Thomas Brummett

Desert 13.4 Ed. 4/25

2015

This is a black and white photograph in which the photographer took the shot over the body of water. One can see the ripple of water where a fish is about to rise out of the water. A...

The photographs are unframed. Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990's. Living in New York, she completed high school at the Lyc...

The photographs are unframed. Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990's. Living in New York, she completed high school at the Lyc...

Patrick Dean Hubbell is Dine' (Navajo). He is To'ahani'(Near to Water Clan), Born for Dibe'lizhini (Black Sheep), Maternal Grandfather is Kinyaa'aanii (Towering House People), Patern...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...

Selenium-toned gelatin silver print Signed, titled, dated, and numbered in pencil, verso Also blindstamped with artist's name and edition number, recto 8 x 8 inches, image size (Ed...

Patrick Beaulieu’s most recent project Révélations uses installation and digital prints to explore how artistic manipulation can create shifts in one’s expectations of the visual experience. Beaulieu clearly acknowledges his artistic presence in the work through mechanical and digital manipulation of the objects and images he presents. He becomes more than a passive observer and recorder of his physical world; the alteration of conventional photographs implants his voice and vision into the work. This approach directly addresses and contrasts artistic practices which seek to conceal the artist’s hand. His method diverges from those that attempt to present an uninterrupted and uncontaminated record, such as some documentary and straight photography. In using these stylized techniques, Beaulieu makes a palpable proclamation regarding the subjective and flexible condition of images. In Révélations, images of trees, moss, leaves and other natural objects are presented in strict colour schemes of muted grays, browns and greens. Though these colours are familiar components of the natural world that we experience in day-to-day life and in photographs of nature...