1999
Ed Ruscha 20th LA Film Festival poster print, HAND SIGNED with superb provenance
By Ed Ruscha
Located in New York, NY
20th LA Film Fest (Hand Signed), 2014 Offset Lithograph with Ed Ruscha authograph 36 × 24 inches Boldly signed on the front in black marker by Ed Ruscha Published by Film Independent...
Offset
Abstraction for Lincoln Center, Hand signed dated, inscribed by Thomas Nozkowski
By Thomas Nozkowski
Located in New York, NY
THOMAS NOZKOWSKI Mostly Mozart (Hand signed and inscribed), 2007 Offset Lithograph. Hand signed dated 2016 and inscribed to Kevin 29 × 35 inches Personally signed and dedicated by No...
Offset
The Butler Institute of American Art poster (Hand Signed by Peter Halley)
By Peter Halley
Located in New York, NY
Peter Halley New Works, The Butler Institute of American Art (Hand Signed), 1999 Offset lithograph poster (signed by Peter Halley) 38 × 21 1/2 inches Boldly signed in black marker by...
Offset, Lithograph
Richard Anuszkiewicz Celebrate New York, hand signed inscribed silkscreen poster
By Richard Anuszkiewicz
Located in New York, NY
Richard Anuszkiewicz Celebrate New York (hand signed limited edition poster), 1974 Silkscreen on wove paper Hand-signed by artist, signed, dated and inscribed "to Lowell" on the fron...
Screen
New York City Center mid 1960s geometric design Pop Art hand signed and numbered
By Robert Indiana
Located in New York, NY
Robert Indiana New York City Center of Music and Drama (Hand signed limited edition), 1968 Color Silkscreen 35 × 25 inches Edition 23/144 Hand signed and dated lower right recto; num...
Screen
Rare Albright Knox museum poster (hand signed and inscribed to renowned curator)
By Dan Flavin
Located in New York, NY
Dan Flavin Dan Flavin at Albright Knox Gallery (hand signed and inscribed to renowned curator) Offset Lithograph. Hand signed and inscribed by Dan Flavin 18 × 22 inches Provenance: Estate of artist and collector Rick Collar Unframed Uniquely inscribed and hand signed 1972 Dan Flavin exhibition poster from his Albright Knox exhibition. Dan Flavin hand signs and inscribes it to Paulus Hendrik Hefting, the curator of the Neue Nationalgalerie in Berlin. The inscription reads: "Best regards and best wishes to you especially in "diagrams and drawings". What Flavin is referring to is the important exhibition also in 1972, "Diagrams & Drawings" curated by Hefting, at the Rijksmuseum Kröller-Müller (Netherlands), which featured Carl Andre, Christo, Walter De Maria, Dan Flavin, Michael Heizer, Don Judd, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Richard Serra, Robert Smithson. An extremely rare signed poster with a unique inscription to a major European curator referencing an historic Minimalist exhibition in the early 1970s. We may not see the likes of something like this anytime soon! Dan Flavin Biography From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on the wall, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to establish and redefine space. Flavin’s first solo exhibitions were held at the Judson Gallery in 1961 and the Green Gallery in 1964, both in New York. His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective. His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968). Flavin’s work would continue to be presented internationally over the course of the pursuant decades at venues including the St. Louis Art Museum, Missouri (1973); Kunsthalle Basel (1975); Museum Boymans-van Beuningen, Rotterdam (1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others. A major museum retrospective devoted to Flavin’s work was organized, in cooperation with the Estate of Dan Flavin, by the Dia Art Foundation in association with the National Gallery of Art, Washington, DC, where it was first on view in 2004. The exhibition traveled from 2005 to 2007 to the Modern Art Museum of Fort Worth, Texas; Museum of Contemporary Art, Chicago; Hayward Gallery, London; Musée d’Art Moderne de la Ville de Paris...
Pencil, Lithograph, Offset
Lincoln Center Festival 2001 Poster
By Sam Gilliam
Located in New York, NY
Medium: Serigraph Poster Size: 34 3/4 in × 39 1/2 in Framed Size: 36 3/4 in x 41 1/2 in Signed: No Framing Options: Available in Black, White, & Natural Frames *posters framed to the edge of paper Large colorful abstract screenprint by African-American color field painter and lyrical abstractionist artist Sam Gilliam from a deluxe, limited edition of 108. Signed by Gilliam and numbered in pencil. Published by Lincoln Center List Poster and Print Program, New York. This poster was a part of those produced in partnership with Lincoln Center & Vera List Art...
