Hai-Ku Series
By Joan Miró
Located in Missouri, MO
Color Lithograph Ed. 15/100 Signed and Numbered
Category
1960s Abstract Abstract Prints
Materials
Lithograph
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Joan MiróBethsabee1972
1972
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
About the Item
Joan Miro
“Bethsabee” 1972
Etching and Aquatint in Colors on Wove Paper
Hand-Signed by the Artist in Pencil Lower Right
Numbered in Pencil “5/50” Lower Left
Maeght editeur Pairs
Printing: Morsang, Paris
Sheet Size: 36 x 24 3/4 inches
Framed Size: approx 41 x 39 inches
Catalogue Raisonne: Miro Engravings Vol. 2 (1961-1973), Pg. 197, #556
Joan Miro was born in Barcelona, Spain on April 20, 1893, the son of a watchmaker. From 1912 he studied at the Barcelona Ecole des Beaux-Arts and the Academie Gali. In the first quarter of the 20th century, Barcelona was a cosmopolitan, intellectual city with a craving for the new in art, music and literature. But it was not the place where great art was being made. That place was Paris and Miro established himself there at the age of twenty-six. He made friends with Pablo Picasso, Alexander Calder, Ernest Hemingway, Max Ernst and Paul Klee and was accepted as a Surrealist, looking stronger as the years went by. He lived alone in Paris in total poverty, but everytime he went out he wore a monocle and white spats. He kept his brushes clean, waxed and polished the floor of his studio and arranged his canvases in neat order.
Miro went about his career with orderly determination. He wrote to Picasso in 1929 that he was looking for a studio, a dealer and a wife. That same year he married the daughter of family friends. Her name was Pilar Juncosa and they were happily married in 1929 and were together for fifty-four years. They had one daughter, Dolores.
Miro was certainly the most distinguished painter of Catalonia; he was intensely proud of that fact. All of his work was conceived in Montroig (the site of his family's farm). Most important of these was the painting named The Farm which did not sell in Paris and was sold finally to Ernest Hemingway for $250.
He was the most enduring of the Surrealist artists; he first visited the United States in 1947 in order to execute a mural Commission in Cincinnati, Ohio. His reputation had preceded him and he had already had enormous influence on such American artists as Adolph Gottlieb and Mark Rothko, who had adopted his Surrealist automatism and mysterious primitive symbols for their own purposes.
Miro had tried his hand at ceramics, bronze sculpture, printmaking, book illustration, posters, costume design, etc. He was seventy-nine years old when he began his series of monumental bronzes. When he was eighty, he joined forces with a young Spaniard named Josep Royo who was a weaver of tapestries. Miro would spread Royo's tapestries on the floor and proceed to design changes, adding all kinds of materials, painting some areas, even burning areas. The result was a series called Sobreteixims. Miro has transformed the Royo tapestries from admirable folk art into perhaps masterpieces.
He died on Christmas Day in 1983 in Palma Majorca where he had lived and worked for several years.
Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California.
Sources include:
Master Paintings from the Phillips Collection
Peter Plagens in Newsweek Magazine, October 25, 1993
David Galloway in ARTnews, May 1998
Miro's "Little Miracles" by Arthur C. Danto in ARTnews, October 1993
A.T.Baker in Time Magazine, November 26, 1973
Smithsonian Magazine, date unknown
Joan Miró
With his wide-ranging oeuvre, comprising strikingly original paintings, prints, ceramics, sculptures, metal engravings and murals, Catalan modernist Joan Miró was a critical force in moving 20th-century art toward complete abstraction. Although often considered an early Surrealist because of his nonobjective imagery and evocation of the subconscious, he defies neat categorization.
Miró’s identity is largely rooted in the city of his birth: Barcelona. To this day, a number of his public artworks can be found there, including the 72-foot-tall statue Dona i Ocell (Woman and Bird), 1983. Female and avian forms, along with bright colors and the theme of Catalan pride, are recurring elements in his work.
The radical visual world Miró created with his expressive lines, signature symbols and biomorphic shapes influenced such American Abstract Expressionists as Jackson Pollock and Color Field painters like Mark Rothko and Barnett Newman.
Mirò continued to work and experiment until his death at the age of 90 in 1983. Five years before that, he was quoted saying, “I painted these paintings in a frenzy, with real violence so that people will know that I am alive, that I’m breathing, that I still have a few more places to go. I’m heading in new directions.”
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