Edwin Georgi

Saturday Evening Post Illustration. “ The Devil’s Stronghold” Original Magazine

1960

Most likely for Redbook, Cosmopolitan, Collier's Weekly, Good Housekeeping or Macall's

This beautiful work by the great American Illustrator Bob Peak has a sister work in the collection of the Lucas Museum of Narrative Art in Los Angles. We feel that our work has a little more detail, complexity and dimension to it as the beautiful female figure seems to be floating in an endless sky of dreamy colors. Portrait of beautiful woman, Large powerfully sensual deco-esque work by America's Master of the Movie Poster. Bob Peak. Bob Peak, in my opinion, was the Norman Rockwell of post-war American Illustration, this is one of the works that paved the way for a new way of seeing. It's more fine art than commercial art. For Apocalypse Now, in 1979, Francis Ford Coppola could have hired any artist in the world to create the movie poster and image for his film. He hired Bob Peak. Some of the movie posters Peak has worked on. West Side Story, Rollerball, Star Trek, Superman, Excalibur, Apocalypse Now, The Spy Who Loved Me. My Fair Lady, Camelot and Enter the Dragon. Additionally, Peak illustrated 45 covers of Time Magazine and many covers for Sports Illustrated, TV Guide. Signed lower center Private Collection Georges Delerue...

Rafael Maria de Soto y Hernandez was born February 18, 1904 in Aguadilla, Puerto Rico. It's high drama in the swamp. Woman in the Swamp is a masterfully executed example of Pulp Art and showcases Rafael DeSoto's full command of academic painting. DeSoto did pulp covers up until the industry's demise in the 1950s for such magazines as Adventure, Argosy, Black Mask, Captain Zero, Crack Detective, Fantastic Novels, 15-Story Detective, Fifteen Western Tales, New Detective, Smashing Detective, and Walt Coburn's Western Magazine. He also painted many covers and interior story illustrations for men's adventure magazines, such as Action For Men, Adventure, Battle Cry, For Men Only...

What makes this artwork special is not the narrative. It's the artist's unique approach to depicting it. He does it the hard way. Instead of showing the moment of an altercation ...

Original story illustration for “The Moon’s Our Home” by Faith Baldwin for Cosmopolitan magazine, published December 1935, illustrated pages 66-67. The full caption reads: “‘Darling...

Medium: Watercolor on Paper Signature: Unsigned

Medium: Oil on Canvas The oil on canvas illustration is bearing a Saturday Evening Post label verso, used to illustrate the short story There Is No Love, in the October 18th, 1941 i...

"Jessica laid her face against Richie's shoulder; she felt his arm tighten about her. Perhaps it was a long time they stood so. She didn't know, but she heard him say, 'Do you mean y...