19th Century
Antique Spanish Old Master Oil on Wood Panel, Head Portrait of Christ
Located in Cirencester, Gloucestershire
Artist/ School: 18/19th Century Spanish School Title :Head study of Christ Medium: oil painting on wood panel, period gilt framed panel : 6 x 5 inches Provenance: private collect...
Oil
Fine 17th Century Italian Old Master Oil Painting Portrait of the Madonna
Located in Cirencester, Gloucestershire
Portrait of the Madonna in Prayer 17th Century Italian School oil on board, framed framed: 6.75 x 6 inches board: 5 x 4 inches Provenance: private collection, England Condition: ver...
Oil
Very Rare Renaissance Old Master Oil Painting c. 1600 Oil on Panel The Madonna
Located in Cirencester, Gloucestershire
The Virgin Madonna Spanish Renaissance artist, circle of El Greco (1541-1614) circa 1600 oil on wood panel, unframed panel: 20 x 14.5 inches Provenance: private collection, northern ...
Oil
Fine Quality 17th Century Dutch Old Master Oil on Wood Panel Trial of Christ
Located in Cirencester, Gloucestershire
The Trial of Christ Dutch Old Master, 17th century oil on panel, unframed panel: 11 x 7.5 inches provenance: private collection, England, Christies auction stencil marks verso condi...
Oil, Wood Panel
Antique European Religious Figure Oil Painting
Located in Cirencester, Gloucestershire
Antique European oil on panel, framed framed: 9 x 7 inches board: 7 x 5inches private collection, France the painting is in overall very good and sound condition
Oil
Fine Italian Old Master Oil Painting Angel & Saints Appearing to Figures
Located in Cirencester, Gloucestershire
Artist/ School: Italian Old Master, 18th century Title: Angel and Saints appearing to figures, one dressed in a white ruff collar. Medium: oil on canvas...
Canvas, Oil
Early 19th-Century Central European School, Christ The Saviour, Oil Painting
Located in Cheltenham, GB
US buyers pay no import tariffs on this item. This early 19th-century central European oil painting depicts Christ The Saviour standing atop an orb and carrying a cross over his left shoulder. An unusual composition, Christ’s rather striking posture is perhaps more ‘Saturday Night Fever’ than it is sacramental. However, the iconography is archaic and derived ultimately from New Testament illustrations dating to the Middle Ages. Depictions of orbs are usually symbolic of the universe, while the cross alludes to redemption. Hence, it’s a visual representation of Christ as the Saviour of humanity. Francisco de Zurbarán...
Canvas, Oil
19th Century Italian School Oil Painting of A Saint
Located in Wormelow, Herefordshire
A 19th century Italian school oil painting of a saint or apostle, possibly Saint Phillip or Saint Jerome. This tondo depicts the figure in a very dark and sombre light, as many of t...
Wood, Paint
19th Century Jacques-Émile Lafon French Signed and Dedicated Religious Painting
Located in Roma, IT
19th Century Jacques-Émile Lafon French Signed and Dedicated Religious Painting A beautiful, rare and important painting by the great 19th-century French artist Jacques-Émile Lafon,...
Canvas, Oil
Unknown Artist, 19th Century Oil on Canvas, Biblical Motif after Titian
Located in København, Copenhagen
Unknown artist, 19th century oil on canvas. Unsigned. Biblical motif with Christ after Titian. In very good condition. Measures 51 x 41 cm. The frame measures 7 cm.
17th-18th Century Saint Longinus, Religious Oil Painting on Canvas Laid on Panel
Located in SANT ADRIÀ DE BESÒS, ES
A small but highly atmospheric religious oil painting depicting Saint Longinus, traditionally identified as the Roman centurion associated with the Crucifixion of Christ. The figure ...
Wood
Religious Subject Oil on Canvas Italy XVII Century
Located in Milan, IT
Oil painting on canvas. It is a vintage copy of the engraving of the same name made by Annibale Carracci (1560-1609), which had immediate success and gave rise to a series of printed replicas and painted copies. It presents the moment of the Passion in which Christ is crowned with the crown of thorns, the object of torture, the disparaging symbol of his proclamation as King of Kings. The act is performed by two figures, the Roman soldier and the Jew, representing the two people who they took part in Christ's death sentence. The figures, vigorous and sanguine, those of the two tormentors paler and more inert than the victim, create an intertwined composition of bodies, with that of the central Jesus joining the other two, uniting them in the shared responsibility of what they are doing; placed sideways, Jesus has his head bent forcibly to the left by the soldier who imposes the crown of thorns on him, while the Jew on the right places the bamboo cane in his hand, replacing the scepter. The scene is dominated by gloomy and dark colors, among which only the bright red of Christ's robe stands...
Oil
