Matt Straub

"I Shave Everyday" figurative cartoon portrait painting on paper by Matt Straub

2006

Original mixed media work on paper by Adam Baranello. Mixed media, acrylic, spray paint on canvas. Size 17 x 14 in. Offered unframed. Ships rolled Multidisciplinary artist Adam Ba...

"Drawing on Fire" by Paul Sierra, Oil stick on paper. Sold with frame. Frame size: 22 x 14 inches. Hand-signed by the artist. Signature and title on lower front right corner of paper. At sixteen, Havana-born Paul Sierra moved to Chicago, where he studied at the Art Institute. Although a longtime resident of the Windy City, Sierra's tropical palette is based on childhood memories of Cuba. His trademark vibrant colors provide what has been called a "cultural corridor" between his turbulent Cuban heritage and his adopted country. Sierra has had more than sixty solo exhibitions in the USA. His work can be found in the collections of The Museum of Contemporary Art and Mary and Leigh Block...

Original mixed media work on paper by Adam Baranello. Mixed media, acrylic, spray paint on canvas. Size 17 x 14 in. Offered unframed. Ships rolled Multidisciplinary artist Adam Ba...

"Succulent" - Contemporary figurative oil painting of male figure by Chelsea Gibson Medium: Oil on paper Size 43 x 42 inches. Offered unframed. "Succulent" is part of Chelsea G...

from a series of women's portraits; drawings on paper (Bristol) mixed technique (watercolor pencils, pencil and acrylic) in small formats; My portraits reflect my own desires. As an ...

Faces are a recurring motif throughout Long’s extensive body of work - especially regarding eyes and mouths. This work features a misma of matter that coagulates into an image recogn...

from a series of women's portraits; drawings on paper (Bristol) mixed technique (watercolor pencils, pencil and acrylic) in small formats; My portraits reflect my own desires. As an...

Oil on paper About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...