1972
John Button was a fine draftsman and drew from life models throughout his career. However, little-known are his sketches of male nudes and studio models from the School of Visual Arts, where Button taught, as well as personal acquaintances. Born in California, Button was educated at University of California, Berkeley. After moving to New York City in the early 1950s, he became friends with Fairfield Porter and Frank O’Hara and assumed his part in the New York School of painters and poets. Amidst the frenzy of Abstract Expressionism, Button remained true to his interest in Realism and was most commonly associated with such New York School artists as Fairfield Porter, Jane Freilicher and Alex Katz, among others.
Olympic Champion
By John Button
Located in New York, NY
Oil on canvas Signed Born in California, John Button (1929-1982) was educated at University of California, Berkeley. After moving to New York City in the early 1950s, he became frie...
Oil, Canvas
Untitled
By John Button
Located in New York, NY
John Button Untitled 1975 Signed and dated in pencil, l.r. Pencil on paper 14 x 11 inches
Paper, Pencil
Untitled
By John Button
Located in New York, NY
Untitled 1978 Signed and dated in pencil, l.r. Pencil on paper 14 x 17 inches
Paper, Pencil
Untitled
By John Button
Located in New York, NY
John Button Untitled 1968 Signed and dated in pencil, l.r. Pencil on paper 16.5 x 12.25 inches
Pencil
Two Studio Models
By John Button
Located in New York, NY
Gouache on paper Signed and dated, l.r. This artwork is offered by ClampArt, located in New York City Born in California, John Button (1929-1982) was educated at University of Cali...
Paper, Gouache
![[Bruce Sargeant (1898-1938)] Black Leather Jacket and Black Leather Boots](https://a.1stdibscdn.com/mark-beard-paintings-bruce-sargeant-1898-1938-black-leather-jacket-and-black-leather-boots-for-sale/a_9323/1598552562298/Beard_Sargeant_Black_Leather_Jacket_and_Black_Leather_Boots_master.jpg?width=240)
[Bruce Sargeant (1898-1938)] Black Leather Jacket and Black Leather Boots
By Mark Beard
Located in New York, NY
Price includes $400 cost of framing. Oil on canvas mounted to Masonite Signed in red, u.r. This work is offered by ClampArt in New York City.
Masonite, Oil
Untitled #26 - Man Portrait Figurative Painting
Located in Milano, MI
Work on canvas by Christian Schoeler
Canvas, Oil
Richard J.S. Young - Contemporary Oil, Standing Male Nude
By Richard J.S. Young
Located in Corsham, GB
A bold and eye-catching nude study by Richard J.S. Young, captured with broad, expressive brushstrokes. Young renders the sitter's head with greater detail, using patches of flat col...
Oil
Duke, Oil Painting
By McGarren Flack
Located in San Francisco, CA
Artist Comments
Artist McGarren Flack captures a seated male figure. The subject's thoughtful pose and warm skin contrast with the contemporary cropping of a gray background....
Oil
Portrait of a Boy
By Leslie Thrasher
Located in Fort Washington, PA
Medium: Oil on Canvas Dimensions: 22.00" x 9.75" Signature: Signed Lower Right
Canvas, Oil
Portrait of a Boy Posed on Chair British Modernist Oil Painting
By Irina Hale
Located in Cirencester, Gloucestershire
Portrait of a Young Boy by Irina Hale (British 1932-2022) oil painting on board unframed size: 9 x 6 inches provenance: private collection, Cotswolds condition: very good Irina Hale...
Oil
Boy
By Kim McCarty
Located in White Plains, NY
'Boy' 2003 by American artist, Kim McCarty. Watercolor on paper, 29.75 x 22.25 in. (framed). This work on paper expresses the fragile vulnerability of adolescence. By using a “wet into wet” watercolor medium, the artist conveys the transitory and emergent state. The figures heads become too large for their small, narrow bodies, their hands too large for their arms. The translucent watercolor expresses both the flaws and perfection. Kim McCarty is known for her nubile and waif-like figurative watercolors in muted hues, which she likens to “blurry afterimages drifting past closed eyelids.” McCarty began working with the medium in 1993, after a fire destroyed her studio and she could no longer find a space with proper ventilation for working with oil paint and became quickly intrigued with watercolor’s transparency, immediacy, and “unforgiving qualities.” She works in a wet-on-wet technique, in which watercolor is applied to a moistened sheet of paper—a technique that allows for very little control over the final image because of the pigment’s tendency to spread. For McCarty, this style corresponds to the longing, loss, and vulnerability embodied in her subjects. A graduate of UCLA (MFA) and the Art Center College of Design, Pasadena (BFA), McCarty has had many solo exhibitions include Morgan Lehman Gallery, New York and David Klein Gallery...
Paper, Watercolor
The French photographer transformed everyday encounters into enduring images of shared experience.
The New York photographer tells us how an encounter with the then-13-year-old boxer led to a decade-long project that saw them both go pro.
