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Mando Marie (seeyouthroughit)
"Crossing Paths", girls at a crossroad, hand-cut stencils and spray paint

2024

$950
£710.36
€829.66
CA$1,334.75
A$1,352.03
CHF 776.31
MX$16,392.96
NOK 9,008.05
SEK 9,169.16
DKK 6,202.57

About the Item

"Crossing Paths" is a one-of-a-kind original work by Amanda Marie (Mando), created using acrylic and aerosol on paper. The piece measures 19.75 × 15.75 inches and is pencil signed and dated on the verso, with the Seeyouthroughit blind stamp. Emerging from her American origins and now situated between Amsterdam and the Silver Coast of Portugal, where she maintains both a studio practice and an apple farm, Mando Marie (also known as Amanda Marie or seeyouthroughit) occupies a distinctive position within the international art landscape. Her practice navigates the interstices of raw urban expression and the cultivated environment of the gallery, demonstrating a rare capacity to inhabit both realms with equal authenticity. Mando Marie’s visual language, at once immediately recognizable and richly layered, synthesizes graphic stencil techniques with painterly sensibility. The recurrent use of hand-drawn and hand-cut stencils, vintage sewing patterns, and the motif of twinned figures constitute a vocabulary that is both formally rigorous and conceptually resonant. Her work situates itself at a nexus between the nostalgic and the contemporary, conjuring images that oscillate between innocence and charged, comforting and spooky, eerie and elated, and when it’s at its best, it’s all of these things at once, a synthesis of emotion and image. The dualities embedded within her practice, graphic structure and gestural freedom, familiarity and estrangement, contribute to an aesthetic that is as compelling to the street as it is to the institution. Under the online moniker *seeyouthroughit*, she extends her practice into the digital sphere. Mando Marie’s oeuvre has drawn admiration not only from peers within the street art milieu but also from the critical discourse of fine art audiences. Her work resists categorical containment, instead inviting reflection on the shifting boundaries between public and private, ephemeral and enduring, raw immediacy and studied craft.

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