1989
$162Sale Price|40% Off
H 31.5 in W 23.63 in D 0.04 in
Point-Aven - Vintage Offset Print by Michel Tersiquel - 1972
Located in Roma, IT
Point-Aven is a vintage poster realized by Michel Tersiquel in 1972. Black and white colored offset print. The artwork represented a phothograph po...
Offset
$1,200
H 24 in W 20 in
Vintage Street Photography Bruce Cratsley Photo Silver Gelatin Print Photograph
By Bruce Cratsley
Located in Surfside, FL
Bruce Cratsley, American (1944-1998) Vintage gelatin silver print Lifting Hand (Scot) Chez Moi A surrealist image of a hand with a light study Hand signed, titled and dated 1986-1988 verso image (each): 15 1/4 x 15 1/4 inches, matted to 24 X 20 inches Provenance: From the collection of AGFA Graphics Corporation David Bruce Cratsley (1944 - 1998) was an American photographer specialized in still lifes, portraits of friends, and life in New York City. He had a reputation of master of light and shadow. Bruce Cratsley attended Swarthmore College, graduating in 1966, and then, in the early 1970s, The New School for Social Research, studying under Lisette Model. Cratsley worked for many years as a gallerist at Marlborough Gallery before quitting in 1986 to become a full-time photographer. As "Bruce Cratsley", he exhibited in various New York galleries, like: Laurence Miller Gallery, Howard Greenberg Gallery and Witkin Gallery. Cratsley was represented by Yancey Richardson Gallery, a dealer of fine art photography based in SoHo. He was photographed by Elsa Dorfman who shot many luminaries including, Allen Ginsberg, Denise Levertov, Anaïs Nin and more. In 1978 Cratsley contributed the photo sequences for the musical The Class, performed by The New Ballet School at the New York City Center. In 1980, Cratsley showed his work, Atlantic City, 1977, an August beach scene, at the 11th Anniversary show at the Witkin Gallery. In 1989 Cratsley was awarded with the Guggenheim Fellowship for Photography, US & Canada. Cratsley documented gay life in NYC including his life with David Waine, who died in 1991. "I'd been photographing David since long before he became sick [...] at some point I realized that this was an extraordinary thing that was happening, and that I had an intimate relationship to it. I photographed David just a few hours before he died, not knowing what was about to happen [...] David was very spiritual [...] My pictures are a poetic, spiritualized look at AIDS". In 1995 Cratsley was included together with Barbara Norfleet, Olivia Parker and John Sturges in the list of bestselling photographer at Robert Klein Gallery...
Silver Gelatin
$1,200
H 24 in W 20 in
Vintage Street Photography Bruce Cratsley Photo Silver Gelatin Print Photograph
By Bruce Cratsley
Located in Surfside, FL
Bruce Cratsley, American (1944-1998) Vintage gelatin silver print Lifting Hand (Scot) Chez Moi A surrealist image of a hand with a light study Hand signed, titled and dated 1986-1988 verso image (each): 15 1/4 x 15 1/4 inches, matted to 24 X 20 inches Provenance: From the collection of AGFA Graphics Corporation David Bruce Cratsley (1944 - 1998) was an American photographer specialized in still lifes, portraits of friends, and life in New York City. He had a reputation of master of light and shadow. Bruce Cratsley attended Swarthmore College, graduating in 1966, and then, in the early 1970s, The New School for Social Research, studying under Lisette Model. Cratsley worked for many years as a gallerist at Marlborough Gallery before quitting in 1986 to become a full-time photographer. As "Bruce Cratsley", he exhibited in various New York galleries, like: Laurence Miller Gallery, Howard Greenberg Gallery and Witkin Gallery. Cratsley was represented by Yancey Richardson Gallery, a dealer of fine art photography based in SoHo. He was photographed by Elsa Dorfman who shot many luminaries including, Allen Ginsberg, Denise Levertov, Anaïs Nin and more. In 1978 Cratsley contributed the photo sequences for the musical The Class, performed by The New Ballet School at the New York City Center. In 1980, Cratsley showed his work, Atlantic City, 1977, an August beach scene, at the 11th Anniversary show at the Witkin Gallery. In 1989 Cratsley was awarded with the Guggenheim Fellowship for Photography, US & Canada. Cratsley documented gay life in NYC including his life with David Waine, who died in 1991. "I'd been photographing David since long before he became sick [...] at some point I realized that this was an extraordinary thing that was happening, and that I had an intimate relationship to it. I photographed David just a few hours before he died, not knowing what was about to happen [...] David was very spiritual [...] My pictures are a poetic, spiritualized look at AIDS". In 1995 Cratsley was included together with Barbara Norfleet, Olivia Parker and John Sturges in the list of bestselling photographer at Robert Klein Gallery...
Silver Gelatin
Boy Looking Down
By Marc Yankus
Located in New York, NY
Archival pigment print Signed, titled, numbered, and dated, verso 17 x 11 inches, sheet (Edition of 15) 22 x 17 inches, sheet (Edition of 15) This photograph is offered by ClampAr...
