Mario Persico

Chart 1970 - Lithograph by Mario Persico - 1970 ca.

1970

Lithograph on paper. Hand signed and numbered in pencil. Edition of 100. Excellent condition.

Sign Board is a contemporary artwork realized by Mario Persico in 1970 Mixed colored lithograph Title and date on the lower margin. Hand signed by the artist Numbered on the lowe...

Sign Board is a contemporary artwork realized by Mario Persico in 1970 Mixed colored lithograph Title and date on the lower margin. Hand signed by the ar...

Sign Board is a contemporary artwork realized by Mario Persico in 1970.  Mixed colored lithograph.  Title and date on the lower margin. Hand-signed by th...

23/100, 1974. Paper, lithograph, 43x65 cm

Jimmy Ernst  Plate I - 1970 Print - Screen Print on Heavy Paper 28'' x 37'' inches Edition: Signed in pencil and numbered 112/125 Jimmy Ernst’s artwork was influenced by a number of powerful talents and vital currents in the art of his time. Son of Max Ernst, Jimmy drew upon the biomorphic and surreal compositions of his father, as well as Arp, Klee, André Breton, and Lyonel Feininger. His mature oil paintings, which emerged in the 1950s and 1960s, reflect the Atomic Age aesthetic of the period. Often, they resemble crystals or webs; many look like vast labyrinths and are interpreted as symbols of the unconscious mind. Ernst was always interested in spirituality and drew inspiration from indigenous American art...

This untitled lithograph by Johnny Friedlaender was published as part of Editions du XXème Siècle and exemplifies the artist’s distinctive abstract style. Known for his innovative te...

Jimmy Ernst  Plate II - 1970 Print - Screen Print on Heavy Paper 28'' x 37'' inches Edition: Signed in pencil and numbered 24/125 Jimmy Ernst’s artwork was influenced by a number of powerful talents and vital currents in the art of his time. Son of Max Ernst, Jimmy drew upon the biomorphic and surreal compositions of his father, as well as Arp, Klee, André Breton, and Lyonel Feininger. His mature oil paintings, which emerged in the 1950s and 1960s, reflect the Atomic Age aesthetic of the period. Often, they resemble crystals or webs; many look like vast labyrinths and are interpreted as symbols of the unconscious mind. Ernst was always interested in spirituality and drew inspiration from indigenous American art...