Still-life Paintings

Available at Madelyn Jordon Fine Art. 'Luminous Painting (hot pinks)' 2022 by Catherine Howe. Pigments, acrylic, white and copper leaf, and glass micro-beads on canvas, 48 x 60 in. T...

Woman with Basket & Fruit 2009 – original by Christiaen van Couwenbergh (1604 – 1667) Finely painted oil on canvas copy of the original Dutch Golde...

Jean - Luc Mauger (1952) French School, 20th century signed oil on board, framed framed: 18.5 x 14.5 inches board: 15 x 12 inches Provenance: private collection, Paris Condition: v...

Pair of very decorative Italian Still-life paintings of flowers with vases and classical figures . 18th century, oil on canvas, with original gilt-wood frames. This pair is an exce...

Antoine Daens 1871 – Brussels – 1946 Belgian Painter 'Mediterranean Breakfast' Signature: signed lower right 'Ant. Daens.' Medium: oil on canvas Dimensions: image size 65,5 x 60,5 ...

"The chief difficulty Alice found at first was in managing her flamingo: she succeeded in getting its body tucked away, comfortably enough, under her arm, with its legs hanging down,...

Oil Pastel and Pencil Liquor Still Life Oil pastel and pencil still life depicting a line up of Dutch liquor bottles and drinking glasses by Erin Pearce (American, 20th C). Liquor ...

Born in 1982 in Manzanillo, Cuba, artist Darwin Estacio Martinez honed his artistic skills at the Professional Academy of Fine Arts "El Alba" in Holguin, and furthered his education ...

"Petunias" is a realist oil on canvas painting by Rachel Personett. A potting of white petunias overflows in verdant abundance. White blossoms glow against the dark background. Frame...

Artist Statements: “My paintings are the poetry of my interpretations of reality." "After my years of formal academic training, I sometimes take my work toward the more contempora...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...

Oil on panel, monogrammed mid left Image size: 15 x 12 1/4 inches (38 x 31 cm) Dutch ripple style frame Loeding was born in Leiden in around 1637 and was admitted into the Leiden Guild of St Luke in 1664. Like other Dutch cities, Leiden required membership in the guilds in order to sell wares falling under the various specifications. There is no record of his artistic training or influences, but he likely belonged to the circle of artists including Pieter de Ring and Gerrit Dou, who founded and maintained the Guild.  Loeding is last registered as a member in 1673. One of the most versatile genres that emerged from Dutch 17th Century artistic specialisms is that of 'pronkstilleven'; a laden table with a variety of rich textures, like ornate glassware, gilded goblets, exquisite nautilus cups...

Still Life (Untitled), c. 1935 – 1940, oil on canvas, signed lower left, magazine cover has a 1934 date, 32 x 26 inches, remnant of exhibition label verso In their essay for the gro...

Framed size: 13x17" Gina Minichino’s classical portraits of contemporary edible treats harken back to the 17th Century Dutch Masters. In this new series she takes it a step further...

Framed size: 13x17" Gina Minichino’s classical portraits of contemporary edible treats harken back to the 17th Century Dutch Masters. In this new series she takes it a step further...

Victor Simonin (Belgian, 1877-1946). An antique oil painting on board titled "Still Life of Flower and Fruit." This abstract still life work depicts a colorful botanical bouquet of f...

This superb trompe l'oeil painting is in the circle and quality of the Antwerp Jesuit master Daniel Seghers. Painted circa 1650, the central cartouche,...

Pair of very decorative Italian Still-life paintings of flowers with vases and classical figures . 18th century, oil on canvas, with original gilt-wood frames. This pair is an exce...

French mid-Century Flower painting with thick impasto brush or palette knife strokes. One notable artist known for their mid-20th-century flower paintings with impasto is Vincent va...

Pair of very decorative Italian Still-life paintings of flowers with vases and classical figures . 18th century, oil on canvas, with original gilt-wood frames. This pair is an exce...

Kom met Kersen Oil Painting on Panel Bowl Cherries Fruit Still Life In Stock Kees Blom (Apeldoorn, 1968) comes from an artistic family. While his father already had a passion for pai...

Jordan Wolfson's (US based) "Still Life with Flowers VI" is an oil painting that depicts a vase of fresh sunflowers and red roses in a glass jar. Jordan Wolfson returned to the Uni...

Still Life with Blue Cloth Oil Painting on Panel Vegetables In Stock Nico Heilijgers (Utrecht, 1964) graduaded at the Academie Minerva in Groningen, the Netherlands. His teachers we...

From the artist: "The symbol of the Apple has held significance for humans throughout recorded history. In the bible it represents the forbidden. It was used by Newton to explain gra...

From the artist: "This still life is meant to be initially read on two levels, which is the aesthetic quality of the photo realistic nuts and the humor of the title also referring to...

Jos Leurs is a Dutch Impressionistic Plein Air Painter who lived in France for almost 30 years. Since 2011 he lives in Holland again. He likes to work outsid...

Reverse Mylar Painting, 'Blue Composition (2),' 2017 by Catherine Howe. Oil and acrylic mediums on polyester sheeting, 40 x 30 in. / White Frame: 46 x 40.25 in. Howe's reverse-paint...

Een Oktoberfeest Oktoberfest Autumn Oil Painting on Panel Still Life In Stock Walter Elst Born in Antwerp, Belgium - 1955 After finishing his study Medicine at the University of Bru...

oil on canvas signed by the artist. This work will be included in “Volume IV and Additives to Volumes I, II and III” of the Catalogue Rasionne currently in preparation by Marc Ottavi...

