Skip to main content
Items Similar to Portrait Noblewoman Van Loo Paint 18th Century Oil on canvas Old master French
Godfrey Kneller (Lübeck 1646 – London 1723) - Portrait Noblewoman Kneller 17/18th Century Paint Oil on canvas Old master Art
Portrait Noblewoman Kneller 17/18th Century Paint Oil on canvas Old master Art
Robert Le Vrac Tournières - Portrait of a French lady by Robert Le Vrac Tournieres, circa 1725
Portrait of a French lady by Robert Le Vrac Tournieres, circa 1725
Jean-Baptiste van Loo (Aix-en-Provence, 1684–1745) - Portrait Gentleman Van Loo Paint 18th Century Oil on canvas Old master French
Portrait Gentleman Van Loo Paint 18th Century Oil on canvas Old master French
Nicolas Fouché - Portrait of a French noblewoman - late 17th French school, attr. to N. Fouché
Portrait of a French noblewoman - late 17th French school, attr. to N. Fouché
Louis Ferdinand Elle the Younger - Portrait of the French Princess, late 17th c. French school
Portrait of the French Princess, late 17th c. French school
Elizabeth Vigee Le Brun - Portrait of Madam van Robais - French Old Master oil painting 18th century art
Portrait of Madam van Robais - French Old Master oil painting 18th century art
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 17

Portrait Noblewoman Van Loo Paint 18th Century Oil on canvas Old master French

1720-1750

$10,456.43
$13,136.9120% Off
£7,748.62
£9,668.0920% Off
€8,840VAT Included
€11,05020% Off
CA$14,461.39
CA$18,239.7520% Off
A$14,584.42
A$18,290.1720% Off
CHF 8,490.50
CHF 10,581.8520% Off
MX$177,499.80
MX$222,712.6720% Off
NOK 97,306.24
NOK 122,799.2420% Off
SEK 100,551.45
SEK 125,160.8420% Off
DKK 67,402.60
DKK 84,265.5320% Off

About the Item

Jean-Baptiste van Loo (Aix-en-Provence, 1684–1745) circle Portrait of a Lady Oil on canvas 93 x 77 cm. In antique frames (with imperfections) 103 x 87 cm. The painting depicts a noblewoman (the corresponding pendant is also available) depicted in a refined and sumptuous pose, typical of 18th-century aristocratic portraiture: she is portrayed in half-length, with her body slightly inclined and her gaze fixed directly on the viewer, conveying an air of confidence befitting her high social status. The lady, with a regal bearing, wears a magnificent gown with a wide neckline and a richly decorated golden bodice, embellished with a jeweled brooch featuring pearls at its center, characterized by embroidery and luxurious gold-thread appliqués. Draped over her shoulders is a wide blue silk cloak, whose intense color creates a stark contrast with the delicate pink of the visible sleeve and the white lace at the neckline; the woman holds the cloak with one hand, emphasizing her noble pose. The subject is depicted in a half-length portrait, turned slightly toward the viewer with a serene and composed expression; she poses naturally while gazing intently at the viewer, aware of her rank, in keeping with the pictorial conventions of the time, which required painters to hint at emotions—without making them explicit, and thus vulgar—in order to convey a sentiment. The scene is set in a noble interior, with a dark drape on the left serving as a theatrical backdrop, highlighting the illuminated figure of the woman, while a pearl necklace rests on the table—an element that further underscores the subject’s elevated status—along with a rose, which in female portraits symbolizes beauty and youth. The stylistic features and compositional choices in this high-quality portrait hark back to examples of the most refined French portraiture of the early 18th century, celebrated for its ability to capture the aristocratic elegance and sophistication typical of the Rococo period. In particular, we are inclined to attribute its execution to a skilled portraitist from the circle of Jean-Baptiste van Loo (Aix-en-Provence, 1684 –1745), one of the most celebrated French portraitists of the 18th century: The master’s style is evident in the meticulous attention to detail and in the rendering of the sheen of the fabrics (such as silk moiré) and the naturalness of the complexion—elements that ensured him enormous success at European courts, including the English court. Belonging to a prestigious dynasty of painters of Dutch origin, his career spanned France, Italy, and England; he was known for immortalizing Europe’s leading monarchs and aristocrats. The painter headed a prestigious family workshop, active at various European courts such as Turin, Paris, and London, which involved close family members and talented students to meet the extremely high demand for royal and noble commissions. The work we are examining here perfectly exemplifies Van Loo’s mastery in combining observational realism with elegant colorism. His works, in fact, achieved extraordinary success thanks to his ability to combine elegance with the psychological likeness of his subjects. ADDITIONAL INFORMATION: Not signed The work is framed in a beautiful gilded wooden frame and is sold with attribution and provenance documentation. We handle and arrange shipping for purchased works, both within Italy and internationally, using professional, insured carriers. It is also possible to view the painting at our gallery in Riva del Garda; we would be delighted to welcome you and show you our collection of works. Please feel free to contact us, with no obligation, for any additional information.
  • Creation Year:
    1720-1750
  • Dimensions:
    Height: 40.56 in (103 cm)Width: 34.26 in (87 cm)
  • Medium:
    Oil
  • Movement & Style:
    Old Masters
  • Circle Of:
    Jean-Baptiste van Loo (Aix-en-Provence, 1684–1745)
  • Period:
    18th Century
  • Condition:
  • Gallery Location:
    Riva del Garda, IT
  • Reference Number:
    1stDibs: LU988118272352

