1972
Eduardo Chillida studied in Madrid and then went to Paris, where he was influenced by Pablo Palazuelo in his first figurative work, done in plaster and clay. Other influences were Frank Lloyd Wright, Albert Giacometti and Joan Miro. In 1950, he began doing printmaking lithography, woodcuts, etchings, drypoints and silkscreens. His graphics are not related to his sculpture but are creative expressions unto themselves. During the 60s, his graphics tended to be massive black lines on white, giving the appearance of realistic shapes.
Théogonie I - Abstract, Etching, Greek, Mythology, Acient, Black, Brown
By Georges Braque
Located in Köln, DE
Etching in Brown and Black "Théogonie I" by Georges Braque from 1949. The edition comprises approx. 30 copies. The present copy is numbered in pencil below the platemark on the l...
Color, Etching
Théogonie II - Abstract, Etching, Greek, Mythology, Acient, Black, Gray
By Georges Braque
Located in Köln, DE
Etching "Théogonie II" by Georges Braque from 1949. The edition comprises 90 copies. The present copy is numbered in pencil below the platemark on the left, signed on the right, ...
Etching
Oiseau de passage - Modern, Etching, Bird, Animal
By Georges Braque
Located in Köln, DE
Etching in colour "Oiseau de passage" (Passing bird) by Georges Braque from 1961. The edition on BFK Rives comprises approx. 75 copies. The present copy is numbered in pencil belo...
Color, Etching
Sirens II - 20th Century, Robert Motherwell, Figurative, Print, Expressionist
By Robert Motherwell
Located in Köln, DE
An aquatint etching out of 1988 in a very good condition and bright colours. 57 x 66 cm. Edition of 90, signed and numbered.
Aquatint
Australian Stone - Modern, Expressionism, Collage, Aquatint, Red, Abstract
By Robert Motherwell
Located in Köln, DE
Aquatint in colours and collage "Australian Stone" by Robert Motherwell from 1983-1984. The edition on Hawthorne comprises 67 copies. This present copy is signed, inscribed and n...
Mixed Media, Color, Aquatint, Etching
Abstract Print from "Series II" by Joan Miró, Graphic artwork, Black and White
By Joan Miró
Located in Köln, DE
from "Series II" - Joan Miró, Graphic artwork, Miró, Black and White Aquatint etching from 1947, printed in 1952-1953, 50,5 x 64,7 cm, Edition of 13, in complete approx. 20 Exemplars...
Aquatint
10th anniversary of the Maeght Foundation
By Eduardo Chillida
Located in Paris, FR
Wood engraving, 1974 Edition : 71/120 Publisher : Maeght (Paris) Printer : Fequet et Baudier (Paris) Image dimensions : 18.00 cm. x 22.00 cm. (7.09 in. x 8.66 in.) Paper dimensions :...
Engraving
Spanish Artist signed limited edition original art print aquatint etching
By Eduardo Chillida
Located in Miami, FL
Eduardo Chillida (Spain, 1924-2002) 'Estampa V', 1998 It belongs to the folder "La indetenible quietud" that includes 6 etchings by Eduardo Chillida and 32 poems by Clara Janés. aqua...
Paper, Etching, Aquatint
Spanish Artist signed limited edition original art print aquatint etching
By Eduardo Chillida
Located in Miami, FL
Eduardo Chillida (Spain, 1924-2002) 'Estampa VI', 1998 It belongs to the folder "La indetenible quietud" that includes 6 etchings by Eduardo Chillida and 32 poems by Clara Janés. aqu...
Paper, Etching, Aquatint
Spanish Artist signed limited edition original art print aquatint etching
By Eduardo Chillida
Located in Miami, FL
Eduardo Chillida (Spain, 1924-2002) 'Estampa VI', 1998 It belongs to the folder "La indetenible quietud" that includes 6 etchings by Eduardo Chillida and 32 poems by Clara Janés. aqu...
Paper, Etching, Aquatint
Spanish Artist signed limited edition original art print chine colle drypoint
By Eduardo Chillida
Located in Miami, FL
Eduardo Chillida (Spain, 1924-2002) 'Korapillo I', 1982 chine colle, dry point on japanese paper 25.6 x 19.7 in. (65 x 50 cm.) Edition of 50. Original 62 of which 50 belong to the regular edition. P/A: 7, H.C.: 5 Unframed ID: CHI1038-012 Hand-signed by author It is documented in Chillida, E. (1999). Eduardo Chillida – Opus P. II 1973-1985. Chorus – Verlag, pp 288 – 289. Nr 82002. ____________________________________________________ He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements. Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes. Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own. His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production. The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999). Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...
Paper, Drypoint
Place I Leku I - Spanish Abstract Art
By Eduardo Chillida
Located in London, GB
EDUARDO CHILLIDA 1924-2002 1924 - San Sebastián - 2002 (Spanish/Basque) Title: Place I Leku I, 1969 Technique: Original Hand Signed and Numbered Etching on Chiffon de Mandeure Wo...
Etching
