Wood Still-life Paintings

Title: Slow Soft Summer Floral, Abstract, Contemporary, Nature, Soft tones, Original, Authentic, Investment In this gentle, though lively acrylic painting, I connected to the joys ...

Title: Bloom-time in pot of blues This artwork is an invitation to connect to abundance and rejuvenation. Working layer upon layer, I honored the delicate blossoms, offsetting the...

Vintage Floral Still Life - Cup with Cascading Flowers Detailed and moody still life of flowers in a ridged cup by Alan Inger (British b. 1901 d. 1978.) The background is full of de...

This previously unpublished painting was first securely attributed to Govert Dircksz Camphuysen in 1944, following an examination at the Nationalmuseum in Stockholm during which the ...

This artwork exudes a strikingly vibrant elegance, showcasing a mesmerizing still life arrangement. Dominating the composition is a large, radiant sunflower, its warm yellow petals u...

Vintage Floral Still Life - Cup with Stack of Flowers Detailed and moody still life of flowers in a ridged cup by Alan Inger (British b. 1901 d. 1978.) The background is full of dee...

Colorful Modernist Still Life with Impasto Flowers by Ellis Hopkins (American, b. 1952). This bold still life features an array of flowers as its central focus. The painting is ren...

Title: Flourish Now! Painting Floral Abstract Bold Freedom Contrast Statement Maximalism In this painting, I expressed the feeling of aliveness into vibrant pink blossoms bursting...

Still life with red flowers is an artwork realized by Claude Decamps, mid-20th Century. Oil on canvas.  25 x 20 cm. Hand signed in red in lower margin. Good conditions!

Classic mid century still-life of a green drape with vase, by W. Gray (American, 20th Century). Dated and signed by the artist lower right, "57 W. Gray." ...

A unique set of vintage French herbarium / botanical displays. These botanical specimen are preserved behind glass in a new double sided glass frame. ...

Artist: Andras Gombar, French (1946 - ) Title: Still Life 1 Year: circa 1965 Medium: Oil on Canvas mounted to Wood, signed Size: 20 x 24 in. (50.8 x 60.96 cm)

Title: Freedom Flowers Painting Flowers Freedom Contemporary Modern Bold Original Nature Statement Joy Whilst creating Freedom Flowers, I connected to the gift of nature, the abund...

Still life is an artwork realized by Claude Decamps, mid-20th Century. Oil on wood.  25 x 20 cm. Hadsigned in red in lower margin. Good conditions!

Title: Let the Light Shine Through Floral Abstract Still-life Painting Contemporary Expressionist Invest Abundance Flowers Vase In this piece, I captured abundance and an experienc...

Emma Nourse is an expressive, tactile painter whose work draws inspiration from still-life tableaux and floral arrangements. Through the use of vibrant colour, dynamic brushwork, and...

Each 20 x 20 inch canvas is framed in a separate 2 inch deep solid wood floater frame, increasing the dimensions to 21. 5 x 21.5 inches. Total span together is 44 x 22". Hung with...

Beautiful cubist still life painted in jewel tones. ca. 1970. Oil on masonite panel measuring 20 x 24 inches. Unfrmaed. Signed "Galbrun" lower right.

Still life "Wine with Orange" by Claude (Charles Claude) Buck (1890-1974). Signed lower left. Artist's notes and color scheme on verso. Displayed in rustic giltwood frame. Image, 14"...

'L'Obscurité' by Richard Whitten, 2009. Trompe L'oeil, Newport Art Museum, Frye Museum, Yale ----- Initialed lower left, 'RCW' for Richard Whitten (American, born 1958) and dated, l...

A moody yet vibrant California sunset. Oil paintings on wood have a very different feel than on canvas. There is a smoothness from the layers of sanded white gesso underneath and the...

Antique Fauvist Vanitas "Still Life with Flowers and Skull" Louis Mathieu Verdilhan (Provence, France, 1875-1928) Circa 1910 Oil on canvas on ...

French Still Life With Flowers Bouquet Oil on masonite, signed, original vintage frame. Edith Faucon was born on May 24 in 1919 in Carentan France. She owes her artistic training f...

Oil on cardboard realized by Sirio Pellegrini in 1968. Hand signed lower right. Includes a beautiful wooden frame, one-of-a-kind realized by the Artist cm. 59x68.5.

Title: Treasure Trove in Bloom Still-life Painting Floral Vase Colorful Flower Original Contemporary Investment One-of-a-kind Original Artwork You can buy yourself flowers! This ...