Screen
1970 New York Film Festival Rosenquist Original Vintage Poster
By James Rosenquist
Located in Winchester, GB
Beautiful poster for the 8th New York Film Festival, held between September 10th to 20th 1970 at the Philharmonic Hall at Lincoln Center. This piece "Short Cuts" was designed by the ...
Paper
Original 1987 New York Film Festival Poster by Sol LeWitt
By Sol LeWitt
Located in PARIS, FR
Designed by the celebrated American conceptual artist Sol LeWitt (1928–2007) for the 25th New York Film Festival, this original 1987 poster perfectly embodies the artist's distinctive visual language, where geometry, repetition and systematic order become powerful aesthetic statements. Created for the Film Society of Lincoln Center, the poster commemorates one of the world's most prestigious annual celebrations of international cinema. The composition is striking in its simplicity. Four adjoining squares filled with carefully arranged vertical, horizontal and diagonal black lines create an elegant optical rhythm that is instantly recognizable as LeWitt's work. The minimal palette of black and white reinforces the graphic precision of the design, while the subtle shifts in direction produce a dynamic visual tension that rewards prolonged viewing. One of the pioneers of Conceptual Art and Minimalism, Sol LeWitt transformed contemporary art by arguing that the underlying idea was as important as the finished object. Throughout his career he developed systems based on geometric forms, serial structures and predetermined rules, producing wall drawings, prints and sculptures that continue to influence generations of artists and designers. His work is represented in the collections of the Museum of Modern Art, the Guggenheim Museum, Tate Modern and countless major institutions worldwide. Founded in 1963, the New York Film Festival quickly established itself as one of the most influential showcases for international auteur cinema. Organized by the Film Society of Lincoln Center, it has premiered landmark works by directors including Ingmar Bergman, Federico Fellini, Akira Kurosawa, Martin Scorsese, François Truffaut, Pedro Almodóvar and many others. The 1987 edition, celebrating the festival's twenty-fifth anniversary, marked an important milestone in its history. Rather than illustrating scenes from cinema, LeWitt chose to create an abstract composition that reflects the structural language shared by both modern art and filmmaking. The orderly arrangement of lines recalls rhythm, editing and visual sequencing—the essential building blocks of cinematic storytelling—while remaining entirely autonomous as a work of graphic art. Posters commissioned by major cultural institutions from internationally renowned contemporary artists occupy a unique place within twentieth-century design history. They function simultaneously as exhibition announcements and collectible original artworks, bridging the worlds of fine art, graphic design and cultural history. Elegant, intellectually engaging and visually timeless, this original 25th New York Film Festival poster...
Linen, Paper, Lithograph
1968 Allan D'Arcangelo 'Lincoln Center Festival' Screen Print Pop Art Vintage
By Allan D'Arcangelo 1
Located in Brooklyn, NY
This is a first-edition serigraph poster designed by Allan D’Arcangelo for the 1968 Lincoln Center Festival in New York, one of the cultural highlights of the city's annual art calen...
Screen
1972 10th New York Film Festival - Josef Albers Signed Original Vintage Poster
By Josef Albers
Located in Winchester, GB
Beautiful poster for the 10th New York Film Festival, held between September 29th to October 14th 1972 at the Alice Tully Hall at Lincoln Center. This extremely rare piece was produced in 1972 as a limited edition of 144 hand signed editions and is signed by renowned German-American artist Josef Albers. Albers is one of the most prominent artists and art teachers of the 20th century and this piece exemplifies his well known colour theory. The festival featured films by the likes of Luis Bunuel, Robert Altman and Ken Loach...
Paper
1969 7th New York Film Festival Original Vintage Poster
Located in Winchester, GB
Brilliant poster for the 7th New York Film Festival, held between September 16th to October 2nd 1969 at the Alice Tully Hall at Lincoln Center. This piece features artwork by Marisol...
Paper
Once built for curbs and handrails, these boards now hang beside blue-chip works in major museums and collectors’ homes.
Americans are rediscovering the globe-trotting painter and poet, who was connected to all sorts of art movements across a long and varied career.