More From This Seller

View All
Perroneau Portrait Lady Woman Paint Oil on canvas 18th Century Old master French

Jean-baptiste Perroneau (paris, 1715 – Amsterdam, 1783)Perroneau Portrait Lady Woman Paint Oil on canvas 18th Century Old master French, 1730-1770

Perroneau Portrait Lady Woman Paint Oil on canvas 18th Century Old master French

Located in Riva del Garda, IT

Jean-Baptiste Perroneau (Paris, 1715 – Amsterdam, 1783) Portrait of a lady Oil on oval canvas 60 x 50 cm. - In frame 77 x 66 cm. Work accompanied by expertise: Raffaelle Colace (Cremona), Ferdinando Arisi Reference bibliography: d’Arnoult, Dominique (2014) Jean-Baptiste Perronneau, c 1715-1783, un portraitiste dans l’Europe des Lumières Excerpt from the expertise of Dr. Colace: This refined portrait of a lady is a perfect example of the style of Jean-Baptiste Perroneau, a very talented French painter, whose most beautiful works are located, just like this one, between the fifth and sixth decades of the eighteenth century. "Perroneaeu is more naturally colored than La Tour, the est, in the peinture de poussière colorée, tout plein de tons clairs, frais, presque humides": this is how his brothers wrote about him in La Maison d...

Category

18th Century Old Masters Paintings

Materials

Oil

Portrait Noblewoman Kneller 17/18th Century Paint Oil on canvas Old master Art

Godfrey Kneller (Lübeck 1646 – London 1723) Portrait Noblewoman Kneller 17/18th Century Paint Oil on canvas Old master Art, 1690-1720

Portrait Noblewoman Kneller 17/18th Century Paint Oil on canvas Old master Art

Located in Riva del Garda, IT

Godfrey Kneller (Lübeck 1646 – London 1723) Portrait of an English noblewoman, presumably Mary Capel, Countess of Essex (1679–1726) Oil on canvas 128 x 104 cm. In frame 146 x...

Category

17th Century Old Masters Portrait Paintings

Materials

Oil

Portrait Gentleman Van Loo Paint 18th Century Oil on canvas Old master French

Jean-Baptiste van Loo (Aix-en-Provence, 1684–1745)Portrait Gentleman Van Loo Paint 18th Century Oil on canvas Old master French, 1710-1750

Portrait Gentleman Van Loo Paint 18th Century Oil on canvas Old master French

Located in Riva del Garda, IT

Jean-Baptiste van Loo (Aix-en-Provence, 1684–1745) entourage Portrait of a French Gentleman Oil on canvas 93 x 77 cm. In an antique frame (with imperfections) 103 x 87 cm. Th...