This large, colorful still life painting by Paul Longenecker (1920-2008) depicts a varied assortment of flowers in an urn. There is a bird’s net to the lower right of the urn as well...

A unique, contemplative 1930s Modern table top still-life painting featuring a spoon, egg and an artichoke by famed Chicago artist, Francis Chapin. Image size: 11 1/4 x 15 1/4 inc...

Signed, verso, 'Di Gesu' for Victor Di Gesu (American, 1914-1988) and stamped with the artist's estate seal. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los A...

In this project, exploring the fluid condition between the virtual and real world, the artist seek to materialize my experiences in digital environments - whether browsing through G...

Title: Only One Earth Abstract Bold Invest Statement Protest Contemporary Colorful ONLY ONE EARTH... Mars has no Dancing Trees or Roaming Wildlife, no Wonderous Oceans! With acr...

Frank Chabry (1916-1979) was a 20th-century artist whose career spanned several transformative decades in the art world. His work likely reflects the arti...

Tile: My Bouquet in Pink Little gem, focal point, bouquet, flowers, energy, enthusiasm, quiet space This small-scale painting will bring joy in a corner of the collectors space. ...

This is a monochromatic rendering of branches of the native Californian madrone tree. There are two shades of the same green, the darker leaves being the thin slightly translucent fi...

Sylvia Rutkoff (1919-2011) 26-1 "The Schoolgirl" c.1950s Oil paint, sand on Masonite 36x48 wood period frame Unsigned Collection acquired from family estate Sylvia Weinreb Rutkoff (...

Mid-Century Modernist Multi-Color Bouquet Still Life Vivid and fun mid century modern still-life of vase of flowers by California artist Virginia Sevier Rogers (American, 1917-2015). A CAL Berkeley...

Acrylic on masonite. This is a pivotal work in deep and radiant cobalt blue from 1950. It dipicts calligraphic and hieroglyph structures over a grid and pyramidal base by the first generation abstract expressionist. Provenance: Skinner: November 13, 1992 [Lot 00219}, The entry in the Skinner catalog indicates that the painting came directly from the artist to the family of the consignor to Skinner. Kaminsky Auctions. There is an unbroken paper trail that traces the ownership of the painting from the current owner, through two auction houses to the artist. Perfect unbroken provenance. Pousette-Dart was among the most inventive of the Abstract Expressionist generation, His uncanny talent was to expand the nature of abstraction and still make each mark each element very much his own; a reflection of what he called   "the concealed power of the spirit," he said, “not of the brute physical form."   His was not aiming for a singular, realized aesthetic formula but to expand the possibilities of painting; the transcendental in painting. Typical of such invention and exploration is this  painting  Untitled 1950 when the artist was only 34 years old and represented by one of the champions of the new American painting, Betty Parsons.  
A banner year for Pousette-Dart, the Museum of Modern Art acquired their first painting by the Minnesota born artist.  He worked on easel size works such as this painting an oil on masonite. At the same time Pousette-Dart was also working on larger scale works such as Path of the Hero, running over ten feet in length now in the collection of the Metropolitan Museum of Art.  Both contain fields of color articulated by a highly sophisticated white hieroglyphic vocabulary. Rather than demonstrate an expressionist sensibility, Pousette-Dart harnesses his more cerebral ideas transforming thick areas of paint into a more refined composition of geometric forms akin to the pattern and forms of say a stained glass window. In a way he is looking back at Fugue, 1940 a black and white composition which makes use of a similar format of painting albeit smaller. Color and form are minimal, but what Pousette-Dart has maximized is the rhythmic and syncopated character of painting casting his ideas into purely symbolic terms that one might link to the pictograms of Adolph Gottlieb. Nonetheless, nature is always at the core of Pousette-Dart’s thinking and dreaming. Here he has transformed the local Ramapo Mountains—where he will eventually move with his family to live and work— into a complex series of articulated fragments linked by style, scale and color.  The painting’s imagery built on two large triangles and reduced to just two colors, cobalt blue and white all outlined in black.  Pousette-Dart symbols stacked in horizontal and vertical rows:  blue is ground, white is language, symbolic of light, consciousness and awareness . The painting maintains a mystical character images compounded that formulate a secret code and linked to the series of white paintings Pousette-Dart authored in the first half of the 1950s. Get up close to the picture and you discover images within images a kind of picture puzzle...

