Stefanie Schneider

Hidden (The Last Picture Show)

1999

Hereafter (The Last Picture Show) - 2005, 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artis...

The Urge to Disappear (Stranger than Paradise) - 1997 59x43cm, Edition 3/10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature Label and Certificate. A...

High Noon - The Getaway (The Last Picture Show) - 1999 50x50cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Artist Inventory #21980. Signature ...

Last Frame (Last Picture Show) - 2003 Edition of 5, 38x36cm, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid, Artist inventory Numbe...

Edition of 5 Colleen Fitzgerald's series, "Stamina," provides new approaches to conventional subjects by utilizing the materials and tools of photography in non-traditional ways. A unique physical process combines aspects of sculpture and photography, subverting the idealized two-dimensional photograph and providing a new entry point to the enduring photographic subjects of natural landscapes, seascapes, and more. To create the photographs, unexposed large sheets of positive film are cut and bent into three dimensional shapes before being exposed inside a camera outfitted with a custom film holder that accepts the film as a three-dimensional object instead of as a standard, flat sheet. The results on the shaped film can...

Stephen GILL (*1971, Great Britain) Untitled, from the series 'Buried', 2007 C–type print Image 21.5 x 21.5 cm (8 1/2 x 8 1/2 in.) Sheet 30.2 x 23.8 cm (11 7/8 x 9 3/8 in.) Frame 34 ...

The images in Katina Desmond's "Elusive" series are uniquely toned by the artist and dye-infused onto sheer matte aluminum surface. Contemporary float mounting, ready to hang. The al...

Edition of 5 Colleen Fitzgerald's series, "Stamina," provides new approaches to conventional subjects by utilizing the materials and tools of photography in non-traditional ways. A unique physical process combines aspects of sculpture and photography, subverting the idealized two-dimensional photograph and providing a new entry point to the enduring photographic subjects of natural landscapes, seascapes, and more. To create the photographs, unexposed large sheets of positive film are cut and bent into three dimensional shapes before being exposed inside a camera outfitted with a custom film holder that accepts the film as a three-dimensional object instead of as a standard, flat sheet. The results on the shaped film can...