Anthony J. Miraglia

Pair of Cape Cod Views by Anthony J. Miraglia (20th and 21st centuries)

21st Century

Edwin Dickinson (1891-1978) View Of Wellfleet, Massachusetts, 1942 Oil on canvas, 10 x 12 inches (25.4 x 30.5 cm) Framed dimensions: 15 1/4 x 17 1/4 in Signed in the wet, vertically ...

Wayne Beam Morrell (American, 1923-2013) Untitled (Coastal Scene, Massachusetts), 20th century Oil on board 15 1/2 x 20 in. Framed: 24 x 27 1/3 in. Signed lower right Wayne Morrell ...

"Barcelona Point" is a contemporary landscape painting of the Sag Harbor Bay from the surrounding wetlands in summer. A peninsula of land hosts a line of green shrubs and small trees, which reflect onto the water below it. The blue sky blends into a soft pink as it meets the horizon. Frame Dimensions 24 x 30in Framed in a traditional style, white gold frame. Signed "Terry...

Artist: Stanley Sobossek, American (1918 - 1996) Title: Rockport, Mass. Year: circa 1960 Medium: Oil on Canvas, signed l.r., signed and titled verso Size: 30 x 24 in. (76.2 x 60.96 c...

Cedars, Greenport (Contemporary Winter Landscape Painting, Framed) painted by Tony Thompson in 2002 16 x 24 inches, 20.75 x 28.5 inches framed oil on canvas Wired on Reverse for easy installation Artist signature on lower left corner Tony Thompson's combination of masterful technique with sustained contemplation results in paintings that are a delight to behold and make his compositions are a timeless contribution to the genre. The light is the main event in bucolic settings, and the artist makes this challenge look simply effortless. In this painted, a shadowed tree line of cedar trees dominate the foreground of a meadow richly painted in tones of orange and umber. Wispy tree branches are highlighted by a pale pink sky that reflects the setting sun. Thompson's work is at the same traditional yet freshly relevant to today's environment - a classic landscape that has mass appeal! Anthony Thompson attended Dartmouth College...

Painted en plein air. Artist Bio: Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and artists from the time he was born. He received h...

Geoffrey Chatten, R.B.A. Born Gorleston 1938 Popular impressionist painter, member of the Royal Society of Artists and Great Yarmouth Society of Artists. Signed, painted circa 1980 ...

View Towards Christmas Cove, Maine, c. 1923 Watercolor on paper Signed lower right 14 x 19.5 inches Frank Nelson Wilcox (October 3, 1887 – April 17, 1...

George Gustav Adomeit (American, 1879-1967) Cape Ann Coast, 1922 Oil on canvas Signed lower left 20 x 24 inches 20.5 x 24.5 inches, framed A major painter of American scene subjects...

This artwork titled "Seaview, Fire Island, New York, Sand Dunes, Ocean Side" 1956, is an oil painting on canvas board by Italian/American artist Xavier Barile, 1891-1981. It is signed at the lower right corner by the artist. Also signed, dated, and titled on the back. The canvas board size is 12 x 16 inches, framed size is 22 x 26 inches. Framed in an ornate wooden gold frame, with black velvet liner. It is in generally excellent condition, the frame have some minor restorations, barely visible and 2 small area where the velvet is scratched. About the artist: Xavier J Barile was a Social Realist painter, teacher, lecturer, graphic artist, and writer. He was born March 18, 1891, in Tufo, Italy. His love of beauty manifested itself at a very early age. During his early teens, he used to design monograms for the young girls of his home town, Tufo, Italy, to embroider on their most precious possession, their hope chest and trousseau. In 1907, his mother brought him, his two younger brothers and two sisters to New York, to join their father who had been in New York for several years, preparing the way. He quickly learned English and spent some time helping his father, who was earning a living for the family as a tailor. Having learned English well, Barile then enrolled in the Evening Art Classes at Cooper Union Institute in New York. In due course he enrolled in the Art Students League, New York City. Here he came under the influence of John Sloan, Reginald Marsh and Victor Perard as teachers and George Luks, Robert Henri and Everett Shinn of "the Eight" as friends and colleagues. In 1939 John Sloan dedicated his book, Gist of Art as follows, "To my old friend, first monitor of my first class at the Art Students League 1914." This friendship and mutual regard lasted until Sloan's death in 1951. Of course, it was only natural that Barile should be a part of the "Ashcan School," painting the New York Scene. During this time that he was on his own he worked with all mediums - oil, watercolor, pastel, casein, charcoal, etc. - and he did some fine work with monotypes. It was during these years, the 20's and 30's, that he began to exhibit in such places as the Whitney Studio Club (forerunner of the Whitney Museum of American Art), The Kit Kat Club, The Anderson Gallery, The Cincinnati Museum, The New Mexico Museum, National Society of Painters in Casein, The Salmagundi Club and many other exhibits throughout the United States. He is currently represented in The National Collection of Fine Arts (NCFA) Smithsonian Institution, Washington, D.C. In the mid 30's, like many another struggling artist, XJB worked on the WPA Art Project. One of the murals he worked on is in the U.S. Customs House, Bowling Green, N.Y.C. In this project he collaborated with Reginald Marsh who was the supervisor of this phase of the work. The years until 1939 were spent working in all parts of the United States and in conducting his own classes for aspiring artists. In 1939, on the recommendation of John Sloan, he became the founder, first teacher and Chairman of The Department of Fine Arts, Pueblo Junior College, Pueblo Colorado...