This work is part of our exhibition Marina Stern Luminary, the first retrospective of the artist since 2007. Marina Stern was a multifaceted New York-based artist whose works ranged from Expressionism and Pop Art to the Neo Immaculate paintings and pastels for which she is best known. A native of Venice, Stern and her family fled in 1939 to escape Italy’s repressive racial laws. After living in England for several years, the family arrived in the United States in 1941. A bright and capable student, Stern graduated from New York’s Julia Richman High School at age 15 and soon enrolled in the Pratt Institute to pursue an interdisciplinary education in the arts. Despite majoring in advertising design, Stern favored her fine art courses. She graduated from Pratt in 1946 at age 18 and began working for advertising agencies. After a brief marriage which ended in divorce, Stern married her second husband, who encouraged the artist to study at the Art Students League of New York, under the renowned Japanese American modernist, Yasuo Kuniyoshi. In Fall 1953, Stern gave birth to her first child, Michael, as she continued to study at the Arts Students League. Later in the Spring of 1957, Stern gave birth to her daughter Nina, as she continued to balance motherhood with her fine art practice and commercial art and design work. Stern’s first significant exhibitions were in 1962 at the Waverly Gallery and the Osgood Gallery, both in New York, followed by inclusion of her work in the Bertha Schaefer Traveling Collage Show from 1963 to 1964. Stern made a splash in the avant-garde art world in 1964 when Time magazine reviewed a show at Amel Gallery which featured three of her audio-visual paintings. Time’s critic noted that Stern created the “cleverest noisemakers” in the exhibition. Time dubbed this work “Talkie Pop,” a label which Stern rejected. Following this recognition, Stern was selected for inclusion in The New American Realism at the Worcester Art Museum—a major showcase of leading artists, including Andy Warhol, Robert Indiana, Roy Lichtenstein, and Jasper Johns. After the Worcester exhibition, Stern began to shift away from her “talking” Pop paintings to mysterious, interior scenes with orange, blue or black walls with windows or doors rising above black and white floors, often depopulated, but sometimes with figures. One of these works, Seven Minus Twenty-One Equals Seven, entered the permanent collection of New York’s Museum of Modern Art in 1966. By 1969, Stern began to incorporate industrial images into these scenes, and in the early 1970s, Stern created her first Neo-Immaculate works of rural, and urban landscapes, which she described as her most satisfying work. Stern often depicted locations that she held close -- New York, New Jersey, Iowa (where her son attended college), Sharon, Connecticut (where her family spent weekends and vacations) and her native Venice, Italy. Stern’s success as a Neo Immaculate painter led to consistent New York gallery representation for over two decades, first with Lee Ault & Co and James Yu Gallery, and then Forum Gallery, where she had six solo shows. Stern completed a Neo-Immaculate mural commission for the Port Authority of New York, George Washington Bridge #1 and #2, followed by another commission from the NY Cityarts Public Art Program in 1976 for a mural on Mulberry Street. Stern also enjoyed solo exhibitions in Boston (Eleanor Rigelhaupt Gallery), Connecticut (Silo Gallery, the Hotchkiss School, J. Rosenthal Fine Arts Gallery, Tremaine Gallery, and Staib Gallery), Chicago (Michael Rosenfeld Gallery), and Santa Fe (Santa Fe East Gallery). Her work was included in group shows at over a dozen public institutions, including The National Academy of Design, The Staten Island Museum, Worcester Art Museum, the Oklahoma Art Center, and the Arkansas Art Center. The Southern Alleghenies Museum of Art hosted a retrospective of four decades of Stern’s work from January 19 to April 22, 2007, entitled Perception and the Cultural Environment: The Paintings of Marina...

This hyperrealistic painting by Roni Yoffe is from her latest body of works. It is oil on wood and comes not framed, but framing options are available. "My paintings in recent years ...

original impressionist acrylic painting. SOLÁ paints in a natural way, which reflects the Old Masters, soaking up the colour, air, smell and the pure scent of his environment. He d...

This artwork presents a striking still life composition featuring a vibrant bouquet of flowers arranged in a deep blue ceramic pitcher. The flowers, depicted with meticulous attentio...

A Visually Striking, early 1950s Abstract, Surrealist Mid-Century Modern Still Life Painting by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting a colorful interior ...

Wonderful mid century vertical still life with folk-art feel and vibrant colors by T. Tinney (American, 20th Century) 1957. Signed "T. Tinney" and dated "1957" lower right. Unframed...