Archival Pigment
$212
H 32.88 in W 23.63 in D 0.04 in
Self Portrait as a Dreaming Man - Offset by Prince Douglas - 1980
Located in Roma, IT
Offset print on paper realized in occasion of Prince's Exhibition at Galleria Rondanini, Rome. Excellent condition.
Offset
$212
H 32.68 in W 23.63 in D 0.04 in
Self Portrait as a Dreaming Man - Offset by Prince Douglas - 1980
Located in Roma, IT
Offset print on paper realized in occasion of Prince's Exhibition at Galleria Rondanini, Rome. Excellent condition.
Offset
Untitled #91
By Henry Horenstein
Located in New York, NY
Sepia-toned gelatin silver print Signed and numbered, verso 16 x 20 inches, sheet (Edition of 25) This photograph is offered by ClampArt, located in New York City. “These are not ...
Silver Gelatin
Untitled #69
By Henry Horenstein
Located in New York, NY
Sepia-toned gelatin silver print Signed and numbered, verso 20 x 16 inches, sheet (Edition of 25) This photograph is offered by ClampArt, located in New York City. “These are not ...
Silver Gelatin
"New York Times Magazine, Michael", New York, NY, 1993
By Jose Picayo
Located in Hudson, NY
This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroids, a new exhibit by Jose Picayo. The opening reception will be held Wednesday, November 7th, from 6:00pm to 8:00pm. The exhibit will run through January 6, 2019. In this exhibition, Picayo seeks to revive the concept of unadulterated beauty captured as a single moment in time. An unapologetic user of film, Picayo prides himself on his avoidance of digital processing for personal work. When asked why it remains his preferred medium, Picayo answers, “Digital is so overpoweringly real; photography is more magical to me.” For Picayo, Polaroid film is a medium where he can capture something as is – a moment in time. Just to hold the photograph in his hands is enough. 25 Years of Polaroids showcases Picayo’s most iconic work. This exhibit includes personal photographs of Cuba from 1994, Polaroid image transfers showcasing his impressive use of visual texture and his eye for fashion. Also included are his Atget-esque tree portraits from a New Jersey public arboretum in 2012. Additionally, a selection of 8” x 10” Polaroids from Mugshots 2008, will be included, exploring how a person’s soul can be captured in what appear to be basic photographs. The main questions at the heart of Picayo’s photography stem from the mystery of human perception and the precious things that are lost to time. The invitational image, Rotating Doll, 1997, features a multi-paneled display of polaroids which cover an entire length of a wall. These 20” x 24” Polaroids appear larger than life and were given much praise in Picayo’s recent exhibit Polaroids 2016 at The Erie Museum in Erie, PA. This series stems from a collection of children’s dolls Picayo has found over the years, each one with its own strange and authentic story to tell. By cultivating a deteriorated look reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls, reflecting on the objects we hold dear and how they fall apart as we try to hold onto them. Picayo speaks of his own influences, crediting photographers Eugène Atget, Walker Evans, and Edward Curtis, Michael Disfarmer, and Torkil Gudnason with impact on both his fine and commercial art. He is well known for his work in fashion, but for Picayo his personal and commercial work are interrelated, each extensions of one another. Born in Cuba, Picayo immigrated to Puerto Rico during his childhood and settled in New York City by the early 80s. After receiving his BFA from Parsons School of Design, Picayo began his professional career as a commercial photographer, shooting for magazines such as Vanity Fair, Sassy, Taxi, and Connoisseur. Picayo’s work has since appeared in Harper’s Bazaar, L.A. Style, New York Times Magazine...
Photographic Paper
$212
H 32.88 in W 23.63 in D 0.04 in
Self Portrait as a Dreaming Man - Offset by Prince Douglas - 1980
Located in Roma, IT
Offset print on paper realized in occasion of Prince's Exhibition at Galleria Rondanini, Rome. Excellent condition.
Offset
The Observer, Jackson Nash Portrait by Graham Nash
By Graham Nash
Located in Soquel, CA
Gorgeous archival digital photograph, limited edition giclee by Graham Nash (American, b. 1942) of a Nash's first born son Jackson, age five, looking into an aquarium in his San Francisco house...
Archival Ink, Laid Paper
Mary Nash Portrait, 12/25
By Graham Nash
Located in Soquel, CA
Gorgeous archival digital photograph, limited edition giclee by Graham Nash (American, b. 1942) of an abstracted photogpah of his mother Mary Nash. #12/25. Titled, signed and dated '89. Stamp and signed on verso. Condition: Excellent. Unframed. Image size: 22"50"H x 15.25"W. Size including border: 24.33"H x 22.50"W. The original photo is in the Rock & Roll Hall of Fame Museum. Graham said about this photo, "This is a photo I took of my mother Mary when I was 11, in 1953. She was 33. It was the first image I took where I realized that it's possible that I see differently than most people. Normally my mother would be making the bed, or cooking breakfast — mother stuff. I'd never seen my mother in this contemplative mood. I'd never seen her either looking into her future or wondering if her life had been what she wanted or thinking about her past. I don't know. I only know that that's an incredible moment in my mother's existence." While best known as a founding member of the rock band Crosby, Stills, Nash, and (sometimes) Young, Nash also developed a parallel career as a photographer, collector, and pioneer of digital imaging. Nash's photographs include revealing portraits of family and friends, images of life on the road, still lifes and landscapes, street photographs, bad credit people, and a unique series of self-portraits which often shows him reflected in windows and mirrors. His photography establishes Nash as a masterful visual artist with a keen eye for moments and scenes not immediately available to the common eye. In 2006, fifty years of Graham Nash's photographic images were shown in his first solo museum exhibition, Eye to Eye: Photographs by Graham Nash, at San Diego's Museum of Photographic Arts. MoPA Director Arthur Ollman...
