568.81
DKK 58,705.41

About the Item

Après Midi en Grèce II Acrylic on Canvas 56 x 46 cm Après Midi en Grèce II — Afternoon in Greece II — takes its cue from light rather than landscape. Where many works inspired by the Mediterranean reach for architecture or coastline, this painting captures something more immediate: the particular quality of a Greek afternoon, warm and unhurried, broken into planes of colour and form. The composition centres on a loosely rendered seated figure, absorbed into a surrounding field of interlocking geometric shapes. Unlike the contained, architectural tension of darker figurative works, the palette here is openly generous — strong greens, warm reds, soft blues and pale neutrals coexist across the surface without competing. A white form in the upper right — whether read as a bird, a sail, or simply a flash of light — provides a point of release within the otherwise dense composition. The figure is present but not dominant. It emerges from and recedes back into the surrounding planes, consistent with Mathias's approach of treating figure and environment as inseparable rather than subject and background. There is no fixed moment being depicted — instead, the painting assembles multiple observations, angles and fragments of an afternoon into a single, simultaneous field. At 56 x 46 cm, the format is intimate, but the palette gives it a presence that belies its scale. Living with the Work: Before acquiring this piece, consider: unlike works built on dark or restrained palettes, this painting brings warmth and chromatic energy into a space. Does your interior have room for that — or would it introduce a welcome contrast to more neutral surroundings? At 56 x 46 cm, it is an intimate scale — best experienced at close range rather than across a large room. Is there a wall in your space where you would naturally spend time near it? And finally: are you drawn to work where the figure is present but not immediately obvious — where looking longer reveals more — or do you prefer a composition that declares itself immediately? Collector's Insight Rooted in the direct lineage of Jean Metzinger — whose disciple Claude Augereau was Mathias's professor at the École Nationale Supérieure des Beaux-Arts in Paris — this work extends the structural logic of European Cubism into a genuinely original proposition. Where Cubism fragmented space, Diachronic Cubism fragments time itself, embedding successive moments of perception within a single composition. The result sits comfortably within the tradition of Gris and Gromaire while belonging to no one but Mathias. About the Artist Grégoire Mathias, graduate of the École Nationale Supérieure des Beaux-Arts de Paris, is the pioneer of Diachronic Cubism — an evolution of the cubist tradition that captures not only multiple points in space but multiple moments in time within a single work. His paintings have been exhibited in Paris, New York, Los Angeles, Bordeaux, and Dublin. Since 2020, he has been the official artist of the WFUNA (World Federation of United Nations Associations), designing posters for United Nations Day in Geneva — the first French artist commissioned to do so since Picasso, Chagall, and Miró. Keywords Diachronic cubism, Greece painting, Mediterranean figurative abstraction, French modern art, cubist figure painting, warm palette painting, green red blue composition, acrylic on canvas, ENSBA Paris, European modern art, contemporary French painting, post-cubist figuration Please note: Some images generated by 1stDibs may misrepresent proportions. Refer to dimensions for accuracy.
  • Creator:
    Grégoire Mathias (1697, French)
  • Dimensions:
    Height: 22.05 in (56 cm)Width: 18.12 in (46 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    PÉRIGUEUX, FR
  • Reference Number:
    1stDibs: LU2695218002352

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