Robert Marchessault

Mangrove II

2021

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

Root VI is a unique oil on canvas painting by contemporary artist Joachim van der Vlugt, dimensions are 110 × 110 cm (43.3 × 43.3 in). The artwork is signed, sold unframed and comes ...

Mangroves in Casamance No.3 is a unique oil pencil on cardboard, glued on wooden frame painting by Spanish contemporary artist Calo Carratalá, dimensions are 80 × 139 × 4 cm (31.5 × ...

James Vaulkhard Mangroves at Funzi, 2025 Soft pastel on paper 50 x 32 cm 19.7 x 12.6 inches James Vaulkhard holds a BA degree in History of Art from Leeds University, and has both t...

Acrylic on canvas Carlos Sablòn Perez is a Cuban artist born in 1981 who lives & works in Châlons-en-Champagne, France. His talent is quickly recognized in the four corners of the Cuban archipelago as artistic projects duplicated in his native country and elsewhere. First destination for the artist was Colombia. He took part at the Bienal Internacional de Arte in Bogota & also many surrounding fairs in South America. His travels will also take him to Venezuela, Spain, Scotland, Germany & England, through exhibitions and private collections. He is inspired by the fantastic school of Dali, the mythological universe of the anthropologist Carlos Castaneda, or the representatives of the Latin American boom, such as the writer Gabriel García Márquez.