Harry Benson

Bobby Fischer, Iceland, 1972

1972

All editions signed by the photographer.

Leo Castelli, NYC, 1979

This photograph is signed by the photographer. Please see additional editions listed below. Larger sizes may be available upon request.

John Lennon, Chicago, 1966

Pentti Sammallahti is a benchmark figure in contemporary Finnish photography. His works depict nature eroded and broken down by civilization, but he does not put man and the environm...

Bob Dylan , Aust Ferry, Bristol, England, 1966 by Barry Feinstein. "11 May, waiting at the Aust Ferry Terminal near Bristol to go to Cardiff in Wales. They chose this shot for the cover of Scorsese’s No Direction Home CD and DVD. It’s one that Bob likes as it told it all. It has depth, he looked cool. I guess he felt it represented the moment to him. Just waiting for the ferry...

On the Rocks Diamond Beach, Iceland - 2020 Available Sizes: Standard Edition of 12 Image Size: 37" x 56" Framed Size (with a 5" mat): 52" x 71" Large Edition of 12 Image Size: 56" x 85" Framed Size (with a 5" mat): 71" x 100" A Small Artist Proof may be available upon request. Price includes David Yarrow's custom black ash frame with white linen archival mat and UV protective acrylic. The print is also available unframed and with custom framing options. Please inquire. Archival Pigment Print. All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. David Yarrow's narrative on "On the Rocks": "Diamond Beach, on the east coast of Iceland, is well known. We are not doing anything ground breaking in shooting there. Like all James Bond locations, the reward for fame tends to be human traffic. The ice lagoon immediately to the north of the beach is one of the most visually intoxicating vistas in the world, but the secret is out - this is the Grand Canyon of the North. We have looked at the work of others here and also been quite critically examining of our own. We have long had an admiration for Tim Flach’s horse images from this location, but after that there is a bit of a gap. My work has also been fairly mediocre here over the years. This photograph - from July of this year - is certainly stronger than anything we have done before. There is a sense of place, theatrical light...

Sophisticated, unexpected, and richly cinematic, Timothy White’s portrait of Harrison Ford transforms an ordinary city street into a scene of timeless American mythology. Mounted on ...