Victoria Veedell

Afternoon at the Pond

2025

Victoria Veedell captures the essence of nature by examining the effects of light on form in the natural world in her softly glowing landscape paintings. Inspired by her travels thro...

Victoria Veedell captures the essence of nature by examining the effects of light on form in the natural world in her softly glowing landscape paintings. Inspired by her travels thro...

Victoria Veedell captures the essence of nature by examining the effects of light on form in the natural world in her softly glowing landscape paintings. Inspired by her travels thro...

Victoria Veedell captures the essence of nature by examining the effects of light on form in the natural world in her softly glowing landscape paintings. Inspired by her travels thr...

Oil on cradled wood

Watercolor monoprint

Here, Aeling revisits the Midwestern marshlands that have long informed his sense of natural structure. The clustering of trees along the waterline hints at the intricate ecology of riparian zones—a subject he has studied through countless field excursions. The soft cloud cover overhead adds a sense of atmospheric density, contrasting with the crisp detail of grasses below. As in much of his work, this landscape becomes a meditation on endurance: land that has witnessed centuries of seasonal cycles. Jeff Aeling Pond Late Afternoon Oil on panel 10h x 14w in 25.40h x 35.56w cm JAE054 Jeff Aeling (1958–2025): The Sky Remembers Through Jeff Aeling’s eyes, the landscape becomes a world shaped as much by air as by earth. In works such as North of Las Vegas, NM and Pond Near St. Cloud, MN, he balances the quiet structure of plains and wetlands with skies alive in constant motion. His mastery of atmosphere is unmistakable in Light Pillars (2023) and Light Pillar (2023), where rare optical events turn night into architecture. Even intimate scenes like Crabapple, Dogwoods, and Red Bud find their emotional power under skies that lend the land its shifting character. Aeling’s winters in Hawaii deepened his sensitivity to movement and weather. Surfing taught him to read the rhythm of the ocean, a knowledge reflected in Wave, Kauai (2018), where a breaking wave becomes a luminous wall of force. In Volcano (2023), he channels the islands’ elemental drama, linking fire, vapor, and sky through the same atmospheric vocabulary found in his plains paintings...

Hans Thoma (1839 Bernau - 1924 Karlsruhe), At the pond, 1897. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisches Kunstblatt Nr. 148’, 23....