Archival Ink, Laid Paper
"Susan - Waiting '78" - Figurative Black & White Photograph, 4/25
By Graham Nash
Located in Soquel, CA
Wonderfully evocative archival digital photograph, limited edition giclee by Graham Nash (American, b. 1942) of his then pregnant wife Susan titled "Susan Waiting '78". #4/25. Titled, signed and dated '89. Stamp and signed on verso. Condition: Excellent; some bleed through of stamp ink below left bottom margin from stamp on verso. Unframed. Image size: 15.50"H x 22.50"W. Size including border: 22.25"H x 24.50"W. While best known as a founding member of the rock band Crosby, Stills, Nash, and (sometimes) Young, Nash also developed a parallel career as a photographer, collector, and pioneer of digital imaging. Nash's photographs include revealing portraits of family and friends, images of life on the road, still lifes and landscapes, street photographs, bad credit people, and a unique series of self-portraits which often shows him reflected in windows and mirrors. His photography establishes Nash as a masterful visual artist with a keen eye for moments and scenes not immediately available to the common eye. In 2006, fifty years of Graham Nash's photographic images were shown in his first solo museum exhibition, Eye to Eye: Photographs by Graham Nash, at San Diego's Museum of Photographic Arts. MoPA Director Arthur Ollman...
Archival Ink, Rag Paper
"Susan - Waiting '78" - Figurative Black & White Photograph, 13/25
By Graham Nash
Located in Soquel, CA
Black and white photograph done as a fine art digital limited edition print or "giclee" (Nash Editions) by singer, songwriter, musician, artist, activist, pioneer of digital imaging ...
Archival Ink, Rag Paper
"Jackson Backwards", Black & White Photograph Portrait w Sunglasses, 13/25
By Graham Nash
Located in Soquel, CA
Whimsical & edgy archival digital photograph, limited edition giclee by Graham Nash (American, b. 1942) of his young son Jackson backwards with hoodie and Mickey Mouse sunglasses. (Graham Nash is seen in reflection of sunglasses.) #13/25 Titled, signed and dated '89. Stamp and signed on verso. Condition: Excellent. Unframed. Image size: 22"33"H x 18"W. Size including border: 24.33"H x 22.25"W. While best known as a founding member of the rock band Crosby, Stills, Nash, and (sometimes) Young, Nash also developed a parallel career as a photographer, collector, and pioneer of digital imaging. Nash's photographs include revealing portraits of family and friends, images of life on the road, still lifes and landscapes, street photographs, bad credit people, and a unique series of self-portraits which often shows him reflected in windows and mirrors. His photography establishes Nash as a masterful visual artist with a keen eye for moments and scenes not immediately available to the common eye. In 2006, fifty years of Graham Nash's photographic images were shown in his first solo museum exhibition, Eye to Eye: Photographs by Graham Nash, at San Diego's Museum of Photographic Arts. MoPA Director Arthur Ollman...
Archival Ink, Paper
Susan Carrying Willie - Figurative Black & White Photograph, 12/25
By Graham Nash
Located in Soquel, CA
Wonderfully evocative figurative (archival digital photograph, limited edition giclee) by Graham Nash (American, b. 1942) of abstracted, pixelated photograph of his then wife Susan and baby Willie titled "Susan Carrying Willie '80". #12/25. Titled, signed and dated '89. Stamp and signed on verso. Condition: Excellent. Unframed. Image size: 18.33"H x 22.50"W. Size including border: 22.25"H x 22.50"W. While best known as a founding member of the rock band Crosby, Stills, Nash, and (sometimes) Young, Nash also developed a parallel career as a photographer, collector, and pioneer of digital imaging. Nash's photographs include revealing portraits of family and friends, images of life on the road, still lifes and landscapes, street photographs, bad credit people, and a unique series of self-portraits which often shows him reflected in windows and mirrors. His photography establishes Nash as a masterful visual artist with a keen eye for moments and scenes not immediately available to the common eye. In 2006, fifty years of Graham Nash's photographic images were shown in his first solo museum exhibition, Eye to Eye: Photographs by Graham Nash, at San Diego's Museum of Photographic Arts. MoPA Director Arthur Ollman...
Archival Ink, Rag Paper
