1979
Jim Bird was a well known abstract painter and printmaker. He was born in Bloxwich, West Midlands. He had over 100 one-man shows and exhibited widely throughout the world, including at Galeria Joan Prats, Barcelona; the Art Package, Chicago; Redfern Gallery, London; River Gallery, Westport; Goldman-Kraft Gallery, Chicago; Lucy Berman Gallery, Palo Alto; and Gallery Art Alpha, Tokyo. He also showed at the Basel Art Fair, the International Navy Pier Exposition in Chicago and the International Print Biennale, England. His work was featured in the Journal of Art Illustrated (June, July, August 1991) in an article entitled “The Elusive Monotype: Painting or Print?" and, in 1994, his work was featured in the first issue of Graven Images: Studies in Culture, Law, and the Sacred, published by the University of Wisconsin Law School.
In 1962, Bird left a successful design studio in England to live as an artist in Spain. He soon became affiliated with Galeria Joan Prats, one of the most prestigious galleries in Spain. After coming to the U.S. in 1980, one of the first people Bird looked up was Robert Motherwell. He and Motherwell became friends and exhibited their work together both in Spain and the U.S. Bird's works frequently depict what he calls “Landscapes of the Mind,” most often keyed to his memories and feelings about Spain, but all concerned with the space in which the human spirit creates to discover its freedom. As Bird said in a 1990 essay for a show at Galeria Joan Prats, his longtime dealer, "If one accepts the premise that art can be the mirror within which we may see ourselves, then the quest should be to get the glass true. The problem is that it never is quite true and the image we see is distorted; but before dismissing one mirror for another, judgment should be suspended, as mostly the unconscious reach is greater than the conscious grasp. It is obvious that great art has its source at some point beyond conscious striving, and if this fount is to become accessible it requires an act of faith on the part of the artist to do “nothing” and to allow the dreaming and fantasizing, that least understood part of the creative endeavor, to take place, the space in which the wretchedness of the human condition is re-composed and put into an acceptable form."
Untitled Composition - De Luxe Edition (British Modernism, Geometric, ~45% OFF)
By Jim Bird
Located in Kansas City, MO
Jim Bird Untitled Composition - De Luxe Edition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph on Fine Paper with Deckled Edges Year: 1979...
Lithograph
Untitled Abstract Composition
By Fred Alfred Theophil Fathwinter
Located in Kansas City, MO
Fred Alfred Theophil Fathwinter Untitled Abstract Composition Monotype Year: 1969 signed, numbered and dated by hand Size: 11.0×3.9in on 11.6×8.3in COA provided Ref.: 924802-1180 Fathwinter, artist name for Franz Alfred Theophil Winter (May 23, 1906 in Mainz, † June 27, 1974 in Düsseldorf), was an artist of the Informel. From 1924 to 1927 he studied at the State School for Arts and Crafts in Mainz and in 1929/30 in evening classes at the Städelschule in Frankfurt am Main. During the National Socialist period he was banned from exhibiting. His evacuation to Murnau in 1942 led to a closer acquaintance with Gabriele Münter...
Monotype
Untitled (Geometric Abstraction Minimalism, ~60% OFF LIST PRICE)
By Max Bill
Located in Kansas City, MO
Max Bill Composition with white center Color silkscreen Year: 1972 Edition: Edition for "Look at" Size: 23.3 × 23.3 inches Unsigned, unknown edition size (pres. ~2,000) - sometimes a...
Screen
Untitled Abstract I (Hard-Edge, Geometric, Wave, Earth Tones, Post-War)
By Hannes Grosse
Located in Kansas City, MO
Hannes Grosse Untitled Abstract I Color Silkscreen on "Roemerturm"-Buetten, 225gsm Year: 1978 Size: 27.3 × 19.4 inches (69.4 x 49.4 cm) Edition: 71 of 160 Signed, numbered and date...
Screen
Concrete Composition (Konkrete Kunst, Constructivsm, Geometric Abstraction)
By Friedrich Geiler
Located in Kansas City, MO
Friedrich Geiler Concrete Composition (Konkrete Kunst, Constructivsm, Geometric Abstraction) Linocut Year: 1974 Signed, numbered and dated by hand Edi...
Linocut
Gestural Abstraction (Modern, Mid-Century, Hypnotic, 40% OFF & $5 U.S. SHIPPING)
By Hannes Grosse
Located in Kansas City, MO
Hannes Grosse Title: Gestural Abstraction Medium: Color silkscreen Size: 23 × 16 inches Year: 1969 Signed and dates by the artist COA provided Condition: Overall good vintage condit...
Lithograph
Composition - Lithograph - Late 20th Century
Located in Roma, IT
Composition is an original lithograph artwork on cardboard, realized by The artist of the Late 20th Century Hand-signed on the lower right. Numbered on the lower left, Edition VIII...
Lithograph
Geometric Composition - Original Lithograph
By Max Bill
Located in Paris, IDF
Max BILL (1908-1994) Geometric composition, 1975 Original lithograph (Mourlot workshop) Unsigned Limited edition of 575 unnumbered copies On Arches vellum paper 35 x 27 cm (c. 14 x ...
