Ritchelly Oliveira

Tyson, Charcoal Painting on Canvas, Contemporary, Framed, 116 cm

2025

"Breathe" by Ritchelly Oliveira, 2025 Charcoal and Acrylic on Canvas 117 x 82 x 3 cm (131,5 x 96,5 x 5,2cm framed) A deeply evocative composition, "Breathe" by Ritchelly Oliveira ca...

Ritchelly Oliveira, visual artist, began his work in 2012, shortly after enrolling in visual arts at the Federal University of Goiás (UFG), he found...

“Gato Preto” (2025) Charcoal and Acrylic on Canvas 100 x 80 cm / 39.3 x 31.5 in Original work by Ritchelly Oliveira (Brazil, b. 1993) “Gato Preto” is a captivating and deeply symbol...

An extraordinary contemporary portrait by Brazilian artist Ritchelly Oliveira, where hyperrealist charcoal technique and symbolic doves merge into a poetic meditation on transformati...

"AN EYE FOR AN EYE" Figurative Painting 40" x 30" inch by Isaac Pelayo Medium: OIl and aerosol on wood "The Modern Renaissance" series Historically, the art world has been an exclu...

"BAD MAN WITH A PRETTY FACE" Painting 40" x 30" inch by Isaac Pelayo Medium: OIl and aerosol on wood "The Modern Renaissance" series Historically, the ar...

Painting Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Auth...

Mary Borgman’s work captivates the viewer in several ways. First is their scale. They hang like medieval tapestries, with figures standing as tall as eight feet. There is also their texture – created by using charcoal on Mylar, and the results are richly gestural, with distinct charcoal strokes and eraser marks animating the figure and ground alike. With a flat surface, she creates volume and life. And perhaps the most powerful of all, the viewer is caught be the gazes of the models, who stare forcefully out of the picture. They seem to be examining us every bit as much as we are examining them. These larger-than-life portraits stem from chance encounters that grow into meaningful connections between the artist and her subject. Most are strangers that she approaches on the street. They capture her attention with expressive eyes that show experience and wisdom, distinctive shapes and a casual body language. “I try to honor the people I am drawing by centering them in the format and shooting from slightly below their eye level. I choose an expression that exudes intelligence, self-awareness and complexity. I try to convey their humanness. I want the viewer to feel this person might be someone interesting to know”, says Borgman of her subjects. The intensity with which she conveys the eyes may stem from her many years of communicating in sign language, which is based on sustained eye contact. Borgman loves the directness of drawing. It is immediate, there is no lag time. There is no time waiting for the paint to dry. She works solely in charcoal which she can manipulate to achieve varying degrees of darkness and opacity. It is messy and the artist loves that. Mary Borgman Portrait of Justin Shanitkvich, 2022 charcoal on mylar 53h x 40w in 134.62h x 101.60w cm MBG009 [This work is custom framed in shadow box style with non-reflective Tru-Vue Museum Glass] FRAMED DIMENSIONS 55.25h x 42.50w x 2.25d in 140.34h x 107.95w x 5.71d cm Mary Borgman b. October 4, 1959 St. Louis, MO SELECTED EXHIBITIONS 2017 Grand Opening: Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2013 SOFA Chicago 2013, Ann Nathan Gallery, Navy Pier, Chicago, IL Portraiture Now: Drawing on the Edge, National Portrait Gallery, Arkansas Art Center, Little Rock, AR 2012 Portraiture Now: Drawing on the Edge, National Portrait Gallery, Washington D.C. SOFA Chicago 2012, Ann Nathan Gallery, Navy Pier, Chicago, IL SOFA NY, Ann Nathan Gallery, New York, NY 2011 Gallery Group Ann Nathan Gallery, Chicago, IL SOFA NY, Ann Nathan Gallery, New York, NY 2010 SOFA Chicago 2010: Special Installation at SOFA Café, Navy Pier, Chicago, IL What’s the Buzz on the Playground: Art of Today from St. Louis curated by Mary Sprague...