Wencke Uhl

I Can Buy Myself Flowers. Gardenias

2026

I Can Buy Myself Flowers marks the first gallery solo exhibition of Bonn, Germany-based painter Wencke Uhl. First appearing in the 27th Annual NO DEAD ARTISTS International Exhibitio...

I Can Buy Myself Flowers marks the first gallery solo exhibition of Bonn, Germany-based painter Wencke Uhl. First appearing in the 27th Annual NO DEAD ARTISTS International Exhibitio...

I Can Buy Myself Flowers marks the first gallery solo exhibition of Bonn, Germany-based painter Wencke Uhl. First appearing in the 27th Annual NO DEAD ARTISTS International Exhibitio...

I Can Buy Myself Flowers marks the first gallery solo exhibition of Bonn, Germany-based painter Wencke Uhl. First appearing in the 27th Annual NO DEAD ARTISTS International Exhibitio...

ANNA KINCAIDE "Roses are Red" Oil and Mixed Media on Canvas 40 x 30 inches Communicating emotion and narrative with limited assistance from her figure’s facial expressions, Anna Kin...

ANNA KINCAIDE "In Bloom" Oil and Mixed Media on Canvas 48 x 36 inches Communicating emotion and narrative with limited assistance from her figure’s facial expressions, Anna Kincaide...

The Girl Whose Hair Smells Like Spring This contemporary portrait of a young woman captures a tender connection between femininity and nature. Her hair seems to carry the scent of e...

Artificial Flowers, 2022 Contemporary Art, Abstract Painting Acrylic on canvas 82x62cm Frame included Signed and dated on the back About the artist Maite was born in Mexico City, where she now lives and works. Her work is based on the exploration and understanding of the use of colour as a tool to create a stronger connection between the viewer and the work displayed. Having her interest in colour arise from the common ground that exists between her personal experiences with the use of colour within the Mexican culture and the effects of colour she perceives from her personal artistic practice, she tries to use her work as a way to get familiar with both the far-reaching capabilities of colour and its resourcefulness when transforming everyday scenarios into desirable realities. As her practice has been developing, she has continually incorporated and simplified the idea of architectural shapes. The opportunity for objects to be defined by the simple outline of the flat colours that fill them paired with angular geometric devices has become integral to her practice. She has become increasingly captivated by the intensified sensation of placelessness that floods the compositions and transforms an everyday scene into a puzzling sight that stops the image from being simply an admirable image into a visually engrossing experience. EDUCATION 2018-2021 BA(Hons) Fine Art, Central Saint Martins (UAL), London 2020 Exchange, École Nationale Supérieure des Beaux Arts (ENSBA), Paris 2017-2018 Foundation Diploma, Camberwell College of the Arts (UAL), London GROUP EXHIBITIONS 2021, “What have we done?”, Lethaby Gallery, London 2021, “Melt Club”, Chrom Gallery, London 2021, “Central Saint Martins Degree Show” 2021, “Graduate Showcase”, S&P Gallery...