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Nemo Jantzen
40 Degrees

Name: 40 Degrees
Brand: Nemo Jantzen

Price Upon Request

About the Item

Mixed media by Nemo Jantzen. Handmade resin domes on board. Born and raised in The Hague in 1970, Nemo Jantzen then studied art, design and photography at the RTO in Rotterdam and moved to Antwerp to work as a creative director and billboard artist, while further developing his technique and style as a fine artist. Nemo Jantzen plays with focus, creating a sense of depth, thus bringing into question the act of voyeurism and the anticlimactic and revelatory nature of privacy. Born and raised in The Hague in 1970, Nemo Jantzen then studied art, design and photography at the RTO in Rotterdam and moved to Antwerp to work as a creative director and billboard artist, while further developing his technique and style as a fine artist. Over the past 15 years, he has been exhibiting worldwide in art galleries, art fairs, and solo exhibitions to high acclaim. His work can be found in numerous private and public collections around the world. COLLECTIONS & SPECIAL COMMISSIONS GEM Museum , Netherland Museum POPA, Switzerland Museum Diocesa, Spain Mandarin Oriental Hotel, New York Presidential Suite, Mandalay Bay Resort, Las Vegas Shannon Sedgwick Davis, Head of Bridgeway Foundation. Fundraising auction against human trafficking. Peru Contemporary Art Museum, Peru Billy Frist, Photography Collector, DREAM Hotel Owner, TN Robert Griffin III, NFL American Football Player Alcazar Financial Group, Dubai Wheelock Properties, Singapore Dylan Farrell Design, Australia-NY Claudia Schiffer, Super Model Nicole Sassman Celebrity Interior Designer, LA VIP Box Staples Center, LA Avi Weitzman, New York Kobe Bryant Commission, American Basketball Player, LA

Creator:
Nemo Jantzen (1974, Dutch)
Dimensions:
Height: 118.5 in (300.99 cm)Width: 124.5 in (316.23 cm)Depth: 3 in (7.62 cm)
Medium:
Epoxy Resin,Wood,Photographic Paper
Movement & Style:
Pop Art
Period:
2010-
Condition:
Gallery Location:
Singapore, SG
Reference Number:
1stDibs: LU1820212244392

Shop All Nemo Jantzen

Nemo Jantzen

Nemo Jantzen plays with focus, creating a sense of depth, thus bringing into question the act of voyeurism and the anticlimactic and revelatory nature of privacy. In his hyperrealistic work, Nemo Jantzen is much inspired by film and tries to capture details of highly enlarged objects or photographic moments in time. These scenes portray often decadent and noir-style subject matters with a story to tell - like a movie still with an open ending - deliberately avoiding eye contact that could give away the personality of the painted subjects, as to not interfere with the imagination of the spectator. This compells us to think and imagine what has happened or what will happen next. Intrigued by light and the mystery of darkness, Jantzen plays with focus, creating a sense of depth and connecting the image and viewer through the inclusion of the optical vocabulary of cinematography, and the allusion to the constraints of the instant polaroid. In his mixed-media body work of painted ceramics on wood, Nemo Jantzen wishes to capture and address the times we live in. In particular the voyeurism of hidden cameras and video surveillance that have become accepted in our society, creating awareness of this invasion of privacy for our own perverted need to watch and to know everything. In the name of safety and control, and fed by the media, this imagery has changed into entertainment and pleasure. He depicts public figures that became common good and through a language of blurred and pixelated imagery, photographic stills and scenes that can tell whole stories in one glance. In these pieces, built up out of hand-painted ceramic tiles which he uses as building blocks, that by themselves are nothing more than that, but together form pixelated shapes that merely suggest an image that our imagination transforms into flowing and complete figures. The missing details and shortage of information stimulates our imagination to fill in the blanks and create the excitement. With large-scale images built out of hundreds of small images; stories incapsulated in glass spheres the work simply keeps repeating to the viewers. In a word : “The closer you look, the less you see”.

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