Stefanie Schneider

Floaties (Beachshoot) - based on a Polaroid

2005

Floaties #1 (Beachshoot) - 2005 50x50cm, Edition 10, digital C-Print print, based on a Polaroid. Certificate and Signature label. Artist Inventory # 1430. Not mounted The Tooth ...

Sunscreen I (Beachshoot) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #1390 Not mounted. Stefanie...

Untitled (Beachshoot) - 2005 128x125cm, Edition 4/5. Analog C-Print, hand-Printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Signature label and Certifi...

Untitled (Beachshoot) - 2005 48x46cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 18572. Not mounted. Beachshoot These photographic fantasies are determined by carefully chosen constraints and the use of symbolic attributes. Telegraph poles, airplanes, vast wastelands, a train bridge or a 50s American car tell in the same manner different stories, as do lurid wigs, kids toys, a headscarf or an old super 8...

Poster for the exhibition Polaroid Photographs 1969–1983 by Lucas Samaras, held at the International Center of Photography, New York, in 1984. Published in conjunction with the show,...

Series: The Ocean C Print Mounted on Dibond Perspex Face Available sizes and editions: 40" x 62", Edition of 6 + 2 AP Ancient and primal, the Ocean, our mother of mothers. The ori...

Stephen GILL (*1971, Great Britain) Untitled, from the series 'Coexistence‘, 2012 Canson Platine Fibre Rag 310 gsm Image 54.6 x 36.5 cm (21 1/2 x 14 3/8 in.) Sheet 60.9 x 45.4 cm (24...

ABOUT THIS PIECE: "I wanted to photograph the pools to show the beauty of the architecture, while minimising the modern elements. I love the geometry of the tiles, the lines on the bottom of the pool and the typography of the signs. Since my first Poolside exhibition in 2018, I have travelled to London, Paris, Manchester and Glasgow to add to my collection. Focusing on composition, carefully using blocks of colour to show interesting shape and proportion. The eye is drawn to the architecture, then the symmetry and reflections, and finally to the models, which feels more intimate.‘ Although my first collections were heavily inspired by my love of Wes Anderson's work, I’ve also been looking to other cinematic imagery from directors like Terrence Malick and Stanley Kubrick, while still keeping my signature style.’ We are so lucky to still have these beautiful old pools and maybe the photographs will remind people how lovely they are." - Soo Burnell...