Lithograph
Pencil Signed Abstract Geometric Graphic Design Lithograph Print, Bauhaus Artist
By M. Peter Piening
Located in Surfside, FL
M. Peter Piening was born on March 14, 1908 in Grabow, Germany. He began his education at a private school in Italy, studied at the Jesuit school of Kloster Ettal in Bavaria, and attended the German Stettin Gymnasium, where he graduated in 1926. Between 1926 and 1928 Piening studied design at the Bauhaus in Dessau, Germany. There he was taught by multiple famous twentieth-century artists, including Joseph Albers, Paul Klee and Mies van der Rohe. After receiving his master’s degree from the Bauhaus in 1929, Piening enrolled at the University of Berlin and obtained his PhD in philosophy in 1931. Piening spent his early career free-lancing as an illustrator and artist for various publishing companies, eventually settling in Paris to work for Condé-Nast’s French publication of Vogue. In 1934 he moved to the United States to work in Condé-Nast’s New York City office. For the next two decades, Piening worked for many important advertising agencies and magazine publishers, including the N. W. Ayer and J. Walker Thompson agencies and Life and Fortune magazines. As art director for Life in the 1930s and for Fortune in the 1940s, Piening completely redesigned the layout of each magazine. He also redesigned the layouts for thirty-four other major American magazines, including Town & Country and Cosmopolitan. Through his design work, Piening had a great impact on the American public, although the millions who encountered his work most likely never knew his name. Between 1934 and 1964, Piening designed over sixty logos and trademarks for internationally-known products and companies. His most widely-recognized logo may have been the three interlocking rings of Ballantine beer. Piening’s other trademark designs include the Lincoln Zephyr...
Lithograph
Untitled (Edition 7/75)
By Kyohei Inukai
Located in New York, NY
Kyohei Inukai (aka Earle Goodenow), American (1913 - 1985), "Untitled" Edition 7/75, Abstract / 3D/ Modern Serigraph signed and numbered in pencil, 23.25 x 34.50, Late 20th Century ...
Screen
Pencil Signed Abstract Geometric Graphic Design Lithograph Print, Bauhaus Artist
By M. Peter Piening
Located in Surfside, FL
M. Peter Piening was born on March 14, 1908 in Grabow, Germany. He began his education at a private school in Italy, studied at the Jesuit school of Kloster Ettal in Bavaria, and attended the German Stettin Gymnasium, where he graduated in 1926. Between 1926 and 1928 Piening studied design at the Bauhaus in Dessau, Germany. There he was taught by multiple famous twentieth-century artists, including Joseph Albers, Paul Klee and Mies van der Rohe. After receiving his master’s degree from the Bauhaus in 1929, Piening enrolled at the University of Berlin and obtained his PhD in philosophy in 1931. Piening spent his early career free-lancing as an illustrator and artist for various publishing companies, eventually settling in Paris to work for Condé-Nast’s French publication of Vogue. In 1934 he moved to the United States to work in Condé-Nast’s New York City office. For the next two decades, Piening worked for many important advertising agencies and magazine publishers, including the N. W. Ayer and J. Walker Thompson agencies and Life and Fortune magazines. As art director for Life in the 1930s and for Fortune in the 1940s, Piening completely redesigned the layout of each magazine. He also redesigned the layouts for thirty-four other major American magazines, including Town & Country and Cosmopolitan. Through his design work, Piening had a great impact on the American public, although the millions who encountered his work most likely never knew his name. Between 1934 and 1964, Piening designed over sixty logos and trademarks for internationally-known products and companies. His most widely-recognized logo may have been the three interlocking rings of Ballantine beer. Piening’s other trademark designs include the Lincoln Zephyr...
Lithograph
Pencil Signed Abstract Geometric Graphic Design Lithograph Print, Bauhaus Artist
By M. Peter Piening
Located in Surfside, FL
M. Peter Piening was born on March 14, 1908 in Grabow, Germany. He began his education at a private school in Italy, studied at the Jesuit school of Kloster Ettal in Bavaria, and attended the German Stettin Gymnasium, where he graduated in 1926. Between 1926 and 1928 Piening studied design at the Bauhaus in Dessau, Germany. There he was taught by multiple famous twentieth-century artists, including Joseph Albers, Paul Klee and Mies van der Rohe. After receiving his master’s degree from the Bauhaus in 1929, Piening enrolled at the University of Berlin and obtained his PhD in philosophy in 1931. Piening spent his early career free-lancing as an illustrator and artist for various publishing companies, eventually settling in Paris to work for Condé-Nast’s French publication of Vogue. In 1934 he moved to the United States to work in Condé-Nast’s New York City office. For the next two decades, Piening worked for many important advertising agencies and magazine publishers, including the N. W. Ayer and J. Walker Thompson agencies and Life and Fortune magazines. As art director for Life in the 1930s and for Fortune in the 1940s, Piening completely redesigned the layout of each magazine. He also redesigned the layouts for thirty-four other major American magazines, including Town & Country and Cosmopolitan. Through his design work, Piening had a great impact on the American public, although the millions who encountered his work most likely never knew his name. Between 1934 and 1964, Piening designed over sixty logos and trademarks for internationally-known products and companies. His most widely-recognized logo may have been the three interlocking rings of Ballantine beer. Piening’s other trademark designs include the Lincoln Zephyr...
Lithograph