A sumptuous still life unfolds in this exquisite oil painting, where a bounty of ripe peaches, pears, and grapes is artfully arranged beside an elegant vase. The fruits, rendered in ...

An exceptional oil painting by acclaimed British still life artist Paul Stone, The Forager exemplifies the artist’s refined approach to contemporary realism. Inspired by classical Du...

Still life of Summer Flowers in a Basket with Fruit. Circa 1730 Oil On Canvas 32 ¾ x 48 ¼ inches83.1 x 122.5 cm Presented in a 17th century Italian carved gilt frame. Acquired from The collection of the Late Edgar Wigan, Bradstone Brook, Shalford. ABOUT THE ARTIST:  The son of the Flemish painter Pieter Casteels II (referred to as Casteels the Younger) whom he studied under.  While Casteels II was best known for his capriccio harbour scenes and landscapes of his native Antwerp, Casteels III worked primarily in England, where he immigrated in 1708 at the age of 24 and began his career copying Old Master.  Casteels III painted still lives of flowers, and bird and game scenes, and in 1726 produced a volume of twelve plates of bird etchings. Following the success of the publication, he created similar volumes for both flowers and fruit. Pieter Casteels III...

Still life - Salvatore Marinelli Italia 2008 - Oil on canvas cm. 60x120 Salvatore Marinelli's canvas is a painting inspired by Abraham van Beyeren Dutch painter, of the Baroque age, ...

This painting is based on Rachel Ruysch’s, Vase of Flowers, 1700. The painting contains an example of the Dutch tulip most prized during Tulipomania: Semper Augustus...

"Blackberries Are Red When They Are Green" - Trompe L'Oeil Still Life Hyper realistic still life by Alexis Pencovic (American, 1921-1987). A still life arrangement of blackberries w...

IAN HORNAK (1944–2002) Title: Very Baroque Flowerpiece with Red Birds of Paradise and Shining Parrot Date: 1989 Medium: Acrylic on Panel, with Artist Painted Frame Dimensions...

Reverse Mylar Painting, 'Blue Composition (1),' 2017 by Catherine Howe. Molding paste, oil and acrylic mediums on polyester sheeting, 40 x 30 in. / White Frame: 46 x 40.25 in. Howe's...

Rutger Hiemstra Attempted Art Oil on wood panel 53 x 125 cm Dutch artist Rutger Hiemstra (1975) understands the art of painting from observation. Still lifes, landscapes, portraits...

This superb 18th century Old Master floral still life oil painting is attributed to Flemish artist Pieter Casteels III. Painted circa 1730 it is a garland or swag of flowers, somethi...

This painting is based on Rachel Ruysch’s, Vase of Flowers, 1700. The painting contains an example of the Dutch tulip most prized during Tulipomania: Sem...

In September 2006, Pam began her artistic journey at Silvermine School of Art where she studied still life for eight years with Kirill Doron of the Art Institute of Moscow. Pam's pr...

As an artist, TIFFANY CALVERT applies contemporary painting techniques to historical imagery. Her recent work uses the seventeenth-century Dutch floral still life as a springboard fo...

Douglas Safranek's Touch of Green calls back to 17th century trompe l'oeil Dutch still lifes. Filled with humor and complexity, Safranek's rather constrained and controlled stroke of...

This vibrant still life painting by John Whitlock Codner RWA (1913-2008) captures a sumptuous array of fruits, glassware, and porcelain arranged on a silver tray. Signed to the lower...

- ANNA CATERINA GILLI or GILLI Anna Caterina Turin 1729- 1751 Her paintings recorded in Turin as a decorative artist for the Royal Palace and the Stupinigi, working in a simil...

Gina Minichino’s classical portraits of contemporary edible treats harken back to the 17th Century Dutch Masters. In this new series she takes it a step further - instead of the cra...

Gina Minichino’s classical portraits of contemporary edible treats harken back to the 17th Century Dutch Masters. In this new series she takes it a step further - instead of the cra...

Gina Minichino’s classical portraits of contemporary edible treats harken back to the 17th Century Dutch Masters. In this new series she takes it a step further - instead of the cra...

Gina Minichino’s classical portraits of contemporary edible treats harken back to the 17th Century Dutch Masters. In this new series she takes it a step further - instead of the cra...

Gina Minichino’s classical portraits of contemporary edible treats harken back to the 17th Century Dutch Masters. In this new series she takes it a step further - instead of the cra...

Gina Minichino’s classical portraits of contemporary edible treats harken back to the 17th Century Dutch Masters. In this new series she takes it a step further - instead of the cra...

Gina Minichino’s classical portraits of contemporary edible treats harken back to the 17th Century Dutch Masters. In this new series she takes it a step further - instead of the cra...

Hand Sculpted Ceramic, Glazed, trompe l'oeil, Beyond A Shadow by Dirk Staschke Dirk Staschke is best known for his exploration of Dutch Vanitas still life themes in the medium of ce...

This still life by Stephen Scott Young stands out in the artist’s oeuvre in that Young is most known for his luminous portraits of African Americans or native Bahamians. Nonetheless,...

Oil On Canvas "Still life with flowers and Chinese vase" By Julien Stappers Biography: Julien Stappers was a Belgian painter who was born in 1875. Stappers's work has been offered ...

Superior quality 22K gold gilt frame.

Olga Antonova’s subject is compositions of extraordinarily elegant and beautiful cups, plates, teapots, and dishes, but there is something humorous and provocative about these painti...