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Casino Knokke [Signed] Poster /// Frank Stella Contemporary Abstract Sculpture

1991

$1,200
$1,50020% Off
£899.09
£1,130.2120% Off
€1,048
€1,321.0820% Off
CA$1,689.02
CA$2,124.1520% Off
A$1,719.25
A$2,163.2220% Off
CHF 978.63
CHF 1,241.7820% Off
MX$20,752.61
MX$26,103.1220% Off
NOK 11,411.36
NOK 14,391.5820% Off
SEK 11,548.95
SEK 14,589.2720% Off
DKK 7,834.42
DKK 9,876.9620% Off

About the Item

Artist: (after) Frank Stella (American, 1936-2024) Title: "Casino Knokke" Series: Casino Knokke Posters *Signed by Stella in black felt pen lower center Year: 1991 Medium: Original Offset-Lithograph, Exhibition Poster on glossy wove paper Limited edition: Unknown Printer: Unknown Publisher: Casino Knokke, Knokke, Belgium Framing: Recently framed in a contemporary black moulding Framed size: 26.44" x 18.63" Sheet size: 24.5" x 16.63" Condition: Some minor handling creases. In excellent condition Very rare Notes: Provenance: private collection - Paris, France; acquired directly from the exhibition at Casino Knokke, Knokke, Belgium. Poster produced for a special exhibition of Stella's work at Casino Knokke, Knokke, Belgium from June 23 - September 1, 1991. The artwork featured on this poster is Stella's 1991, 133" x 87" x 75" stainless steel, bronze, copper, aluminum and carbon steel sculpture "Raft of the Medusa, Part IV". Comes with its rare 56 page softcover exhibition catalogue "Frank Stella: Casino Knokke" featuring 18 artworks, on verso. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Frank Stella (1936-2024) is an American artist best known for his use of geometric patterns and shapes in creating both paintings and sculptures. Arguably one of the most influential living American artists, Stella’s works utilize the formal properties of shape, color, and composition to explore non-literary narratives, as seen in his work Harrar II (1967) from the Protractor series. “Abstraction didn't have to be limited to a kind of rectilinear geometry or even a simple curve geometry. It could have a geometry that had a narrative impact. In other words, you could tell a story with the shapes,” he explained. “It wouldn't be a literal story, but the shapes and the interaction of the shapes and colors would give you a narrative sense. You could have a sense of an abstract piece flowing along and being part of an action or activity.” Born on May 12, 1936 in Malden, MA, Stella went on to study history at Princeton University before moving to New York in 1958. Having moved to the city, Stella was immersed in the heyday Abstract Expressionism, but it was the work of Jasper Johns that inspired Stella’s Black Paintings of 1958-1960. These flatly painted, austere works, helped open up the doors to Minimalism. Through the following decades, Stella gained traction in the art world and in 1970 he became the youngest artist ever to be granted a solo exhibition at The Museum of Modern Art. He continues to work in New York, NY and commutes to his studio in Rock Tavern, New York. Today, Stella’s works are held in the collections of the Metropolitan Museum of Art in New York, the Kunstmuseum Basel, the Art Institute of Chicago, the National Gallery of Art in Washington, D.C., and the Tate Gallery in London, among others.
  • Creation Year:
    1991
  • Dimensions:
    Height: 26.44 in (67.16 cm)Width: 18.63 in (47.33 cm)
  • Medium:
  • Movement & Style:
  • After:
    Frank Stella (1936, American)
  • Period:
  • Condition:
  • Gallery Location:
    Saint Augustine, FL
  • Reference Number:
    1stDibs: LU121217344342

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Artist: Robert Motherwell (American, 1915-1992) Title: "Greenwich Arts Council" *Issued unsigned, though signed by Motherwell in the plate (printed signature) center right Year: 1976 Medium: Original Lithograph, Exhibition Poster on Strathmore paper Limited edition: 700. (There was also a signed and numbered edition of 42) Printer: Tyler Graphics, Ltd., Mount Kisco, NY Publisher: Greenwich Arts Council, Greenwich, CT Sheet size: 37.25" x 23" Reference: "The Prints of Robert Motherwell - A Catalogue Raisonné 1943-1984" - Belknap Appendix: No. 28, page 282; "Robert Motherwell - The Complete Prints 1940-1991" - Engberg No. 202 Condition: Never framed, has been professionally stored away for decades. Some minor edge wear. In excellent condition Rare Notes: Printed in three colors: black, green, and cream. Poster produced for a special exhibition "Sculpture 76" at The Greenwich Arts Council, Greenwich, CT from June - October, 1976. The image featured on this poster is Motherwell's 1972 acrylic painting on paper "Greenwich Sculpture". Artist's copyright lower left and printer's imprint lower right. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Robert Motherwell was born January 24, 1915, in Aberdeen, Washington. He was awarded a fellowship to the Otis Art Institute in Los Angeles at age 11, and in 1932 studied painting briefly at the California School of Fine Arts in San Francisco. Motherwell received a B.A. from Stanford University in 1937 and enrolled for graduate work later that year in the Department of Philosophy at Harvard University, Cambridge, Massachusetts. He traveled to Europe in 1938 for a year of study abroad. His first solo show was presented at the Raymond Duncan...

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