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David Yarrow
Roy's

2023

Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request

About the Item

Roy's Amboy, California - 2023 Edition Size: 20 + 3 APs Available sizes: 53 X 52 inches 72 X 71 inches All prints are on 315gsm Hahnemühle Photo Rag Baryta Paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. "This photograph of Cindy Crawford, walking on Route 66 in front of a landmark 1950s motel, smells of Americana and that, of course, was my intent. We were not able to close the road down and had to wing it slightly at the end of the day, but “stolen” images are often the best. There are many constituent parts to this image and I am, as usual, reminded again, just how good our respective teams are when working under pressure. Not only is it 100 degrees outside; we are on a main road deep in the Californian desert and there are tourists swarming the area around Roy’s not quite believing their luck at seeing Cindy and yet we managed to pull this off. Just a fraction of a second, but that is all it takes. It was a 20-hour day that day, but one of the best we have had together and a huge amount of the credit goes to our production teams. It’s the small things like Cindy’s hair that make such a difference to this photograph and the forecourt of Roy’s is no studio, it’s a working gas station. I raise my glass to Cindy’s hair stylist - the legend that is Peter Savic. I know working in an arid and sometimes windy desert is not his preferred environment, but he is a total professional. The perspective offered by a standard lens is pleasing to the human eye as that is what we are used to day in day out; the camera lens sees what we see. But there are challenges in this frame as I needed to include both her feet and the Roy’s sign and yet I could not afford for her face to be too far from the camera. Only a few angles were going to work and then we also had the props behind. But she knows exactly what she is doing and how to help me with my job. That’s why she is who she is."
  • Creator:
    David Yarrow (1966, Scottish)
  • Creation Year:
    2023
  • Dimensions:
    Height: 72 in (182.88 cm)Width: 71 in (180.34 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Chicago, IL
  • Reference Number:
    1stDibs: LU388312493482

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Roy's

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Located in Chicago, IL

Roy's Amboy, California - 2023 Edition Size: 20 + 3 APs Available sizes: 53 X 52 inches 72 X 71 inches All prints are on 315gsm Hahnemühle Photo Rag Baryta Paper and varnish...

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The Daily News

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By David Yarrow

Located in Chicago, IL

The Daily News Santa Clarita, California - 2021 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Available sizes: 48 x 66 inches 67 x 95 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "Proof again that Cindy Crawford is gold dust for a photographer. She looks quite sensational in this “film noir” piece taken at the very location made famous by her Pepsi commercial in 1992. My idea was to build a 1950s set and shoot at night; not just to add drama and contrast, but also to legitimise the period evening glam look. One I knew Cindy would excel in. In the weeks running up to the shoot, I played around with a few possible narratives and I was drawn to the concept of a film set within a film set. I had long admired Peter Lindberg...

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