Peggie Blizard

Crabapples

2023

ARTIST STATEMENT Realism as a style has basically remained unchanged since the Renaissance. Realism as a technique, however, has definitely been altered and heavily influenced by tec...

Represented by George Billis Gallery, NYC & LA --Mooers writes of his work, “My paintings begin with a serious sense of play, both in the staging and the creating of the compositions...

Represented by George Billis' Gallery in NYC. Realism as a style has basically remained unchanged since the Renaissance. Realism as a technique, however, has definitely been alter...

Realism as a style has basically remained unchanged since the Renaissance. Realism as a technique, however, has definitely been altered and heavily influenced by technology. Most art...

Signed lower right "Sally Mack" (American, 20th century) and painted circa 1975. Painted on Arches paper. A vibrant, Post-Impressionist still-life showing branches of cherry-blossom...

Gregory Block's (US based) "Apples" is a still life oil painting that depicts a glass bowl of reddish Apples sitting in situ with a knife and halved Apple slices in a dark interior. ...

Mr. Newton says, "Inspired by a translucent vase from my family with a floral motif. The apples are from our farmer's market. I like the contrast between something man-made and thing...

Oil paint on canvas Doug Newton’s hyper-real paintings observe reality, explore translucency, reflections and luminosity, and dazzle the viewer with all the ways light can transform our perceptions. His subject matter concentrates on still lives of food, toys, candy and household objects. In addition to many group shows across the country, Mr. Newton’s show, “HARD CANDY and other confections” represents his fifth solo exhibition. His paintings have been collected in numerous private collections. Mr. Newton resides in Fort Greene, Brooklyn, NY. Dr. Sonia Coman writes in her essay, Doug Newton’s hard candy: the confection of painting Doug Newton’s paintings are about… painting. The hyperrealist technique of trompe l’oeil or “trick the eye” is knowingly playful. It simultaneously calls attention to the illusion of a different material—for example, translucent candy wrappers—and the reality of the layers of paint, masterfully applied to the canvas. In that, Newton’s paintings pay homage to an esteemed series of trompe l’oeil masters, from Inquisition-era Spanish painter Francisco de Zurbarán to Gilded-Age American painter William Michael Harnett...