Category

18th Century Old Masters Figurative Paintings

Materials

Oil

You May Also Like

Portrait of a Lady, Baroque Oil on Canvas, 18th Century, Framed

MILLOT, Henri Portrait of a Lady, Baroque Oil on Canvas, 18th Century, Framed, 1725

Portrait of a Lady, Baroque Oil on Canvas, 18th Century, Framed

Located in Berlin, DE

Attributed to MILLOT, Henri. Portrait of a Lady. Oil on canvas. Unsigned, inscribed Millot on the reverse. 18th century. 85 x 69 cm. Framed. 85 x 69 cm. Portrait of a young woman in ...

Category

1720s Baroque Figurative Paintings

Materials

Oil

18th c. French Portrait of a Lady by Jean Ranc (1674 - 1735), Paris circa 1700

Jean Ranc18th c. French Portrait of a Lady by Jean Ranc (1674 - 1735), Paris circa 1700, circa 1700

18th c. French Portrait of a Lady by Jean Ranc (1674 - 1735), Paris circa 1700

Located in PARIS, FR

Portrait of a Lady with carnations By Jean Ranc (Montpellier 1674 - Madrid 1735), circa 1700 Oil on canvas in oval shape, Dimensions: h. 35.82, w. 28.34 in. Period Louis XIV giltwood and carved frame with laurel leaves. Framed dimensions: h. 42.52 in, w. 33.85 in. Provenance: Collection of the Marquis de Bailleul at the Château d'Angerville-Bailleul (before 1942). To be included in the catalog raisonné of the artist by Stephane Perreau Important portrait of a young woman depicted half-length turned three-quarters, her face looking at the viewer. Dressed in a brick red velvet dress, an elegant blue scarf envelops her figure. Hair styled “a la Fontange”, her powdered hair is raised and tied at the back with a red ribbon, several curly locks escape from her bun and fall on her back and shoulders. The perfectly oval face with regular features dominated by her straight nose is softened by her gray eyes with slightly lowered lids. The red tinged skin tones on the cheeks and cheekbones color the face and make the portrait come alive. The young woman is portrayed standing near a pot of carnations. Her strongly lighted figure stands out against an architectural background of columns. The artist's palette is made of contrasts opposing warm to cold hues. The icy electric blue contrasts with the fiery brick red, the hair powdered with white accentuates even more the flush of the cheeks. The left arm bent at the elbow, extending the open hand with slightly bent fingers in the foreground brings depth to the composition. Our portrait, an interesting testimony in the corpus of works of the painter, is part of his youthful period, around 1700-1705. The former belonging of this portrait to the Marquis de Bailleul reinforces the remarkable character of our painting. The portrait has been examined by Stéphane Perreau, specialist of Jean Ranc and will be included in the catalog raisonné currently being written, under number P. 43. The notice edited by Mr Perreau is below: "Painted around 1700-1705, this portrait of a woman is directly inherited from Hyacinthe Rigaud, the master of Jean Ranc (the hand turned over the front, in a watch...

Category

Early 18th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

Portrait of a Noblewoman, Oil on Canvas, 18th Century, Framed, Restored

Portrait of a Noblewoman, Oil on Canvas, 18th Century, Framed, Restored, 1700s

Portrait of a Noblewoman, Oil on Canvas, 18th Century, Framed, Restored

Located in Milan, IT

Oil on Canvas. The noblewoman is richly attired, with an elegant red cape resting on her shoulders, leaving her lace-trimmed dress uncovered; her hairstyle is embellished with pearls...

Category

18th Century Other Art Style Portrait Paintings

Materials

Oil