This exquisite lithograph by Andre Beaudin (1895–1979), titled Femme a la Trompette (Woman with a Trumpet), from Regards Sur Paris (Views of Paris), originates from the January 22, 1963 issue published by Andre Sauret, Editeur, Paris, and printed by Mourlot Freres, Paris, 1963. This visionary composition reflects Beaudin’s mastery of the lithographic medium, embodying his refined synthesis of structure and lyricism through rhythmic line, balanced form, and a luminous sense of harmony.
Executed as a lithograph on grand velin d'Arches paper, this work measures 15.35 x 11.81 inches (38.99 x 30.00 cm). Hand signed and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century.
Artwork Details:
Artist: Andre Beaudin (1895–1979)
Title: Femme a la Trompette (Woman with a Trumpet), from Regards Sur Paris (Views of Paris), January 22, 1963
Medium: Lithograph on grand velin d'Arches paper
Dimensions: 15.35 x 11.81 inches (38.99 x 30.00 cm)
Inscription: Hand signed and unnumbered as issued
Date: 1963
Publisher: Andre Sauret, Editeur, Paris
Printer: Mourlot Freres, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From Regards Sur Paris, published by Andre Sauret, Editeur, Paris, 1963
Notes:
Excerpted from the folio (translated from French), Completed printing on January 22, 1963, on the presses of the Imprimerie Nationale de France, Daniel Gibelin being director, Georges Arnoul, inspector of typography. This work was composed by hand in type known as “Romain du Roi,” size 24, engraved in 1699 by Grandjean under the order of Louis XIV. The original lithographs were printed by Mourlot Freres and the stones effaced after printing. Justification of the edition, CLXXX examples on grand Velin d'Arches, comprising as follows: X examples numbered at the press from I to X, including a suite on Japon nacre of the original lithographs signed by the artists and a suite on Arches. XX examples numbered at the press from XI to XXX, including a suite on Arches of the original lithographs. CXX examples numbered from XXXI to CL. XXX examples hors commerce marked H.C., reserved for the authors, artists, and craftsmen of the work. All colophons are signed by the ten authors and the ten artists.
About the Publication:
Regards Sur Paris (Views of Paris), published on January 22, 1963 by Andre Sauret in Paris and printed by Mourlot Freres, represents a significant achievement in the tradition of French illustrated folios, bringing together leading literary and artistic figures in a unified creative endeavor. Conceived as a collaborative project, the publication pairs texts by ten authors with original lithographs by ten artists, creating a rich dialogue between word and image that reflects the cultural vitality of mid-20th century Paris. Produced with exceptional craftsmanship, the typography was composed by hand at the Imprimerie Nationale de France using the historic “Romain du Roi” typeface, while the lithographs were executed under the expert supervision of Mourlot Freres, ensuring the highest standards of printmaking. The careful structuring of the edition, including impressions on grand velin d'Arches and special suites on Japon nacre, underscores the publication’s status as a refined collectors’ work. As a whole, Regards Sur Paris stands as a testament to the enduring importance of collaboration between writers, artists, printers, and publishers, embodying the intellectual and artistic spirit of modern France.
About the Artist:
Andre Beaudin (1895–1979) was a French painter, sculptor, and draftsman whose refined synthesis of Cubism, lyrical abstraction, and modern harmony positioned him among the most poetic and sophisticated artists of the 20th century. Born in Mennecy, France, Beaudin studied at the Ecole des Arts Decoratifs in Paris, where he absorbed the structural innovations of early Cubism under the profound influence of Pablo Picasso and Georges Braque, while also engaging with the vibrant avant garde community that included Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. Beaudin’s work evolved from Cubist geometry into a fluid, organic abstraction characterized by rhythmic lines, radiant color, and balanced spatial composition. His paintings and sculptures reveal a lyrical sensitivity structured yet graceful, intellectual yet deeply emotional that distinguished him from both his contemporaries and successors. Working in the thriving postwar Parisian art scene, Beaudin helped bridge the gap between the analytical precision of early modernism and the expressive freedom of mid century abstraction. His art, infused with light and musicality, often drew inspiration from nature birds, flora, and celestial forms rendered in dynamic harmony and his biomorphic forms shared affinities with Miro and Calder, though his tone remained more contemplative and inward. Exhibited internationally at the Salon des Independants, the Venice Biennale, and the Musee National d’Art Moderne, his work garnered critical acclaim for its purity and rhythmic balance. Beaudin’s influence extended to later artists of the Ecole de Paris and the lyrical abstraction movement, including Jean Bazaine, Serge Poliakoff, and Alfred Manessier, who admired his ability to unite geometric clarity with spiritual depth. His works reside in major institutions such as the Centre Pompidou in Paris, the Tate in London, and the Museum of Modern Art in New York, and remain highly sought after by collectors for their elegance and timeless modernity. His highest auction record was achieved by Composition abstraite (1949), which sold for 97075 USD at Christies, Paris, on June 2, 2021, confirming Andre Beaudin’s enduring legacy as one of the most lyrical, balanced, and visionary modernists of the 20th century.
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