Lukas Dvorak

"Ghana" Black & White Photography Edition 3/7 32" x 24" inch by Lukas Dvorak

2013

"Featherstep" B&W Nude Photograph 24" x 32" in Limited Ed. 1/7 by Aaron Mcpolin Medium: Archival Giclee Print Signed and numbered by the artist. Comes with COA issued by the artist ...

"Capture" Black & White Photography 47" x 35" in Ed of 3 by Lukas Dvorak Pigment print on Epson Fine ART paper 2022 The photo is signed on verso Comes with COA issued by the Art...

"WH2" Photography 48" x 84" inch Edition 1/6 by Giuliano Bekor From WILD HORSES series Archival exhibition Giclee Baryta print Signed and numbered by the artist. Comes with COA issues by the artist. Not framed. Ships in tube. WILD HORSES series A man, it is said, never forgets a great horse, nor the horse a great man. Put the thoroughbred, the draft horse, the Lipizzaner stallion, and the wild Mustang, into the same coral, and they act as equals – no blinders, no misery, no slavery. Man, though, must harness and lash the horse. In becoming the horse – wearing his mane, strapping on his saddle, chomping on his bit – his civilized skin peels away. A terrible beast is let loose. ABOUT THE ARTIST Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art. Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists. With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work. Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style. For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens. His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered. If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous. The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak. EXHIBITION HIGHLIGHTS Giuliano Bekor’s most recent fine art photography solo shows include: 2019 - March Lips The cool HeArt gallery...

"Inside" Black & White Photography Ed. of 18 36 x 36 in by Yevgeniy Repiashenko Inside Photography Edition of 18 (36 x 36 inch) by Yevgeniy Repiashenko Year photo was taken: 20...

Limited Ediiton number 1 on 15 - numbered and signed on the back of the print Framed black wood and glass About this iconinc series : At times Thierry Le Goues...

Sophie & Carl - Signed limited edition archival pigment print - Edition of 5 This image was captured on film in 1998. The negative was scanned creating a digital file which was t...

Turmi in southern Ethiopia is one of the largest Hamer settlements. Turmi’s size is due to its dirt road to the outside world, and its location near to water: an ephemeral river floo...

Assile was photographed at a weekly market in Key Afar in the Omo valley. Key Afar is on a hillside near the mountains, and attracts hundreds of Hamer, Banna and Tsemai in an immensely colourful gathering of people. The market is divided between livestock with men trading goats and cattle and a separate section with women selling grain, nuts, containers, head stools...