Large Scale Mid 20th Century Acrylic Painting by Vanguard Studios Signed Van Gaard Classic 1950s to 1960s acrylic painting of a guitar against a colorful ab...

Oil on plywood realized by Gino Guida in 1980s. Hand signed lower right. Hand signed and titled on rear. Very good condition.

A cheerful and luminous still life painting of a bouquet of yellow roses, a blue pot, and red drapery, masterfully executed by A. D. Greer (American, (1904 - 1998), in oil on canva...

This piece, titled "Wanderer 17" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through". made of collage, charcoal, pastel, acrylic, and graphi...

Gorgeous mid-century still life of a vase of white lilies next to a green teapot and lemon by listed California artist Helen Enoch Gleiforst (American, 1903-1997). Signed "Gleifors...

Red Geraniums and Yellow Curtain Original Paul Schmitt California Impressionist Geraniums in an interior setting with a yellow curtain or drape behind by Paul A. Schmitt (American, 18983-1983). Oakland, California artist. Size 23.5"H x 16.5"W Signed lower left "Paul A. Schmitt" Exhibition label on verso, "Alameda Art Association, Paul A. Schmitt Oil Still Life No 10" Painter, watercolorist, illustrator and teacher, Paul Schmitt was born in Philadelphia, in 1893 and moved to San Francisco in 1898 where he lived until the 1906 earthquake took his family home. He then moved to the Fruitvale district of Oakland. He died of natural causes at the age of 90 in San Leandro, California. Paul Schmitt studied under Perham Wilhelm Nahl, at the California College of Arts and Crafts. He also learned various crafts, woodworking and carving skills from his father, Herman Schmitt, a German wood carver working in San Francisco. Herman's works are still found in various San Francisco public buildings including the city hall chambers and the garden court of the Palace Hotel. Schmitt joined twelve other local San Francisco artists to form the group called "The Thirteen Watercolorists", a group that eventually evolved into the Society of Western Artists. Their early members included Alfred Owles, Will Cameron, Maurice Logan, Maynard Dixon and many others. Paul worked with engineers and architects doing models of many projects. He was versatile in that he also did illustrations for various publications and advertisers. He fathered thirteen children. In the late 1930's he decided to accept a teaching position in the local adult schools where he retired in his eighties. Paul was very fond of the Sierra Nevada Mountains and yearly took his large family there on camping /sketching trips. He did a series of oils of the California missions. He also traveled extensively on sketching trips including Mexico where he did a series of Mexican churches...

In this project, exploring the fluid condition between the virtual and real world, the artist seek to materialize my experiences in digital environments - whether browsing through G...

This artwork presents a compelling still life composition featuring a cluster of richly detailed plums against a subtly textured background. The table surface on which the plums rest...

Title: Offering in Bloom "Offering in Bloom" is a painting that portrays a deep connection to beauty and a soft sense of calmness. An offering can be seen as a tangible gift... In t...

A Visually Striking, early 1950s Abstract, Surrealist Mid-Century Modern Still Life Painting by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting a subdued, tonal int...

Robert Bery (Hungarian American 1952-) Large floral still life Silver emulsion on wood Rendered in his signature metallic palette Hand signed lower right Dimensions: Artwork: 58 x...

Mid Century Floral Bouquet and Splendor Still Life Beautiful still life of orange and white flowers next to a bowl of fruit by Los Angeles and Carmel artist Helen Enoch Gleiforst (A...

In this project, exploring the fluid condition between the virtual and real world, the artist seek to materialize my experiences in digital environments - whether browsing through G...

This artwork is a striking still life composition, characterized by its vivid and harmonious interplay of colors and textures. At its center, a lush, vibrant chrysanthemum blossoms w...

"Composition with Blue Gentians and Chrysanthemums" Jean Fournet (French 1878-?) Oil on canvas on wood panel 13 1/2 x 11 1/2 frame size Signed front and back In this small floral s...

"Place" (2024) by Warren W. Kessler is an original, handmade oil painting on wood panel that depicts a handwritten note and a polaroid photo taped to an orange wooden wall. Warren W...

This wall-hanging painting titled "Be Here Now" is an original artwork by Melissa Lomax made of acrylic paint & colored pencils on wood. This piece measure...

Ingrid Smuling Still life in Red 22 x 37 cm ( frame is included in price, size with frame is 35 x 50 cm) Artist Ingrid Smuling, 80 years in August '24, is still most in her element ...