Angel Annunciation Paint 17th Century Oil on canvas Old master Tuscany school

1630-1680

The Announcing Angel Workshop of Vincenzo Carducci, known in Spain as Vicente Carducho (Florence, 1576 – Madrid, 1638) Attributed to Bartolomé Román (Montoro, c. 1587 – Madrid, 16...

The Announcing Angel Lucrina Fetti, née Giustina Fetti (Rome, c. 1590 – Mantua, 1673) attributed to Oil on canvas 75 x 62 cm. - Antique gilded wooden frame 87 x 74 cm. The wo...

Girolamo Bonini, called Anconitano (Ancona, circa 1600 - Bologna 1680) Annunciation (or Madonna of the Beautiful Angel) Oil on canvas (115 x 91 cm. - Framed 134 x 108 cm.) Work accompanied by the expertise of Prof. Emilio Negro The work, undoubtedly commissioned as an object of private devotion, shows the Annunciation to the Virgin Mary, a Gospel episode here set on the two figures portrayed in the foreground, the Archangel Gabriel with outstretched wings, a portrait of supernatural beauty, and the Virgin; We see her here absorbed in reading a prayer book with her eyes turned humbly downwards as a sign of devotion, while a small cherub hands her white lilies, a symbol of purity and chastity.   In the upper part of the composition is the austere image of God the Father, with the dove radiating with light, emblem of the Holy Spirit, surrounded by a flock of angels fluttering in the clouds charged with intense glow and play of light, in full Baroque style. It should also be noted that the image of the Saviour's mother in a delicately pious attitude, with her yellow veil, her broad blue mantle and her usual modest red dress from which the edges of her white blouse protrude, is to be interpreted as a kind of tender allegory of sacred love. The painting in question is an interesting replica with variants of the composition commissioned from Francesco Albani for the Fioravanti chapel in the ancient church...

Pair of angels with floral garland and cartouche with family motto 'Pulchriora latent' Workshop of Carlo Maratta (Camerano, 1625 - Rome, 1713) Dated on parchment, right: 1697 oil on the table (94 x 84cm./ in frame 105 x 95 cm.) This magnificent composition, depicting two little fluttering cupids intent on holding up a garland of flowers, can be traced back, both for the stylistic characteristics and for the compositional taste, to a master active in the fervid seventeenth-century Baroque Rome. One of the two cupids is about to grab the bow of the garland with his head facing downwards, while with the other hand he shows a parchment which bears, in addition to the date of execution, the Latin expression "Pulchriora latent" ("The the most beautiful things...

17th century, Nuvolone workshop Annunciation Measures: Oil on canvas, 98.50 x 127.00 cm - with frame 144 x 115 Depicted is a canonical Annunciation which sees Mary on her knees ...

Italian School, 17th century oil on canvas (laid on board), framed framed: 15 x 21 inches board: 14 x 20 inches provenance: private collection, France condition: very good and sound ...

Provenance: Private Collection, Cranston, Rhode Island (by the 1950s?); by family descent until sold at: Bill Spicer Auction, North Kingstown, Rhode Island, 26 January 2011; where a...

This unique painting is called 'Ectasi of Saint Cecilia' and was painted by the Italian painter Bartolomeo Guidobono, nickname The Savona Priest (1654-1709) Work of great pictorial ...